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Bernardo Rosaspina, Florence, 1832

30,00 

View of the S.Trinità Bridge It is an engraving made by Bernardo Thorn Rose in 1832, which captures the architectural beauty of one of Florence's most iconic bridges.
This work is an etching on laid paper, signed lower right with the words 'B.Rosaspina Incise'.

  • Sheet size: cm. 20×24 approx.
  • Engraving size: mm. 155×198 at the copper edge
  • Support: Laid paper
  • Condition: Good condition, with a stain that also partially affects the print

Besançon, 1839

15,00 

Besançon, Besançon It is a copper engraving made in 1839.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 9×6 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.

Cattle Drinking, Berchem, 1850

20,00 

Bestiame che beve è un’incisione realizzata da Nic. Berchem nel 1850, che rappresenta un incantevole paesaggio pastorale.
This work, performed with the technique of burin, è un’interpretazione di un quadro di Nicolaes Pietersz Berchem, un noto pittore olandese del XVII secolo.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Cattle, H.Roos, 1840-50

20,00 

Livestock It is an engraving made by H. Roos between 1840 and 1850.
This work, an etching on strong paper, represents a livestock subject and was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig.
From 1838, Payne founded a publishing house, the English Art Institute, contributing significantly to the artistic landscape of the time.

Livestock, Van der Velde, 1840-50

20,00 

Livestock It is an engraving made by Van der Velde between 1840 and 1850.
This work, an etching on strong paper, measures 21x27 cm and has a white back.
Published in Payne's Royal Dresden Gallery from AH Payne and W. French in Dresden, Leipzig and London, the engraving is in excellent condition.

  • Sheet size: cm. 21×27
  • Technique: Etching
  • Support: Strong paper

Bethlehem, Bethlehem, Israel, 1860

25,00 

Bethlehem, Bethlehem, Israel It is an engraving made in 1860, representing a suggestive view of the historic city.
This small-sized woodcut is printed on medium-thickness paper with a white back and comes from a French text.

  • Sheet size: cm. 17×13 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Bianca, Eugene Von Blaas,1889

20,00 

Bianca It is an engraving made by Eugene Von Blaas In the 1889.
Questa xilografia è tratta da The Illustrated London News e presenta una misura della battuta di mm. 200×270, con margini più piccoli.
La stampa è stata ritagliata dal libro ed ha scritte sul retro, rendendola un pezzo unico per collezionisti e appassionati d’arte.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

Bible, Biblical Episode of Jeremie, 1850

30,00 

Bible, Biblical Episode of Jeremie It is an engraving made in 1850, which represents a significant moment in the biblical narrative.
This work is an example of etching high quality, with dimensions that make it an interesting piece for collectors and enthusiasts.

  • Sheet size: cm. 18×20 approx.
  • Engraving size: cm. 11×15 approx.
  • Support: Double card
  • Condition: Excellent

Bibbiena, Arezzo, 1890

20,00 

Bibbiena, Arezzo, 1890 it's a woodblock print che rappresenta la storica città di Bibbiena, situata in provincia di Arezzo.
This work is taken from Illustrated geographical Italy di P. Premoli, pubblicata nel 1890.
The print, of dimensions cm. 12×10, è realizzata su light paper e presenta del testo attorno e al verso.
Si segnala che la stampa è stata estratta dal libro e verrà spedita con la pagina intera, inclusi i testi al retro.

Biella, 1836

20,00 

Biella, 1836 It is a lithograph made in 1836, taken from the Universal Pictorial Warehouse of Genoa.
This work has a format of cm. 12×18 on a sheet of cm. 21×28, printed on light paper with white back.

  • Sheet size: cm. 21×28
  • Lithograph dimensions: cm. 12×18
  • Support: Light paper
  • Condition: Excellent condition

Biella, Mondovi, 1835

40,00 

Biella, Mondovi, 1835 è una doppia incisione al bulino su rame che rappresenta il Santuario d’Oropa and the Santuario di N.S. di Vico presso Mondovi.
Realizzata tra il 1835 e il 1837, questa opera è tratta dal volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di Audot padre.

  • Dimensions of each engraving: mm. 110×85
  • Margins: Piccoli
  • Support: Medium paper
  • Condition: Perfect state of preservation

Questa incisione è caratterizzata da una nitidezza e una finezza che la rendono non comune e di grande interesse per collezionisti e appassionati.

Bigia Padovana, 1875

25,00 

Bigia Padovana, conosciuta anche come Barred Warbler, è una watercolor lithograph realizzata nel 1875.
This work is taken from A HISTORY OF BIRDS OF EUROPE di Charles Robert Bree, pubblicata a Londra nel 1875.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Bigiarella (Lesser Whitethroat), 1853

15,00 

Bigiarella (Lesser Whitethroat) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta in modo dettagliato e decorativo il Lesser Whitethroat, un uccello noto per il suo canto melodioso.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Blaise e Jacqueline Pascal, 1883

20,00 

Blaise e Jacqueline Pascal è un’incisione xilografica realizzata nel 1883, tratta dall’opera Cent Tableaux de Science Pittoresque, pubblicata da Albert-Levy, Hacette et C., a Parigi.
Questa stampa misura cm. 10×16, esclusi i margini, ed è stampata su un foglio leggero, con il retro stampato.

  • Sheet size: cm. 10×16 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Blaise Pascal, 1846

15,00 

Blaise Pascal It is a copper engraving made in 1846, tratta dall’Omnibus Pittoresco.
This work measures approximately cm. 10×12 ed è stata estratta da un libro, presentando testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Blaise Pascal, nato a Clermont-Ferrand nel 1623, è stato un importante matematico, fisico, filosofo e teologo francese. Conosciuto per i suoi contributi alla scienza e alla filosofia, Pascal ha influenzato profondamente il pensiero moderno.

Blaise Pascal, 1883

20,00 

Blaise Pascal It is a woodcut engraving made in 1883, taken from the volume Cent Tableaux de Science Pittoresque, published by Albert-Levy, Hacette et C., in Paris.
This work represents an important figure of science and philosophy, paying tribute to his contribution.

  • Sheet size: cm. 10×16 approx.
  • Support: Light sheet, printed back
  • Condition: Excellent state of preservation

Boa, Turtle, 1890

15,00 

Boa, Tartaruga It is a lithograph made in 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
This work was published by the Bibliographischen Instituts, with branches in Leipzig and Vienna, starting in the second half of the 19th century.

  • Sheet size: cm. 29×23
  • Condition: Discrete condizioni con leggero ingiallimento
  • Support: Paper
  • Note: The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

River Mouth, Terracina, 1819

25,00 

River Mouth, Terracina It is an engraving made by TO THE CASTELLAN in 1819.
This work is an etching representing a suggestive landscape, part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Boccaccio Giovanni, 1857

30,00 

Boccaccio Giovanni it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera misura la battuta di mm. 140×180 su un foglio di cm. 23×32, ed è stampata su carta forte con retro bianco.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione.

Bohemia, Battle of Gitschin, 1866

20,00 

Boemia, Battaglia di Gitschin è un’incisione xilografica realizzata nel 1866, tratta dall’edizione di Picturesque Emporium, published by Sonzogno in Milan.
Questa opera rappresenta un momento significativo della battaglia e offre uno sguardo affascinante sulla storia militare dell’epoca.

  • Sheet size: cm. 15×18 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Notes: La stampa è stata ritagliata dal libro e presenta scritte al retro, parzialmente visibili.

The full page containing the print is sent.

Boemia, Repubblica Ceca, Chiesa di Teyn a Praga, 1866

25,00 

Incisione xilografica su legno di testa che rappresenta una veduta della città.
This work is taken from Picturesque Emporium, edito da Sonzogno a Milano nel XIX secolo.

  • Dimensioni della immagine: cm. 21×16 approx.
  • Margins: presenti
  • Support: Carta leggera con scritto al verso in parte visibile.
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte sul retro, rendendola un pezzo raro e affascinante per collezionisti.

Bogliasco, Genoa, 1890

20,00 

Bogliasco, Genoa, 1890 It is a woodcut made by E. Bondier, a well-known French designer and illustrator active in Paris in the latter part of the 19th century.
This print, measuring 10x13 cm, is taken from a late 19th century French book and features an animated scene that captures the essence of Bogliasco.

  • Sheet size: Small
  • Engraving size: cm. 10×13
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Bologna Merchants' Forum, 1834

30,00 

Bologna, Foro dei Mercanti It is a double steel engraving made between 1834 and 1837.
Questa opera presenta vedute animate e decorative delle famose Due Torri di Bologna.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

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