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Cagliari, Sardinia, 1834

30,00 

Cagliari, Sardinia It is an engraving made by W. Brockedon nel 1834, parte del volume Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
This work, designed by H.Gasteneau and engraved by E. Finden, offre una veduta animata della città di Cagliari.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Cagliari, Coat of Arms, 1865

15,00 

Cagliari, Coat of Arms, 1865 It is a civic heraldic engraving made in chromolithography.
This coat of arms comes from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Cagliari, Coat of Arms, 1871

15,00 

Cagliari, Stemma è un’incisione realizzata nel 1871, tratta dall’opera The Hundred Cities of Italy for Ariodante Manfredi.
Questa xilografia presenta un’incisione di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was removed from the book and has writing on the verso.

Cagliari, Via Roma and Western Station, 1890

20,00 

Cagliari, Via Roma and Western Station It is a woodcut print made in 1890, which offers a fascinating look at the city of Cagliari at the end of the nineteenth century.
This work is characterized by an image of approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cain and Abel, 1850

20,00 

Cain and Abel It is an engraving made in 1850, which represents the dramatic moment in which Cain kills his brother Abel.
This work is made in etching and measure cm. 9×14.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Cairoli Benedetto, 1889

20,00 

Cairoli Benedetto è una xilografia del 1889, tratta da The Italian Illustration.
Questa stampa rappresenta Benedetto Angelo Francesco Cairoli, un importante politico italiano, noto per il suo ruolo come garibaldino e rifugiato politico.

  • Sheet size: mm. 270×215
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

La stampa è stata estratta dal libro e presenta un retro scritto.

Calabria Citeriore, Coat of arms, 1865

15,00 

Calabria Citeriore, Coat of Arms it is a heraldic engraving made in 1865, representing the civic coat of arms of Calabria Citeriore.
This chromolithography It is taken from Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The page contains the coat of arms and some historical notes on the city, with writings also on the back.

Calabria, Calabrian Shepherd, 1844

30,00 

Calabria, Pastore Calabrese è un’incisione realizzata da E. Duverger nel 1844.
Questa opera, che rappresenta un pastore nel tipico costume calabrese, è parte del volume Social, political and religious customs and habits of all the peoples of the world by N. Dally.

  • Sheet size: mm. 170×265
  • Engraving size: mm. 105×170
  • Technique: Burin
  • Support: Acciaio acquerellato a mano
  • Condition: Ottimo stato di conservazione (una leggera piega del foglio trasversale)

Caladium, Chromolithograph, 1883

30,00 

Caladium, L’Automne it's a chromolithography made in 1883, taken from the prestigious Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design splendido e decorativo, ideale per gli amanti della botanica e dell’arte.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent state of preservation

Calandro maggiore (Richard’s Pipit), 1853

15,00 

Calandro maggiore (Richard’s Pipit) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un esemplare di grande bellezza e decoratività, perfetto per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Calcinaia, Pisa, Coat of Arms, 1865

15,00 

Calcinaia, Pisa, Stemma it is a civic heraldic engraving made in 1865.
Questo stemma, di dimensioni contenute, è tratto dal Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: cm. 16×24 approx.
  • Coat of arms dimensions: cm. 3×4 approx.
  • Technique: Chromolithography
  • Condition: Excellent
  • Support: Paper

The page also contains some historical notes about the city and features writing on the back.

Caldonazzo, 1870

15,00 

Caldonazzo, 1870 è un’incisione xilografica su legno di testa, che rappresenta una bella veduta decorativa del lago di Caldonazzo.
Questa opera è tratta da un libro tedesco e presenta una didascalia in tedesco gotico.

  • Sheet size: mm. 185×145
  • Condition: Excellent condition
  • Support: Paper
  • Notes: Almost no margins and writing on the back

Calenzano, Florence, Coat of Arms, 1865

15,00 

Coat of arms of Calenzano, Florence it's a chromolithography made in 1865, taken from Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons published by Vallardi in Milan.

  • Coat of arms dimensions: cm. 3×4 approx.
  • Page size: cm. 16×24
  • Condition: Excellent condition
  • Support: Paper

The coat of arms is slightly larger than a postage stamp and the page containing the coat of arms and some historical notes about the city is sent, with writing also on the back.

Neapolitan Calesse, W.French, 1840-50

50,00 

Calesse Napoletano It is an engraving made by W. French between 1840 and 1850.
This work, a watercolor etching, rappresenta un elegante calesse tipico di Napoli.
Published in Payne's Universe e stampata a Lipsia e Dresda, questa incisione è un esempio pregevole dell’arte incisoria dell’epoca.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Neapolitan Calessino, watercolor

50,00 

Calessino Napoletano è un’acquarello del XX secolo che cattura l’essenza della vita napoletana.
Questa opera raffigura un calessino con una famiglia a bordo, esprimendo un’atmosfera vivace e tradizionale. In basso a destra, è presente la scritta Neapolitan Calesso, che aggiunge un tocco di autenticità all’opera.

  • Sheet size: cm. 19×24 circa
  • Support: Cartoncino rigido
  • Condition: Excellent state of preservation

Calisto e Orfeo, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Calisto Gritti bookplate

20,00 

Calisto Gritti Exlibris it is an engraving made in 1985 by the artist Calisto Gritti.
This exlibris, commissioned by BNEL, is an example of refined engraving technique in etching, which represents a distinctive subject for graphics lovers.

  • Sheet size: mm. 125×170
  • Support: Medium thickness paper
  • Condition: Excellent

Callot, Military Exercises

120,00 

Military Exercises It is a series of 4 engravings made by Jacques Callot, an important engraver of the 17th century.
These works, part of the series Military Exercises, were made in etching and printed by Israel.

  • Sheet size: cm. 8x6.5 approximately for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent
  • Era: XVII

Callot, Military Exercises

60,00 

Military Exercises It is a series of two engravings made by Jacques Callot (1592-1635), a well-known French engraver.
These works are part of the series Military Exercises and are performed in etching, unsigned, and date back to an unknown era.

  • Sheet size: cm. 8×5 at the copper edge for each engraving
  • Support: Laid paper without watermark
  • Condition: Excellent

Callot, Military Exercises, 1635

250,00 

Military Exercises è una serie di 6 acqueforti realizzate da Jacques Callot nel 1635, parte della collezione Military Exercises.
Ogni incisione misura circa cm. 6×8 e rappresenta diverse tecniche di esercizio militare, tutte stampate su carta vergellata senza filigrana.

  • Incisioni incluse:
  • L’Exercice de l’Arquebuse: Le Chargement (The Exercise of the Arquebus: Loading), 1635
  • L’Exercice de l’Arquebuse: Le Maniement, 1635
  • L’Exercice de la Lance Horizontale (Exercise of the Horizontal Lance), 1635
  • L’Exercice Sans Armes, 1635
  • L’Exercice de la Lance Verticale (Exercise of the Vertical Lance), 1635
  • L’Exercice de la Hallebarde, 1635

Questa serie è un’importante testimonianza della maestria di Callot e della sua capacità di catturare la dinamica degli esercizi militari dell’epoca.

Callot, Great Miseries of War, 1633

80,00 

Great miseries of war It is an engraving made by Jacques Callot in 1633, part of the series The miseries and the evils of war.
This work, entitled The Firing Squad, is an extraordinary example of Callot's mastery of etching.

  • Sheet size: mm. 80×184 plus 1 cm margins
  • Engraving size: mm. 80×184
  • Support: Laid paper
  • Condition: Excellent condition

Jacques Callot, an engraver and illustrator from Nancy, is known for his ability to capture the complexity of war through powerful, detailed images.
His art represents one of the most original expressions of seventeenth-century France, combining a fantastic freedom with a precise modulation of light.

Callot, The Fantasies, 12 engravings

400,00 

Le Fantasie è una serie di 12 incisioni realizzate da Jacques Callot intorno al 1635, parte della sua celebre opera Les Fantaisies.
Queste acqueforti, di dimensioni circa cm. 6×8 ciascuna, sono stampate su laid paper without watermark.

  • Sheet size: Small
  • Technique: Etching
  • Condition: Excellent
  • Support: Paper

Callot, Small Miseries of War, 1636

130,00 

The Little Miseries of War It is an engraving made by Jacques Callot in 1636, which represents a dramatic episode in which brigands attack travellers.
This work is a significant example of his skill in etching, a medium that Callot chose to express his creativity.

  • Sheet size: mm. 54×112 plus 1 cm margins
  • Engraving size: mm. 54×112
  • Support: Laid paper with watermark (jester with six-cornered hat)
  • Condition: Excellent condition

Callot, an engraver and draftsman from Nancy, is known for his works that capture the life and miseries of his time. His art is characterized by a fantastic freedom and a precise modulation of light, making his compositions both elegant and picturesque.

Callot, Transport of the Cross

80,00 

Carrying the Cross It is an engraving made by Jacques Callot in the 17th century, part of the series The Great Passion.
This work, identified as Plate no. 5, is a reverse etching, characterised by a size of 110x208 mm, with very small margins.

  • Sheet size: Small
  • Support: Laid paper with unknown watermark
  • Condition: Good, with traces of previous gluing on the back

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