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Showing 2065–2088 of 9354 results

Curruca Melanocephala,1875

25,00 

Curruca Melanocephala è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa illustrazione rappresenta il Black-Headed Sardinian Warbler ed è stampata su carta forte con retro bianco.

  • Sheet size: cm. 16×25 approx.
  • Condition: Excellent state of preservation

Cutrettola (Yellow Wagtail), 1853

15,00 

Cutrettola (Yellow Wagtail) è una splendida cromolitografia realizzata nel 1853, tratta dall’opera Our Native Songsters by Anne Pratt.
Questa illustrazione rappresenta un uccello affascinante, noto per il suo piumaggio vivace e il suo comportamento vivace.

  • Sheet size: mm. 135×100
  • Engraving size: cm. 13,5×10 circa
  • Support: Medium paper with white back
  • Condition: Ottime condizioni, molto decorativa

Cuyp, Landscape with Oxen, 1830

70,00 

Cuyp, Landscape with Oxen It is an engraving made in 1830 by Ralph Cockburn, a painter and engraver known for his work at the Dulwich Picture Gallery.
This work is a splendid colored aquatint measuring 17x23 cm, mounted on a thick cardboard support measuring approximately 26x32 cm.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Cardboard

This rare and decorative work is based on a painting in the Dulwich Picture Gallery and bears the Haverhill Public Library stamp on the reverse.

D. Alfonso Henrique I King of Portugal, 1844

15,00 

D. Alfonso Henrique I re di Portogallo è una litografia realizzata nel 1844, proveniente dal volume Picturesque Polyorama of Naples.
This print depicts Alfonso I, known as the Conqueror, who was the first king of Portugal.

  • Sheet size: cm. 14×18 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper
  • Notes: La stampa è stata estratta dal libro e presenta scritte al retro.

D. Pietro di Toledo X Vicerè, 1846

20,00 

D. Pietro di Toledo X Vicerè è una litografia realizzata nel 1846, rappresentante Don Pedro Álvarez de Toledo y Zúñiga, viceré di Napoli.
This work is taken from the volume Picturesque Polyorama di Napoli e presenta un mezzobusto del soggetto.

  • Sheet size: cm. 29×20 approx.
  • Engraving size: cm. 11×11 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Viene spedita l’intera pagina del libro, con scritte sul retro.

D.Ferrante Alvarez of Toledo, 1842

15,00 

D. Ferrante Alvarez of Toledo it is a lithograph from 1842 which portrays the XII viceroy of Naples.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: cm. 10x9 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Notes: Back written and from a book, with writing on the back.

The entire sheet containing the print is sent.

D. Luigi of Toledo, 1846

15,00 

D. Louis of Toledo it's a lithography made in 1846, taken from Picturesque Polyorama, an important publication of the time.
This work represents Luigi Álvarez de Toledo y Osorio, lieutenant of the kingdom of Naples during the period in which Don Pedro went to Florence.

  • Sheet size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent
  • Text on the back: Present

The lithograph is shipped with the entire page of the book, offering an authentic piece of Neapolitan history.

D.Teniers, Hut with figures, 1830

70,00 

Hut with figures It is a colored aquatint made by D. Teniers in 1830.
This work, which measures 17x24 cm, is mounted on a thick cardboard support measuring approximately 26x32 cm.
Taken from Dulwich Gallery by R. Cockburn, features a Haverhill Public Library postmark on the verso.
This is a splendid execution inspired by one of the paintings in the Dulwich Picture Gallery, made by Ralph Cockburn, painter and engraver as well as the first keeper of the gallery.
A rare and decorative work that enriches any collection.

D.Teniers, The Swineherd, 1830

90,00 

The Swineherd It is a colored aquatint made by D. Teniers in 1830.
This work, which measures 24x34 cm, is mounted on a thick cardboard support measuring approximately 33x42 cm.

  • Taken from: DULWICH GALLERY by R. Cockburn, 1830
  • Condition: Excellent
  • Rare and decorative work: Beautifully executed, it is one of the paintings in the Dulwich Picture Gallery.
  • Stamped on the back: Haverhill Public Library

D.Teniers, The Pasture, 1830

70,00 

Il Pascolo è un’acquatinta colorata realizzata da D. Teniers nel 1830, rappresentante un suggestivo paesaggio al tramonto.
Questa opera è tratta dalla Dulwich Gallery e realizzata da Ralph Cockburn, pittore ed incisore, nonché primo custode della galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent state of preservation

Rara e decorativa, questa opera presenta al verso il timbro della Haverhill Public Library.

D.van den Bremden, A.van de Venne, 1636

25,00 

Kaleb and the Philistines è un’incisione realizzata da D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta un momento significativo della storia, illustrato con maestria attraverso la tecnica dell’acquaforte.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper with partial watermark
  • Condition: Excellent

D.van den Bremden, A.van de Venne 1636

25,00 

Jacob and Rachel It is an engraving made by D.van den Bremden nel 1636, in collaborazione con A.van de Venne.
Questo episodio biblico rappresenta Giacobbe che si lamenta con Laban per aver ricevuto Lea invece di Rachele come moglie.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

D’Annunzio Gabriele, 1889

20,00 

D’Annunzio Gabriele è una xilografia realizzata nel 1889, tratta da The Italian Illustration.
Questa incisione, con dimensioni di cm. 11×15, è stata estratta dal libro e presenta un retro scritto.

  • Sheet size: Small
  • Engraving size: cm. 11×15
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

by Adriaen Van Ostade, 1803

150,00 

Famiglia di contadini in preghiera is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 18×28 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

120,00 

Famiglia di contadini in un interno is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 24×21 circa
  • Engraving size: cm. 18×15 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Famiglia di contadini in campagna is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×11 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Famiglia di contadini in campagna It is an engraving made by David Deuchar In the 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include lavori di maestri come Rembrandt, Ostade, Cornelius Bega e Van Vliet.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 7×12 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

130,00 

Il Violinista e il Ragazzo con la Ghironda It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which also includes works by Rembrandt, Cornelius Bega and Van Vliet.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 12×15 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

La Morte che spinge una barca It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 5,5×6,5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

40,00 

Contadino che salta is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 5×6,5 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

50,00 

Farmers discussing in the countryside It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 10x9 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

30,00 

Uomo con una mano nel panciotto is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 7,5×5 circa
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

50,00 

Uomo con una mano nel mantello is an engraving created by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×8 approx.
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

by Adriaen Van Ostade, 1803

50,00 

Il Violinista in una locanda It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen Van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 9×12 approx.
  • Technique: Etching
  • Support: Very thin paper back-glued on heavy straw-colored paper
  • Condition: Excellent

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