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Avellino, 1871
20,00 €Avellino, 1871 it's a woodcut taken from the work The Hundred Cities of Italy, created for Ariodante Manfredi in Milazzo in 1871.
Questa stampa rappresenta un’importante testimonianza della città di Avellino nel XIX secolo.
- Sheet size: cm. 10×14 circa, più margini
- Support: Light sheet
- Condition: Excellent condition
Avellino, Ancient Customs, 1890
20,00 €Avellino, Ancient Customs It is a woodcut print made in 1890, which represents the Ancient Customs House of the Princes and the grain market.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, with text around and on the back of the sheet.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Red-Backed Shrike, 1853
15,00 €Averla capirossa (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.
- Sheet size: mm. 135×100
- Support: Medium thickness paper with white backing
- Condition: Excellent condition
Hooded Shrike, 1875
25,00 €Averla Incappucciata, conosciuta anche come Hooded Shrike, è una watercolor lithograph realizzata nel 1875.
This work is taken from A History of Birds of Europe by Charles Robert Bree, published in London in the same year.
- Sheet size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent state of preservation
Great Grey Shrike, 1853
15,00 €Averla maggiore (Great Grey Shrike) è una cromolitografia realizzata nel 1853, tratta dal volume Our Native Songsters di Anne Pratt, pubblicato a Londra.
Questa opera presenta un’immagine vivace e decorativa dell’uccello, perfetta per gli amanti della natura e della fauna avicola.
- Sheet size: mm. 135×100
- Support: Medium paper with white back
- Condition: Excellent condition
Greater Shrike, 1870
15,00 €Averla maggiore è una litografia acquarellata d’epoca, rappresentante il grande strillone.
This work is taken from A HISTORY OF BRITISH BIRDS del Rev. Francis Orpen Morris, B.A., pubblicata a Londra nel 1870.
- Sheet size: cm. 12×18 approx.
- Support: Paper
- Condition: Excellent state of preservation
Red-Backed Shrike, 1853
15,00 €Averla piccola (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print features a charming and decorative bird, perfect for nature and birdlife lovers.
- Sheet size: mm. 135×100
- Engraving size: mm. 120×90 circa
- Support: Medium thickness paper, white back
- Condition: Excellent condition
Avernus and Lake Fusaro, 1847
30,00 €Avernus and Fusaro Lake It is an engraving made in 1847, which offers a suggestive view of Lake Averno and Fusaro, located near Naples.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.
- Sheet size: mm. 150×100 approx.
- Support: Paper with wide margins and white back
- Condition: Excellent
Avernus, Lake, Phlegraean Fields, 1830
30,00 €Avernus, Lake, Phlegraean Fields It is a copper engraving colored with watercolour made in 1830.
This decorative view of Lake Avernus features vivid detail and a charming composition.
- Sheet size: mm. 190×126 plus margins
- Engraving size: mm. 190×126
- Support: Medium paper
- Condition: Excellent condition
Avernus, Lake, Phlegraean Fields, 1835
20,00 €Avernus, Lake, Phlegraean Fields It is a burin engraving made in 1835, which captures the beauty of the Phlegraean landscape.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.
- Sheet size: mm. 105×73 plus irregular margins
- Technique: Burin
- Support: Medium paper, white back
- Condition: Good state of preservation
Aversa, Entrance to the city, 1845
20,00 €Aversa, Entrance to the city it's a lithographic printing made in 1845, which represents a suggestive view of the entrance to the city of Aversa, coming from the Naples side.
This work is taken from Picturesque Polyorama, an important publication of the Kingdom of the Two Sicilies, directed by Filippo Cirelli.
- Sheet size: cm. 11×9 approx.
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the verso; it is shipped complete with mat. A fascinating work for collectors and history buffs.
Aversa, Ingresso della S.Annunziata, 1844
20,00 €Aversa, Ingresso della S.Annunziata it's a lithographic printing realizzata nel 1844 da G. Mariani.
Questa opera rappresenta l’Arco di Trionfo all’Ingresso della S.Annunziata ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione dedicata alla diffusione della cultura nel Regno delle Due Sicilie.
- Sheet size: cm. 15×18 approx.
- Support: Paper
- Condition: Excellent
La stampa è stata ritagliata dal libro e presenta scritte al verso; viene fornita completa di passepartout. Una bella veduta che arricchisce ogni collezione.
Aversa, The Magdalene, 1845
20,00 €Aversa, La Maddalena it's a lithographic printing realizzata nel 1845, che rappresenta una bella veduta della casa pe’ folli in Aversa.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.
- Sheet size: cm. 15x9 approx.
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the verso; it is shipped complete with mat.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.
Aversa, Hospice of St. Lorenzo, 1845
20,00 €Aversa, Ospizio di S.Lorenzo it's a lithographic printing realizzata nel 1845, che offre una bella veduta dell’ospizio situato ad Aversa.
This work is taken from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi sociali.
- Sheet size: cm. 15x9 approx.
- Support: Paper
- Condition: Excellent
La stampa presenta margini quasi assenti ed è stata ritagliata dal libro, con scritte al verso. Viene spedita completa di passepartout, rendendola un’ottima scelta per collezionisti e appassionati di arte.
Avezzano, The Colonna Castle, 1890
20,00 €Avezzano, The Colonna Castle it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Avignon, France, 1839
15,00 €Avignon, France, 1839 It is a copper engraving representing the historic city of Avignon, located on the banks of the Rhone.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.
- Sheet size: cm. 8×13 approx.
- Support: Paper
- Condition: Excellent
The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.
Avignon is famous for its imposing Palais des Papes, which was the seat of the Catholic Popes from 1309 to 1377, and remains an important symbol of the city's history.
Avignone, Francia, 1843
25,00 €Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.
- Sheet size: cm. 28×20 approx.
- Dimensione della immagine: cm. 8×14 approx.
- Technique: Woodcut
- Condition: buona, scritto al verso del foglio, in parte visibile al recto.
- Support: Paper
La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili, viene spedita la pagina intera che contiene la stampa.
Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.
Vulture, Bearded Vulture, 1875
25,00 €Avvoltoio, Bearded Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe di Charles Robert Bree, pubblicata a Londra.
Questa stampa rappresenta un esemplare di avvoltoio, noto per il suo aspetto distintivo e il suo habitat.
- Sheet size: cm. 16×25 approx.
- Engraving size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent condition
Avvoltoio, Cinereous Vulture, 1875
25,00 €Avvoltoio, Cinereous Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa affascinante stampa rappresenta un avvoltoio cinereo, un uccello maestoso e affascinante.
- Sheet size: cm. 16×25 approx.
- Engraving size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent state of preservation
Avvoltoio, Northern Sociable Vulture, 1875
25,00 €Avvoltoio, Northern Sociable Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa affascinante stampa rappresenta un avvoltoio sociabile del Nord, evidenziando la bellezza e la varietà della fauna avicola europea.
- Sheet size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent state of preservation
Aymaville, 1835
20,00 €Aymaville, 1835 it is a copper engraving made by Leonce Lhuillier, with the collaboration of Emaville, Grundmann and Audot.
This work offers a panoramic view of Aymaville, with the castle rising majestically in the background, making it a decorative piece of great charm.
- Sheet size: mm. 110×85 approx.
- Support: Paper
- Condition: Excellent
B. Pinelli, Destitute Family, 1815
40,00 €Destitute Family It is an engraving made by Bartholomew Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, etched by Pinelli and published in Rome in 1816.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Support: Paper
- Condition: Excellent state of preservation
Bartolomeo Pinelli, born in Rome in 1781, was an engraver and painter known for his vast artistic production, which includes approximately four thousand engravings.
His works illustrate Italian customs and the great masterpieces of literature, with a particular focus on Rome and its history.
B. Pinelli, Picturesque Group, 1815
60,00 €Picturesque Group It is an engraving made by Bartholomew Pinelli in 1815, a work that captures a picturesque family scene where members help each other clean themselves of lice.
This engraving is part of the New Collection of Fifty Picturesque Costumes, a project that celebrates Italian customs and traditions.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Paper
B. Pinelli, The Sermon in the Square, 1815
60,00 €The Sermon in the Square it is an engraving made by Bartolomeo Pinelli in 1815.
This work is part of the New Collection of Fifty Picturesque Costumes, a series of engravings illustrating the customs and daily life of the time.
- Sheet size: cm. 37×25 approx.
- Engraving size: cm. 28×19 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Paper
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