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Catania, Eruption of 1669

30,00 

Catania, Eruption of 1669 It is a burin engraving made in 1835, which represents a significant historical event.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Catania, Capuchin Garden, Saint-Non, 1781-86

40,00 

Catania, Giardino dei Cappuccini It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18×25 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

La veduta animata offre uno sguardo affascinante sulla Sicilia del XVIII secolo.

Catania, Organ, 1841

20,00 

Catania, Organo è una litografia del 1841 che rappresenta il prospetto dell’organo nella chiesa dei PP. Cassinesi a Catania.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.

  • Sheet size: cm. 21×16 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Catania, Market Square, Saint-Non, 1781-86

70,00 

Catania, Piazza del Mercato It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent state of preservation

Questa bella veduta animata rappresenta un’importante testimonianza della Sicilia nel XVIII secolo.

Catania, Elephant Square, 1871

20,00 

Catania, Piazza dell’Elefante It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy, pubblicata da Ariodante Manfredi a Milazzo.
Questa stampa rappresenta un’importante veduta della storica piazza catanese, con dettagli architettonici che catturano l’essenza del luogo.

  • Sheet size: cm. 16×23 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Light paper
  • Condition: Excellent condition

Catania, Elephant Square, Saint-Non, 1781-86

70,00 

Catania, Piazza dell’Elefante It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.

  • Sheet size: cm. 22×33 approx.
  • Engraving size: cm. 18x25 approximately at the copper edge
  • Support: Paper
  • Condition: Excellent condition

Questa bella veduta animata rappresenta un’importante testimonianza della Sicilia del XVIII secolo, mostrando la Piazza dell’Elefante a Catania in tutto il suo splendore.

Catania, Elephant Square, 1835

25,00 

Catania, Piazza Elefante It is an engraving made at burin on steel in 1835.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Catania, Market Square, 1835

25,00 

Catania, Piazza mercato It is an engraving made at burin on steel in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, pubblicato tra il 1835 e il 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Catania, Bridge over Cantara, 1835

20,00 

Catania, Ponte su Cantara It is an engraving made at burin on steel in 1835, colorata all’acquarello.
This work measures mm. 132×90 per la battuta, esclusi i margini, ed è tratta da Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent

La veduta animata presenta l’Etna fumante sullo sfondo, rendendola un’opera decorativa di grande fascino.

Catania, Coat of Arms, 1871

15,00 

Catania, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta lo stemma della città di Catania e misura la parte incisa circa cm. 8×9, con piccoli margini.

  • Sheet size: Small
  • Support: Light sheet
  • Condition: Excellent
  • Notes: Print extracted from the book with writing on the back

Catanzaro, Panorama, 1890

30,00 

Catanzaro, Panorama It is a woodcut print made in 1890, which offers a suggestive view of the city of Catanzaro, seen from the Baracche.
This work is based on a late nineteenth-century Italian text and features text around the image, as well as text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Catanzaro, Coat of Arms, 1871

15,00 

Catanzaro, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
Questa stampa rappresenta il simbolo della città di Catanzaro, con una dimensione dell’incisione di cm. 8×9 e piccoli margini.

  • Sheet size: Small
  • Support: Light paper
  • Condition: Excellent condition
  • Notes: The print was removed from the book and has writing on the verso.

Catanzaro, Municipal Theatre and Church of the Immaculate Conception, 1890

20,00 

Catanzaro, Municipal Theatre and Church of the Immaculate Conception It is a woodcut print made in 1890, which represents an important testimony of the late nineteenth century in Italy.
This work is characterized by an image of approximately 17x12 cm, surrounded by text, with further information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Catherine of Aragon, 1844

15,00 

Caterina d’Aragona è un’incisione in rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus, published in Naples.
Questa incisione rappresenta Caterina d’Aragona, una figura storica di grande importanza, regina consorte d’Inghilterra e Irlanda, nota per il suo matrimonio con Enrico VIII.

  • Sheet size: cm. 7x9 approx.
  • Support: Light paper
  • Condition: Excellent condition
  • Back: Printed

Caterpillar of Metopsilus Tersa, 1836

30,00 

Caterpillar of Metopsilus Tersa It is an engraving made in 1836 by Edward Lear And William H. Lizars.
This work, an example of burin engraving on steel with manual watercolouring, it is part of the famous series The Naturalist's Library by Sir William Jardine.

  • Engraving size: mm 100×150
  • Support: Lightweight paper with white backing
  • Condition: Excellent condition

Basel Cathedral, Switzerland, 1843

15,00 

Basel Cathedral, Switzerland It is a lithograph from 1843 which represents a view of the famous underground church.
This print is taken from the work Picturesque Polyorama, a periodical dedicated to the dissemination of artistic and cultural knowledge.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained within a page of the book, with writing around and on the verso, and the entire page containing the print will be shipped.

Orvieto Cathedral, 1837

20,00 

Cattedrale di Orvieto è un’incisione in xilografia realizzata nel 1837, che offre una bella veduta decorativa della famosa cattedrale.
Questa stampa è stata estratta dal volume Pictorial Cosmorama, Anno terzo, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 23×18 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

La stampa presenta scritte al retro in parte visibili e viene spedita completa di passepartout.

Palermo Cathedral, 1854

25,00 

Palermo Cathedral It is a lithograph made in 1854, which represents one of the most iconic monuments of Sicily.
This print is from Picturesque Polyorama, a periodical work that aimed to spread useful knowledge throughout all classes of society.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×22 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.

Palermo Cathedral, 1860

40,00 

Palermo Cathedral It is an engraving made by Adolphe Rouargue nel 1860.
This work is part of the volume Voyage picturesque in Italy, southern part by P. De Musset.

  • Sheet size: mm. 165×120 circa
  • Engraving size: mm. 165×120 circa
  • Support: Thick paper
  • Condition: Perfect

Questa incisione al burin su rame presenta una rappresentazione nitida e fine della cattedrale di Palermo, rendendola un’opera animata e decorativa.

Palermo Cathedral, 1865

20,00 

Palermo Cathedral It is a woodcut engraving made in 1865, taken from the work Picturesque Emporium, published by Sonzogno in Milan.
This print represents an important view of the cathedral and has the following characteristics:

  • Size of the joke: mm. 240×170
  • Condition: Good
  • Support: Light paper
  • Notes: Almost no margins and writing on the back, partly visible on the back.

Palermo Cathedral, 1866

25,00 

Palermo Cathedral è un’incisione realizzata nel 1866, tratta dal volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
Questa xilografia rappresenta un’importante testimonianza artistica e architettonica.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Cathedral of Pistoia, 1826

30,00 

Cattedrale di Pistoia it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Siena Cathedral, 1826

20,00 

Cattedrale di Siena It is an engraving made by Anthony Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent

Strasbourg Cathedral, France, 1841

15,00 

Strasbourg Cathedral, France It is a lithograph from 1841 that represents one of the most iconic monuments of France.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 18×13 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins, the print is contained within the book page with writing around and on the back.

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