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Showing 1753–1776 of 9354 results

Commodoro Matteo Perry, 1854

20,00 

Commodoro Matteo Perry, 1854 è una litografia che ritrae il celebre commodoro americano, realizzata nel 1854.
This print is taken from the periodical work Picturesque Polyorama, published in Naples by the Poliorama Pittoresco printing and lithography shop, under the direction of Filippo Cirelli.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 14×12 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama è stato un’importante pubblicazione che ha diffuso conoscenze utili in vari campi, contribuendo alla cultura del Regno delle Due Sicilie dal 1836 al 1860.

Como de Medici, Farnese… 1835

20,00 

As the Medici, Farnese… It is an engraving made with the technique of burin on steel in 1835.
This work depicts significant historical figures such as Alessandro Farnese and Leonardo da Vinci, reflecting the art and architecture of the period.

  • Size of the joke: cm. 13×9
  • Support: Lightweight paper with white backing
  • Condition: Excellent

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Como, Fall of the Latte River at Varenna, 1860

35,00 

Como, Caduta del fiume Latte a Varenna è un’acquaforte realizzata nel 1860, che cattura la bellezza naturale della regione.
Questo pezzo è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Como, The Cathedral, 1884

30,00 

Como, The Cathedral It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a suggestive view of the Como Cathedral, capturing the architectural essence of the time.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Como, The Cathedral, The Broletto and the Tower, 1890

20,00 

Como, The Cathedral, The Broletto and the Tower It is a woodcut print made in 1890, which captures the architectural beauty of Como.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, The promontory of Torno, 1860

35,00 

Como, Il promontorio di Torno è un’acquaforte realizzata nel 1860, che cattura la bellezza del paesaggio lacustre.
Questo lavoro è tratto dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Como, Panorama, 1890

30,00 

Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Porta Vittoria, 1890

20,00 

How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Como, Coat of Arms, 1871

15,00 

Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Notes: The print was removed from the book and has writing on the verso.

Como, View of the Lake, 1877

20,00 

Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.

Compagne di Ino tramutate in Rocce e Uccelli, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Comunione, La Meditazione, 1850-90

15,00 

La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.

  • Sheet size: cm. 8×12 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

Comus and Timon, A.H.Payne, 1840-50

20,00 

Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Medium thickness paper

Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.

Council of Basel, Cosmographia, 1588

30,00 

Concilio di Basilea It is an engraving made in woodcut nel 1588, pubblicata da Sebastian Munster nel celebre volume Cosmography.
Questa opera, una delle più popolari del XVI secolo, presenta una scritta in ancient gothic and comes from the edition From the German Lands.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×12 circa
  • Support: Handmade laid paper
  • Condition: Bad

Condor, 1890

20,00 

Condor, 1890 è una litografia tratta dalla pubblicazione Meyers Conversations Lexicon, published in Germany from the second half of the 19th century.
This work is part of a large series of antique prints made to illustrate this famous encyclopedia.
La stampa è stata pubblicata nel 1890 e presenta le seguenti caratteristiche:

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Conegliano, Vittorio Emanuele Street, 1890

20,00 

Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Conegliano, Treviso, 1890

20,00 

Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

Rabbits, 1890

30,00 

Conigli It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition, with light yellowing and central editorial fold

Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Condition: Excellent
  • Support: Paper

There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 1

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It was one of the first scientific reference works, initially published in Latin and later translated into German.
The first German publications of the various parts were printed in 1563, while the Bird book (Book of Birds) was published in 1557, shortly before the present plate.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2

90,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3

90,00 

Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.

  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

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