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Violette, Cromolitografia, 1887

30,00 

Violette it's a chromolithography realizzata nel 1887, tratta dalla Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design splendido e decorativo, perfetto per gli amanti della botanica.

  • Sheet size: cm. 25×16 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper with white backing

Visconte di Turenna, 1841

15,00 

Visconte di Turenna è una litografia realizzata nel 1841, che ritrae Henri de La Tour d’Auvergne, noto come Grand Turenne.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Printed part dimensions: cm. 10×8
  • Margins: almost absent
  • Support: Carta, pagina ritagliata dal libro
  • Condition: Excellent

La litografia è stampata dalla tipografia e litografia del Poliorama Pittoresco, sotto la direzione di Filippo Cirelli, a Napoli.
La stampa presenta scritte sul retro e al verso, e verrà spedita con l’intera pagina contenente l’immagine.

Life of Napoleon, 1850

50,00 

Life of Napoleon it is an engraving made in 1850, which illustrates the salient episodes of the life of Napoleon Bonaparte.
This work is an etching measuring 20.5 x 28 cm, without margins, glued onto cardboard.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Cardboard
  • Dimensions: Medium
  • Technique: Etching

Life of Napoleon, 1850

50,00 

Life of Napoleon it is an engraving made in 1850, which illustrates the salient episodes of the life of Napoleon Bonaparte.
This work is an etching measuring 20.5 x 28 cm, without margins, glued onto cardboard.

  • Era: 19th century
  • Condition: Excellent condition
  • Support: Cardboard
  • Dimensions: Medium
  • Technique: Etching

Viterbo, 1840

30,00 

Viterbo, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has small margins and is in excellent overall condition.
Lindemann-Frommel, born in 1819 and died in Rome in 1891, studied in Karlsruhe and Munich, moving to Rome in 1856, where he became a professor at the Accademia di Santa Lucia. His works are preserved in several German museums.

Viterbo, 1890

20,00 

Viterbo, 1890 it's a woodblock print representing the city of Viterbo, created in 1890.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.
The print has been extracted from the book and will be shipped with the full page, thus maintaining the original context of the work.

  • Sheet size: cm. 12×9 approx.
  • Support: Light paper
  • Condition: Excellent

Viterbo, Balcony of Casa Porcia, 1886

30,00 

Viterbo, Balcony of Casa Porcia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work offers a fascinating view of the balcony of Casa Porcia, enriched by decorative writings around the image and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Viterbo, Cloister of Santa Maria della Quercia, 1886

30,00 

Viterbo, Chiostro di Santa Maria della Quercia It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera presenta un’immagine di dimensioni cm. 10×16, con scritte decorative intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

​Viterbo, Gothic brick window, 1886

30,00 

Viterbo, Finestra gotica in mattoni è un’incisione del 1886, tratta da The Italian Illustration, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un esempio affascinante di architettura gotica, con dettagli accurati e un’atmosfera storica.

  • Sheet size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Viterbo, The Fountain, 1877

20,00 

Viterbo, The Fountain It is a woodcut engraving made by Gustave Bauernfeind in 1877.
This work represents the Big Fountain in Viterbo and is taken from the volume Italy from the Alps to Etna by Kaden.

  • Sheet size: cm. 18×22 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

The print has been cut from the book and features lettering on the back, making it a beautiful decorative display for collectors and art enthusiasts.

Viterbo, Alessandrini Palace, 1890

20,00 

Viterbo, Alessandrini Palace it's a woodblock print dating back to 1890, which represents an important view of Viterbo, in particular of Piazza San Pellegrino.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Condition: Excellent
  • Support: Paper

Viterbo, Farnesi Palace in Caprarola, 1707

30,00 

Incisione realizzata nel 1707, utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta leggera vergellata con retro bianco.
It is part of the volume Les delices de l’Italie di De Rogissart, edizione francese, pubblicata a Parigi nel 1707.

  • Sheet size: cm. 9×16 circa
  • Dimensioni dell’incisione: cm. 6×12 circa
  • Support: Laid paper
  • Condition: Excellent condition.

Viterbo, Papal Palace, 1844

20,00 

Viterbo, Papal Palace it is a lithograph made by G. Mariani in 1844, which represents a front and a staircase of the Papal Palace, currently the bishop's palace, located in the historic city of Viterbo.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1844.

  • Sheet size: mm. 160×120
  • Margins: almost absent
  • Condition: Excellent
  • Support: Paper

The print features writing on the back and is a beautiful, uncommon view that offers a glimpse into the architectural history of Viterbo.

Viterbo, Poscia Palace, 1877

15,00 

Viterbo, Poscia Palace It is a woodcut engraving made by Gustave Bauernfeind in 1877.
This work represents a beautiful decorative view of the famous and historic Palazzo Poscia, located in Via Saffi in Viterbo.

  • Sheet size: mm. 100×138
  • Support: Paper
  • Condition: Excellent condition
  • Taken from: “L'Italie” by J. Gourdault
  • Notes: The print was cut from the book and has writing on the back.

​Viterbo, Pulpit of San Francesco, 1886

30,00 

Viterbo, Pulpit of St. Francis It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features a small-sized image, with decorative writing around it and annotations on the back of the sheet.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 10×16 approx.
  • Support: Paper
  • Condition: Excellent

Vittorio Barzoni, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 16×18 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Vittorio Barzoni (Lonato, 17 dicembre 1767 – Lonato, 22 aprile 1843) è stato uno scrittore, giornalista, politologo e avvocato italiano, noto polemista politico.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Victor Emmanuel and Prince Umberto, 1859

35,00 

Victor Emmanuel and Prince Umberto It is a woodcut from 1859 that portrays HM Vittorio Emanuele, King of Sardinia, together with Prince Umberto of Piedmont.
This work is taken from the volume Wars of Italy and features an illustration of great historical impact.

  • Sheet size: cm. 37×25 approx.
  • Support: Paper
  • Condition: Excellent

Vittorio Emanuele II, portrait standing, 1884

30,00 

Vittorio Emanuele II, ritratto in piedi it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questo ritratto rappresenta una figura storica di grande importanza per l’Italia, catturata in un momento di dignità e autorità.

  • Sheet size: cm. 25×35
  • Condition: Excellent
  • Support: Paper

La stampa verrà spedita in formato intero, conservando tutte le scritte presenti al verso.

Victor Emmanuel, 1880

20,00 

Vittorio Emanuele It is an anonymous engraving made in 1880, che ritrae il Re Vittorio Emanuele a cavallo.
Questa xilografia presenta una quasi assenza di margini e si distingue per la sua carta leggera.

  • Sheet size: cm. 16×21 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Vittorio Jacquemont, 1840

15,00 

Vittorio Jacquemont è una stampa litografica realizzata nel 1840, tratta dall’opera Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.
Questa opera è stata stampata a Napoli, presso la tipografia e litografia del Poliorama Pittoresco, sotto la direzione di Filippo Cirelli.

  • Printed part dimensions: cm. 10×10
  • Margins: Almost absent
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Vittorio Ceneda, Panorama, 1890

30,00 

Vittorio Ceneda, Panorama it is a woodcut print made in 1890, representative of the Italian text of the late nineteenth century.
This work features an image measuring approximately 17x24 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Voghera, Pavia, 1890

20,00 

Voghera, Pavia, 1890 it's a woodblock print che rappresenta la facciata del palazzo Municipale di Voghera, risalente al 1890.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Voglio sposarla, 1840

20,00 

Voglio sposarla è una litografia del 1840, che rappresenta un tema romantico e affascinante.
This work, entitled Je veux me l’attacher en mariage, è incollata su cartoncino e proviene dall’epoca del XIX secolo.

  • Sheet size: cm. 15×10 approx.
  • Technique: Lithography
  • Condition: Excellent condition
  • Support: Cardboard

Volterra, 1885

30,00 

Volterra, 1885 it is a woodcut that represents Piazza della Giustizia a Volterra, realizzata da Hercule Catenacci.
Questa incisione è parte dell’opera Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Sheet size: cm. 27×37 approx.
  • Engraving size: cm. 16×24 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

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