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Grapevine Mites, 1887
30,00 €Acari della Vite it's a beautiful one chromolithography realizzata nel 1887, tratta dalla Horticultural Review of Paris.
Questa opera presenta un’illustrazione decorativa degli acari della vite, con un retro bianco e una misura del foglio di cm. 25×16.
- Sheet size: cm. 25×16
- Technique: Chromolithography
- Condition: Excellent
- Support: Thick paper
Accademia di Cicerone, Campi Flegrei, 1707
30,00 €Incisione realizzata nel 1707, utilizzando la tecnica dell’acquaforte su rame.
Questa opera è stampata su carta leggera vergellata con retro bianco.
It is part of the volume Les delices de l’Italie di De Rogissart, edizione francese, pubblicata a Parigi nel 1707.
- Sheet size: cm. 9×16 circa
- Dimensioni dell’incisione: cm. 6×12 circa
- Support: Laid paper
- Condition: Excellent condition.
- Engraver: Magdeleine Horthemels
Norman Hairstyles, 1850
20,00 €Acconciature Normanne It is a lithograph made in 1850, che rappresenta le eleganti acconciature tipiche dell’epoca normanna.
Questa opera è un esempio significativo della moda del XIX secolo, incollata su un altro supporto cartaceo per garantire la sua conservazione.
- Sheet size: cm. 21×15 approx.
- Technique: Lithography
- Condition: Good
- Support: Thick paper
Achille Vianelli, Sulphurous Water, 1830
120,00 €Acqua Solfurea è un’acquatinta acquarellata realizzata da Achille Vianelli nel 1830.
This work is taken from Scene popolari di Napoli, con tavole incise all’acquatinta da Witting, basate sui disegni di Vianelli. La coloritura è coeva e presenta una scena vivace con molti personaggi che sorseggiano l’acqua sulfurea da una fontana situata in via Chiatamone a Napoli, con il classico Vesuvio fumante sullo sfondo.
- Sheet size: cm. 18×21
- Engraving size: cm. 10×12
- Support: Cardboard
- Condition: Excellent
Achille Vianelli, Canta Storie, 1830
120,00 €Canta Storie è un’acquatinta acquarellata realizzata nel 1830 da Achille Vianelli, tratta da Scene popolari di Napoli.
Questa opera presenta una scena vivace in cui molti personaggi ascoltano con interesse il cantastorie Rinaldo, seduti al molo di Napoli, con il classico Vesuvio fumante sullo sfondo.
- Sheet size: cm. 18×21
- Engraving size: cm. 10×12
- Support: Cardboard
- Condition: Excellent
Neapolitan Water Carrier, 1875
20,00 €Acquaiolo Napoletano è un’incisione realizzata nel 1875 da Francois Ferogio, a well-known French painter and engraver.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.
- Engraving size: cm. 16×12 approx.
- Condition: Excellent state of preservation
- Support: Paper with printed back
- Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.
Water carrier, 1835
30,00 €Water carrier It is an engraving made in 1835 by C. Vogel and engraved by Gautier.
This work, performed with the technique of burin, represents a lively scene of a Neapolitan water-carrier's stall.
It is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.
- Sheet size: mm. 120×164 approx.
- Support: Medium paper
- Condition: Perfect state of preservation
Water carrier, 1884
35,00 €Water carrier è un’incisione xilografica realizzata nel 1884 da Ferogio, caratterizzata da una colorazione all’acquerello.
This work comes from the volume Naples and its surroundings by Rudolf Kleinpaul, published in Leipzig.
- Sheet size: mm. 120×160
- Support: Light paper
- Condition: Excellent condition
- Characteristics: Margini quasi assenti, retro stampato
La scena rappresentata è bella, interessante e decorativa.
Monochrome watercolor, 19th century
80,00 €Invitation to the light It is a monochrome watercolor made by an anonymous artist in 19th century.
This small watercolour, measuring 87x63 mm, represents a scene set in Shakespeare, showing a beautiful artistic execution.
- Sheet size: mm. 87×63
- Support: Cardboard
- Condition: Excellent
18th century aquatint
40,00 €18th century aquatint It is an anonymous engraving dating back to the mid-1700s, which represents a historical scene of considerable interest.
This work is made in aquatint and measures 15x17 cm at the edge, on medium-thickness paper with white backing.
- Sheet size: Small
- Condition: Excellent state of preservation
- Support: Medium thickness paper
Acqui and surroundings, 1871
15,00 €Acqui and surroundings It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print represents a suggestive view of the city of Acqui and measures cm. 10×14 approximately, with small margins.
- Sheet size: Small
- Support: Light sheet
- Condition: Excellent condition
- Notes: Print extracted from the book with writing on the back
Acqui Terme, 1890
20,00 €Acqui Terme, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical and cultural testimony.
This work is characterized by a large-sized image cm. 10×7 approximately, surrounded by text, with additional information printed on the verso of the sheet.
- Sheet size: cm. 30×20
- Image size: cm. 10×7 approx.
- Support: Paper
- Condition: Excellent
Acqui, Roman Aqueduct, 1890
20,00 €Acqui, Roman Aqueduct it's a woodblock print made in 1890 by the engraver Barberis.
This work represents an important testimony of the late nineteenth century, with an image measuring approximately 11x7 cm, surrounded by text and with further text on the back of the sheet.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 11×7 approx.
- Support: Paper
- Condition: Excellent
Acqui, Alessandria, Old Baths, 1890
20,00 €Acqui, Alessandria, Old Baths it's a woodblock print made in 1890 by the engraver Barberis.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 8 x 10 cm, surrounded by text and with additional annotations on the back of the sheet.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 8×10 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Acqui, New Spa, 1890
20,00 €Acqui, New Spa It is a woodcut print made in 1890 by the engraver Barberis.
This work represents an important testimony of the late nineteenth century, with accurate details and a text surrounding the image.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 10×8 approx.
- Support: Paper
- Condition: Excellent
The entire sheet containing the print will be shipped.
Acqui, St. Francis Square, 1890
20,00 €Acqui, St. Francis Square it's a woodblock print made in 1890 by the engraver Barberis.
This work represents an important visual testimony of the city of Acqui, in the province of Alessandria.
- Sheet size: cm. 7×10 approx.
- Support: Paper
- Condition: Excellent
Acqui, La Bollente Spring, 1890
20,00 €Acqui, La Bollente Spring it is a woodcut made in 1890 by the engraver Barberis.
This print depicts the famous spring of Acqui, in the province of Alessandria, and is part of an Italian text from the late nineteenth century.
- Sheet size: cm. 8×10 approx.
- Technique: Woodcut
- Condition: Excellent state of preservation
- Support: Paper
Acqui, Coat of Arms, 1871
15,00 €Acqui, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy by Ariodante Manfredi.
This print, which measures cm. 8×9, has small margins and was extracted from a book, with writing on the back.
- Sheet size: Small
- Condition: Excellent
- Support: Light paper
Acqui, Old Baths, 1890
20,00 €Acqui, Old Baths It is a woodcut print made in 1890, which represents an important testimony of the Italian cultural heritage.
Engraved by Barberis, this work is taken from a late nineteenth-century Italian text.
- Sheet size: cm. 26×18 approx.
- Image size: cm. 8×10 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
The entire sheet containing the print will be shipped.
Acropolis, Athens, Akropolis, 1850
25,00 €Acropolis, Athens, Akropolis It is an engraving made in 1850, which offers a splendid view of the iconic Acropolis of Athens.
This work is an etching on light paper, from a book from the mid-19th century.
- Sheet size: cm. 11×17 approx.
- Support: Light paper
- Condition: Excellent state of preservation
Acteon tramutato in Cervo, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
-
Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
-
Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
-
Publisher: De l’Imprimerie Royale, Parigi, 1676
-
Technique: Acquaforte su carta vergellata (testo al verso)
-
Dimensions:
-
Incisione: cm 7,5 × 9 (alla battuta del rame)
-
Foglio: cm 27 × 20
-
Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
-
Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
-
François Chauveau (1613-1676), celebre illustratore parigino
-
Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
Acton Ferdinand, 1887
20,00 €Acton Ferdinand It is a woodblock print made in 1887, which portrays Vice Admiral Ferdinando Acton.
This work is taken from The Italian Illustration, published by the Treves Brothers of Milan.
- Size of the joke: mm. 155×165
- Margins: Almost absent
- Condition: Good, with writing on the back
Adam Frans van der Meulen, Promenade, 19th century
30,00 €Stroll It is an engraving made by Adam Frans van der Meulen in the 19th century.
This work, signed AFVandermeulen pinx., represents a fascinating and detailed scene, highlighting the artist's mastery.
- Sheet size: cm. 20×26 approx.
- Engraving size: cm. 15×20 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Adamo ed Eva nel Paradiso, Metamorfosi di Ovidio, acquaforte del 1676
30,00 €Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.
Descrizione dell’opera
-
Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux
-
Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)
-
Publisher: De l’Imprimerie Royale, Parigi, 1676
-
Technique: Acquaforte su carta vergellata (testo al verso)
-
Dimensions:
-
Incisione: cm 7,5 × 9 (alla battuta del rame)
-
Foglio: cm 27 × 20
-
Importanza storica e artistica
L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.
Le incisioni furono realizzate da tre importanti artisti dell’epoca:
-
Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole
-
François Chauveau (1613-1676), celebre illustratore parigino
-
Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV
Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.
Valore collezionistico
L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.
Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.
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