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Segovia, Spagna, 1884
20,00 €Segovia, Spagna, 1884 è una xilografia che rappresenta un affascinante scorcio del mercato di Segovia.
This work is taken from Picturesque Europe. With Illustrations on Steel and Wood by the Most Eminent Artists, published in London by Cassell & Co. in 1884.
- Sheet size: cm. 23×16 approx.
- Technique: Woodcut
- Support: Paper with printed back
- Condition: Excellent
Segovia, Spagna, 1884
20,00 €Aquedotto a Segovia è una xilografia realizzata nel 1884, che rappresenta uno dei monumenti più iconici della Spagna.
This work is taken from the volume Picturesque Europe. With Illustrations on Steel and Wood by the Most Eminent Artists, published in London by Cassell & Co.
- Sheet size: cm. 23×9 circa
- Engraving size: cm. 23×9 circa
- Support: Paper with printed back
- Condition: Excellent
Segovia, Spagna, XIX secolo
25,00 €Segovia, Spagna It is an engraving made in 19th century.
This work, made in etching, presenta un formato di cm. 9×14 alla battuta, esclusi i margini.
- Condition: Excellent condition, with white back
- Support: Unlaid paper
Sei barbe in tre secondi, 1841
20,00 €Sei barbe in tre secondi è una stampa litografica del 1841, realizzata da Grandville, che presenta un’invenzione umoristica.
This work is taken from Picturesque Polyorama, a periodical work dedicated to the dissemination of knowledge useful to all social classes.
- Sheet size: cm. 13×21 approx.
- Support: Paper
- Condition: Good
The print has been cut from the book and has writing on the back and back. The entire page containing the print will be shipped.
Selden, 1850
20,00 €Selden, è un’incisione realizzata da Rob. Hart nel 1850, utilizzando la tecnica del burin.
Questa opera è un finissimo mezzobusto, tratto da un dipinto attribuito a Sir Peter Lely e pubblicato da S. Orr & C. a Londra.
- Sheet size: cm. 10×13 più margini
- Support: Paper
- Condition: Excellent
Selden, 1850
20,00 €Selden, 1850 è un’incisione realizzata da Rob. Hart nel 1850, utilizzando la tecnica del burin.
Questa opera è un finissimo mezzobusto, ispirato a un dipinto attribuito a Sir Peter Lely e pubblicato da S. Orr & C. a Londra.
- Sheet size: cm. 10×13 più margini
- Support: Paper
- Condition: Excellent
Selinunte, C.Frommel, 1829
25,00 €Selinunte It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.
- Sheet size: cm. 13×22 approx.
- Engraving size: cm. 7×10 approx.
- Support: Paper
- Condition: Excellent state of preservation
Selinunte, C.Frommel, 1829
25,00 €Selinunte It is an engraving made by Carl Frommel In the 1829.
This work is an etching on medium paper, taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.
- Sheet size: cm. 13×22 approx.
- Engraving size: cm. 7×10 approx.
- Support: Paper
- Condition: Excellent state of preservation
Selinunte, Campo Bello, 1781-86
40,00 €Selinunte, Campo Bello It is an engraving made between 1781 and 1786, from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies by Jean-Claude Richard de Saint-Non.
This magnificent original engraving offers a beautiful animated view of Sicily, highlighting the artistic talent of the Abbot of Saint-Non, known for his contribution to the documentation of Italian landscapes.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent state of preservation
Selinunte, Ancient Ruins, 1781-86
40,00 €Selinunte, Ancient Ruins It is an engraving made between 1781 and 1786, which represents a magnificent view of the ancient ruins of Selinunte, in Sicily.
This work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies by Jean-Claude Richard de Saint-Non.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent
Selinunte, Temple of Jupiter, Saint-Non, 1781-86
40,00 €Selinunte, Temple of Jupiter It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent
The engraving offers a beautiful animated view of the Temple of Jupiter at Selinunte, representing the artistic skill and archaeological interest of the Abbot of Saint-Non, an important French traveler and patron of the arts of the 18th century.
Selinunte, Trapani, 1840
20,00 €Selinunte, Trapani it's a lithographic printing of 1840 which offers a general view of the ruins of Selinunte.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.
- Sheet size: cm. 15×19 approx.
- Condition: Excellent
- Support: Paper
- Notes: Almost no margins, cut from the book with writing on the back and back.
The print ships complete with mat, making it a beautiful decorative display for any collector.
Selinunte, Trapani, Saint-Non, 1781-86
40,00 €Selinunte, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent state of preservation
The work offers a beautiful animated view of Sicily, highlighting the artistic talent of Saint-Non, known for his contribution to art and archaeology.
Semiramide trasformata in Colomba, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
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Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
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Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
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Publisher: De l’Imprimerie Royale, Parigi, 1676
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Technique: Acquaforte su carta vergellata (testo al verso)
-
Dimensions:
-
Incisione: cm 7,5 × 9 (alla battuta del rame)
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Foglio: cm 27 × 20
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Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
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Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
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François Chauveau (1613-1676), celebre illustratore parigino
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Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Simplon and Crevola Bridge, 1834
30,00 €Simplon and Crevola Bridge It is a double steel engraving made between 1834 and 1837.
This work is part of the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 11x8 approximately for each
- Support: Light paper
- Condition: Excellent state of preservation
The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.
Simplon, Gondo Gallery, 1834
25,00 €Simplon, Gondo Gallery It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 18×10 approx.
- Support: Light paper
- Condition: Excellent state of preservation
This view is lively and decorative, perfect for art and history lovers.
Sempione, The Simplon, 1834
30,00 €Sempione, The Simplon è un’incisione realizzata da W. Brockedon nel 1834, tratto da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata disegnata da H. Gasteneau e incisa da E. Finden, edita da John Murray a Londra.
- Sheet size: cm. 23×16 approx.
- Engraving size: cm. 13×9 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
- Notes: Retro bianco, veduta animata
Semplice storia d’amore, 1840
20,00 €Semplice storia d’amore è un’incisione realizzata nel 1840, che cattura l’essenza di una narrazione romantica.
This work is an example of etching di dimensioni contenute, perfetta per gli amanti dell’arte del XIX secolo.
- Sheet size: cm. 9×13 approx.
- Support: Cardboard
- Condition: Excellent condition
Senigallia, 1846
15,00 €Senigallia, 1846 it is a fascinating lithograph taken from the volume Picturesque Polyorama, published in Naples in 1846.
This small-sized print offers a historical snapshot of the city of Senigallia.
- Sheet size: cm. 15×8 approx.
- Support: Paper
- Condition: Excellent
- Notes: Almost no margins and printed back with writing
Senigallia, Town Hall, 1890
20,00 €Senigallia, Palazzo Municipale è una stampa xilografica realizzata nel 1890, che rappresenta la piazza e il palazzo municipale della storica città marchigiana.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 10×12 circa, circondata da testo, con ulteriori informazioni al verso del foglio.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Support: Paper
- Condition: Excellent
Senigallia, Lambertina Gate, 1890
20,00 €Senigallia, Lambertina Gate it is a woodcut print made in 1890, depicting the historic Porta Lambertina of Senigallia.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.
- Sheet size: cm. 12×9 approx.
- Technique: Woodcut
- Support: Light paper
- Condition: Excellent
The print will be shipped with the full page, including the text on the back.
Roman Sepino, Campobasso 1856
25,00 €Roman Sepino, Campobasso 1856 it is a valuable one lithographic printing representing a view of Sepino, made in 1856.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 18×15 approx.
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.
Sepino, 1856
20,00 €Sepino, 1856 it's a lithographic printing of great historical and artistic interest.
This work is taken from Picturesque Polyorama, a periodical publication aimed at disseminating useful knowledge to all classes of society.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 13×15 approx.
- Support: Paper
- Condition: Good
The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.
Sepolcro di Antenore a Padova, 1843
30,00 €Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.
- Sheet size: cm. 28×20 approx.
- Dimensione della immagine: cm. 14×10 approx.
- Technique: Woodcut
- Condition: buona, scritto al verso del foglio, in parte visibile al recto.
- Support: Paper
La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili, viene spedita la pagina intera che contiene la stampa .
La cosiddetta tomba di Antenore è un’edicola medievale che, secondo la leggenda, dovrebbe contenere le spoglie del mitico fondatore di Padova. Il monumento è posto oggi in Piazza Antenore, a Padova, davanti all’edificio della prefettura.
Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.
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