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Battle of Solferino, 1859

35,00 

Battle of Solferino, 1859 è una xilografia che rappresenta uno dei momenti cruciali della guerra.
This print is taken from the volume Wars of Italy, pubblicato nel 1859, e presenta scritte al verso.

  • Sheet size: cm. 44×32 circa
  • Engraving size: cm. 44×32 circa
  • Support: Paper
  • Condition: Excellent

Battle of Solferino, 1859

50,00 

Battle of Solferino It is a woodcut made in 1859, which represents one of the crucial moments of the war.
This print is taken from the volume Wars of Italy, and is characterised by small margins and writing on the back.

  • Sheet size: cm. 50×34 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Naval Battle, 1850

20,00 

Naval Battle It is an engraving made in 1850, which depicts a dramatic collision between two ships.
This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Engraving size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Naval battle, English at Toulon, 1841

20,00 

Naval battle, English at Toulon It is a lithograph from 1841 which represents a significant historical moment in which the English leave Toulon after setting fire to the French ships.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 16×23 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Battaglia navale, Nave e Veliero, 1850

40,00 

Questa stampa rappresenta i seguenti soggetti:

1-nave a reazione o elica idraulica. Regata di traghetti. – Battaglia navale di Lissa (1866). “Affondatore: Imperatore, Re d’Italia, 10 Ersherxog Massimiliano, “Palestro.

Stampa e pubblicazione a cura di F. A. Brockhaus a Lipsia.

This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus in 1850.

  • Sheet size: cm.26×32
  • Dimensioni dell’incisione: cm.20×30
  • Technique: Woodcut
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

 

Battle, Cosmographia, 1588

20,00 

Battle, Cosmographia, 1588 è una xilografia pubblicata da Sebastian Munster nel celebre volume Cosmography, uno dei libri più popolari del XVI secolo.
Questa illustrazione, con scritta in gotico antico, proviene dall’edizione “Von dem Teutchen Lande” del 1588.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Handmade laid paper
  • Condition: Bad

Battista Pittoni, Emblema del Conte Brandolino, 1578

35,00 

Emblema del Conte Brandolino It is an engraving made by Battista Pittoni in 1578.
This work, performed in etching, presenta un monogramma in basso a sinistra B.P.V. ed è parte del volume Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri.
L’incisione è incollata agli angoli su cartoncino, ma presenta una mancanza all’angolo superiore.

  • Sheet size: mm. 115×164
  • Condition: Good
  • Support: Laid paper

Battista Pittoni, Emblema del Conte, 1578

35,00 

Emblema del Conte It is an engraving made by Battista Pittoni nel 1578, dedicata al Conte Alfonso di Villa Chiara.
Questa opera è un’acquaforte su carta vergellata, caratterizzata dal monogramma in basso a sinistra B.P.V..

  • Sheet size: mm. 115×164
  • Support: Laid paper
  • Condition: Buone (mancanza all’angolo superiore)
  • Technique: Etching
  • Era: XVI

L’incisione è parte della raccolta Imprese nobili, et ingeniose di diversi Prencipi, et D’Altri Personaggi Illustri, datata 1578.
Giovanni Battista Pittoni, noto come Battista vicentino, è un importante artista del XVI secolo.

Baptistery of Parma, 1866

25,00 

Battistero di Parma è una xilografia realizzata nel 1866, tratta dall’opera From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore.
Questa stampa rappresenta un’importante testimonianza artistica e culturale del periodo.

  • Sheet size: cm. 25×17 approx.
  • Print Size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Baveno, 1887, Queen Victoria on Lake Maggiore

20,00 

Queen Victoria on Lake Maggiore it is a woodblock woodcut made in 1887, which offers a suggestive view of Baveno.
This work is taken from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 310×225
  • Support: Paper
  • Condition: Good condition, with writing on the back

Bavaria, St.Munster, 1614

60,00 

Bavaria, St.Munster, 1614 è una veduta affascinante della Baviera, estratta dalla celebre Cosmography Universalis by Sebastian Munster.
Questa xilografia, realizzata su carta vergellata acquarellata, offre uno sguardo dettagliato sulla regione nel 1614. Sul retro, sono presenti altre immagini che arricchiscono ulteriormente l’opera.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 7×13 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent

Blessed Virgin of the Gate, 1890

20,00 

Blessed Virgin of the Gate it's a woodblock print made in 1890, depicting the Sanctuary of the Blessed Virgin of the Portone in Asti.
This work is taken from a late nineteenth-century Italian text, with an engraving by Barberis.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 15×10 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Blessed are those who do not see and yet believe, 1850

25,00 

Beati quelli che non vedono e credono It is a lithograph made in 1850, taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.
Questa stampa rappresenta un tema di fede e convinzione, esprimendo un messaggio profondo attraverso l’arte.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche macchia e il foglio è un po’ sciupato.

Beatrice Cenci, 1838

20,00 

Beatrice Cenci è un’incisione realizzata da Filippo Morghen nel 1838, rappresentante un mezzobusto della celebre figura storica.
This work is taken from The Picturesque Omnibus, pubblicato a Napoli nel 1839.

  • Sheet size: mm. 110×120 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Copper

Woodcock, Vanellus, Bustard, 1890

15,00 

Beccaccia, Vanellus, Otarda It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Fair condition, with slight yellowing of the sheet
  • Support: Paper
  • Notes: The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

Beccafico (Garden Warbler), 1853

15,00 

Garden Warbler è una cromolitografia realizzata nel 1853, che rappresenta in modo vivace questo affascinante uccello.
This work is characterized by a misura del foglio di mm. 145×240, printed on medium paper with white back.

  • Condition: Ottime condizioni, molto decorativa

Beccafico (Garden Warbler), 1853

15,00 

Garden Warbler It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print represents a decorative bird, ideal for nature and bird lovers.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Beccaria Cesare, 1857

30,00 

Beccaria Cesare it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Cesare Bonesana, marchese di Beccaria, una figura di spicco dell’Illuminismo italiano.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Begonia, Chromolithograph, 1883

30,00 

Begonia Martianus gracilis it's a chromolithography made in 1883, taken from the prestigious Horticultural Review of Paris.
This work, signed by Godard and lithographed by G. Severeyns, presents a lively and decorative representation of the plant, making it a charming addition to any botanical collection.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Begonia, Chromolithograph, 1887

30,00 

Begonia it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This splendid print, characterised by a white back and a sheet size of 25x16 cm, is very decorative and comes in excellent condition.

  • Sheet size: cm. 25×16
  • Support: Thick paper
  • Condition: Excellent

Belgium, St.Munster, 1614

40,00 

Belgium, St.Munster, 1614 It is a fascinating view of the province of Brabant in Belgium, taken from the famous Cosmography Universalis by Sebastian Munster.
This woodcut, made on watercolour laid paper, offers an important geographical and historical testimony of the 17th century.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×13,5 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Belisario Flavio, 1839

15,00 

Belisario Flavio It is a copper engraving made in 1839, taken from the work Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli.
Questa stampa, che misura cm. 12×10, presenta margini quasi assenti e include scritte al verso. La stampa è contenuta nella pagina del libro, e verrà spedita l’intera pagina che la contiene.

  • Sheet size: Small
  • Engraving size: cm. 12×10 approx.
  • Technique: Burin
  • Support: Paper
  • Condition: Excellent

Bellagio, Como, 1841

35,00 

Bellagio, Como, 1841 it's a suggestive view of the famous Lake Como, created through watercolor lithograph from S. Puglia.
This work was taken from the volume Picturesque Polyorama of Naples, published in 1841.

  • Sheet size: cm. 20×29 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is artistically colored and features text both around the edge and on the back, making it a unique and fascinating piece for art and history lovers.

Bellaggio, Caves of Villa Serbelloni, 1890

20,00 

Bellaggio, Grotte di Villa Serbelloni è una xilografia realizzata nel 1890, che cattura la bellezza delle grotte di Villa Serbelloni.
Designed by E. Bondier, un noto illustratore francese attivo a Parigi, e incisa da A.Quantin, un incisore ed editore della stessa epoca.
Questa opera proviene da un libro francese di fine ‘800 e presenta una vivace rappresentazione del paesaggio italiano.

  • Sheet size: cm. 15×13 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

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