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Tempio di Nettuno a Paestum, 1885

20,00 

Tempio di Nettuno a Paestum è un’incisione realizzata nel 1885, che rappresenta uno dei monumenti più iconici dell’antichità.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna di G.Stieler, E.Paulus, W.Kaden, pubblicata a Milano dai Fratelli Treves.

  • Engraving size: cm. 11×19 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Tempio di Nettuno a Paestum, 1890

20,00 

Tempio di Nettuno a Paestum è una xilografia realizzata nel 1890, che rappresenta uno dei monumenti più iconici dell’antichità.
This print is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Temple of Segesta, Trapani, Saint-Non, 1781-86

40,00 

Temple of Segesta, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The engraving offers a beautiful animated view of the temple, representing an important testimony of the Sicilian architectural heritage.

Temple of Segesta, Trapani, Saint-Non, 1781-86

40,00 

Temple of Segesta, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

This engraving offers a beautiful animated view of the temple, well preserved and of great historical value.

Tempio di Teseo, Atene, Grecia, 1842

15,00 

Tempio di Teseo, Atene, Grecia è una litografia del 1842 che rappresenta una veduta affascinante del tempio di Teseo, situato nei pressi di Atene.
This print is taken from the work Picturesque Polyorama, an important publication aimed at spreading artistic and cultural knowledge.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta all’interno di una pagina del libro, con scritte attorno e al verso, e verrà spedita l’intera pagina.

Tempio di Venere e Roma, Cottafavi, 1843

70,00 

Tempio di Venere e Roma It is an engraving made by Gaetano Cottafavi In the 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa su rame con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, ottima prova con buon contrasto

La stampa verrà spedita in tubo rigido per garantire la massima protezione.

Ruined Temples, 1850-60

20,00 

Templi in rovina è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un suggestivo tempio in rovina, tratto dalla famosa Vernon Gallery.
This work was created using the technique ofEtching and Burin e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Milking Time, 1850-60

20,00 

Milking time It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
This engraving was published in theArt Journal Engraving and combines the techniques of etching and burin.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Ten Hoorn, Aernout van Overbeke, acquaforte 1678

30,00 

Ten Hoorn è un’acquaforte realizzata da Aernout van Overbeke nel 1678.
Questa opera è stampata su carta spessa vergellata senza filigrana e presenta un formato elegante.

  • Sheet size: cm. 30×18 circa
  • Engraving size: cm. 13×8 circa
  • Support: Carta spessa vergellata
  • Condition: Excellent state of preservation

Teniers, The Pula Cutter, 1830

70,00 

Il tagliatore di Pula è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, un noto pittore ed incisore, nonché primo custode della Dulwich Picture Gallery.
Questa opera è una splendida esecuzione tratta da uno dei quadri presenti nella galleria, ed è caratterizzata da un’eccellente qualità artistica.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this work even more rare and decorative.

Temptation, HFC Ten Kate, 1845

20,00 

Tentazione è un’incisione realizzata da H.F.C. Ten Kate nel 1845.
This woodcut on medium-thickness paper was published in the magazine Art crown in the period 1845-1846.

  • Sheet size: cm. 32×25 approx.
  • Engraving size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Teodoro Cotugno exlibris

20,00 

Teodoro Cotugno Exlibris It is a work created by the artist Teodoro Cotugno In the 1988.
This engraving, made with the technique ofetching, è stata commissionata dalla BNEL e rappresenta un exlibris di grande valore.

  • Sheet size: mm. 80×113
  • Support: Heavy paper
  • Condition: Excellent

Teramo, St. George Street, 1890

20,00 

Teramo, St. George Street, 1890 it's a woodblock print di fine Ottocento, che rappresenta un affascinante scorcio della città di Teramo.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with further information on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Teramo, Entrance to Porta Madonna, 1890

20,00 

Teramo, Ingresso Porta Madonna it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Teramo, Bridge over the Tordino River, 1890

20,00 

Teramo, Ponte sul fiume Tordino it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera rappresenta un’importante veduta del ponte sul fiume Tordino, con dettagli accurati e un testo descrittivo attorno all’immagine.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Teramo, View from Colle Venanzo, 1890

30,00 

Teramo, View from Colle Venanzo it's a woodblock print built in 1890, which offers a fascinating view of the city of Teramo from Colle Venanzo.
This work is based on a late nineteenth-century Italian text and features descriptive text around the image, as well as text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Teresa Bandettini, 1837

20,00 

Teresa Bandettini it is a lithograph made in 1837, taken from the volume Universal pictorial warehouse, published in Genoa.
Questa opera rappresenta la poetessa e ballerina italiana, conosciuta anche con il nome arcadico di Amarilli Etrusca.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 18×13 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Termini Imerese, San Leonardo Bridge, 1889

20,00 

Termini Imerese, San Leonardo Bridge it's a woodblock print made in 1889, taken from the work Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.
This print measures cm. 8×10 in the printed part, with smaller margins, and was cut out of the book, presenting a printed back.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

The San Leonardo bridge, designed in 1625 by the architect Agatino Daidone, stands on a Patare cliff and on the solid remains of an ancient bridge, presumably from the Roman era.

Terms, 1835

20,00 

Terms It is an engraving made with the technique of burin on steel in 1835.
This work features a measure of the beat of mm. 132×90 and is printed on medium quality paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Terni, 1835

20,00 

Terni, 1835 è un’incisione al bulino su acciaio, proveniente dall’opera Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, pubblicata nel 1835.
Questa veduta panoramica di Terni è caratterizzata da un’elegante decorazione e presenta una misura della battuta di mm. 130×90.

  • Sheet size: Small
  • Condition: Good
  • Support: Lightweight paper with white backing

Terni, Waterfalls, 1798

40,00 

Terni, Cascate It is an engraving made in 1798, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
Questa bella veduta è caratterizzata da un’animazione vivace e un ottimo contrasto. Al retro della stampa è presente una spiegazione dettagliata.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terni, The Waterfalls, 1835

20,00 

Terni, The Waterfalls It is an engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.
This work, which represents a suggestive view of the Terni waterfalls, is made with the technique of burin on steel.

  • Sheet size: mm. 90×130
  • Support: Lightweight paper with white backing
  • Condition: Good condition

A decorative work that captures the natural beauty of waterfalls, ideal for collectors and engraving enthusiasts.

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