Shop

Showing 6865–6888 of 9354 results

Poggio a Cajano, Prato, 1826

30,00 

Poggio a Cajano, Prato It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Poiana, Desert Buzzard, 1875

25,00 

Poiana, Desert Buzzard è una litografia acquarellata d’epoca, realizzata nel 1875 e tratta dall’opera A HISTORY OF BIRDS OF EUROPE di Charles Robert Bree, pubblicata a Londra.
Questa affascinante stampa rappresenta un rapace in un contesto naturale, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 14×22 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Poiana, Long-Legged Buzzard, 1875

25,00 

Poiana, Long-Legged Buzzard It is a vintage watercolour lithograph, made in 1875 and taken from A HISTORY OF BIRDS OF EUROPE by Charles Robert Bree.
Questa opera, pubblicata a Londra, presenta un’illustrazione dettagliata di un rapace, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Pula, Arch of Triumph, 1796

40,00 

Pula, Arch of Triumph It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Polcevera, 1889

25,00 

Polcevera, 1889 it is a woodcut representing the grape harvest in the Polcevera region.
This work is taken from the Italian illustration, published by the Treves Brothers in Milan in 1889.

  • Sheet size: mm. 210×310
  • Engraving size: almost no margins
  • Technique: Woodcut on end grain wood
  • Condition: Good, with writing on the back
  • Support: Paper

Polidette trasformato in roccia, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Polla, Salerno, 1860

15,00 

Polla, Salerno, 1860 è un’incisione xilografica su legno di tesa, realizzata nel 1860.
Questa opera presenta una didascalia in tedesco gotico ed è stata tratta da un libro tedesco.

  • Sheet size: mm. 240×190
  • Margins: almost absent
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book with writing on the back

Polli attaccati da rapaci, M.Hondekoeter, 1840-50

20,00 

Polli attaccati da rapaci è un’incisione realizzata da M. Hondekoeter tra il 1840 e il 1850.
Questa opera, che rappresenta un drammatico incontro tra polli e rapaci, è stata pubblicata nella Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pollivendolo, Gabr. Metsu, 1840-50

20,00 

Pollivendolo è un’incisione realizzata da Gabr. Metsu tra il 1840 e il 1850.
Questa opera, conosciuta come The Poulterer, è un’acquaforte su carta forte, pubblicata in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Polonia, C.F. Delamarche, 1816

70,00 

Polonia, C.F. Delamarche, 1816 è una mappa dettagliata della Polonia, che illustra i suoi dipartimenti.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù e pubblicato a Parigi da Delamarche nel 1816.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Good condition, with some peeling and a central editorial crease

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, 1834

25,00 

Pompeii, 1834 It is a steel engraving representing an important work of the 19th century.
This engraving is taken from Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main in 1834.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms on the white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Vogel, which represents the City gate of Pompeii on the side of Herculaneum.
This work is a burin on copper sized 168×110 mm, with margins, and comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.8×11 approx.
  • Engraving size: cm. 16.8×11 approx.
  • Support: Medium paper
  • Condition: Excellent

Pompeii, 1835

20,00 

Pompeii, 1835 It is a burin engraving on steel that represents an important historical testimony.
This work is taken from L'Univers, histoire et description de tous les peuples by M. Le Chevalier Artaud.

  • Sheet size: mm 132 x 95
  • Support: Steel
  • Condition: Good margins, white back

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Coach del. Monthellier, executed with the technique of burin on copper.
This work, part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot senior, is dated between 1835 and 1837.

  • Sheet size: mm. 177 x 128
  • Condition: Good margins, perfect condition
  • Support: Heavy paper, white back

Pompeii, 1840

30,00 

Pompeii, 1840 It is a steel engraving that captures the essence of the historic city of Pompeii.
Made in 1840 and published in the volume Picturesque Italy from the publisher Ernst Kollmann of Leipzig, this work is an example of high quality engraving art.

  • Sheet size: 14 x 23 cm approx.
  • Engraving size: 10.2 x 15.5 cm approx.
  • Support: Paper
  • Condition: Excellent general condition

Pompeii, 1930-50

20,00 

Pompeii, 1930-50 it is a leporello that presents 32 views of the historic city of Pompeii black and white.
This fascinating little book offers a unique look at the beauty and history of Pompeii, making it a great addition for collectors and enthusiasts.

  • Booklet dimensions: cm. 11×17 approx.
  • Condition: Good condition
  • Support: Paper

Pompeii, 1930-50

20,00 

Pompeii, 1930-50 it is a leporello that presents 32 views of the historic city of Pompeii, all in black and white.
This fascinating little book, which offers a unique look at one of the most famous archaeological areas in the world, measures approximately cm. 11×17.

  • Condition: Good
  • Support: Paper

Pompeii, 1930-50

20,00 

Pompeii, 1930-50 it is a leporello that presents 32 views of the historic city of Pompeii black and white.
This charming little book, which measures approximately cm. 11×17, offers a unique look at one of the most famous archaeological sites in the world.

  • Booklet dimensions: cm. 11×17 approx.
  • Condition: Good condition
  • Support: Paper

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolour aquatint made by JW Huber in 1830, belonging to the first half of the 19th century.
This work is part of the publication Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich by Huber and Henry Fuessli.

  • Sheet size: cm. 9×12 (image) + 2 cm (margins)
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Amphitheatre, 1835

25,00 

Pompeii, Amphitheatre It is an engraving made in 1835 by Cook and Durau, using the technique of burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.
The engraving features a sharp and fine detail of the amphitheater of Pompeii, with the Smoking Vesuvius in the background.

  • Sheet size: cm. 110×82 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Pompeii, Amphitheatre, 1890

20,00 

Pompeii, Amphitheatre it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work represents an important historical and artistic testimony, with an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 (image) + 2 cm margins
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, House of the Faun, 1890

20,00 

Pompeii, House of the Faun it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.