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Adria, White Channel, 1890

20,00 

Adria, White Channel It is a woodcut print made in 1890, which represents a fascinating glimpse of the Riviera Belvedere.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Adriaen Jacobsen Matham (1599-1660) Fencing Lessons, large etching

180,00 

Fencing Lessons #5 It is a refined engraving made by Adriaen Jacobsen Matham (1599-1660), a well-known Dutch artist of the 17th century. This print is part of a series dedicated to the art of fencing, a theme that was particularly popular in the cultural and artistic context of the Dutch Golden Age. Crispian Queborn's signature is in the center of the work, underlining the quality and importance of the work.

This work represents a precious reference for historical fencing enthusiasts and a rare collector's item thanks to its technical quality and monumental size.

  • Era: 17th century
  • Technique: Etching
  • Dimensions: Large (about 50×70 cm)
  • Support: Medium thickness paper, white back
  • Condition: Good storage conditions

This print is not only a testimony of the seventeenth-century engraving art, but also a document of historical interest for scholars of Western martial arts.

Adriaen van Ostade, 1770

30,00 

Adriaen van Ostade It is an engraving made in 1770, executed with the technique ofetching.
This work is printed on laid paper and features a white back.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Condition: Excellent state of preservation

Aelbert Cuyp, Environs of Utrecht, 1830

70,00 

Aelbert Cuyp, Dintorni di Utrecht è un’incisione realizzata nel 1830, che offre una splendida veduta dei dintorni di Utrecht.
Questa opera è un’acquatinta colorata, tratta da uno dei quadri presenti nella Dulwich Picture Gallery, eseguita da Ralph Cockburn, pittore ed incisore, nonché primo custode della galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Questa rara e decorativa opera è timbrata al verso dalla Haverhill Public Library.

Frescoes at the Museum of Naples, 1884

30,00 

Frescoes at the Museum of Naples it is a woodcut engraving from 1884, which represents a Pompeian fresco.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.

  • Sheet size: cm. 26×36 approx.
  • Engraving size: cm. 18×16 approx.
  • Support: Paper
  • Condition: Excellent

Frescoes in the Museum of Naples, 1884

30,00 

Frescoes of the Museum of Naples It is a woodcut engraving made in 1884, which represents the Pompeian Frescoes preserved in the National Museum of Naples.
This work is taken from the volume Naples and its surroundings by Rudolf Kleinpaul.

  • Sheet size: cm. 26×36 approx.
  • Engraving size: cm. 24×17 approx.
  • Support: Paper
  • Condition: Excellent

Pompeian Frescoes, 1884

25,00 

Pompeian Frescoes It is a woodcut engraving made in 1884, which represents a fascinating example of Pompeian art.
Taken from the volume Naples and its surroundings by Rudolf Kleinpaul, this work measures 16x18 cm on a sheet of 27x36 cm.

  • Sheet size: cm. 27×36
  • Engraving size: cm. 16×18
  • Support: Paper
  • Condition: Excellent condition

Africa, C.F. Delamarche, 1816

70,00 

Africa It is a copper engraving map made by CF Delamarche in 1816.
This map represents Africa divided into its main states and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Technique: Burin
  • Condition: Good condition, with some peeling and central editorial crease
  • Support: Paper

Africa, Otto Petri, 1853

50,00 

Africa It is a hand-engraved and hand-colored map, made by Otto Petri in 1853.
This map measures cm. 22×27 on a sheet of paper cm. 26×34 and it is printed on medium thickness paper with white back.
It has an editorial fold and is in excellent condition.
The map is taken from the School Atlas Alle Deelen Der Aarde, published by J. Van Den Bosch in Rotterdam.

  • Sheet size: cm. 26×34
  • Map dimensions: cm. 22×27
  • Support: Medium thickness paper
  • Condition: Excellent condition

Aphrodite (Morning Star) and Leah AHPayne, 1840-50

20,00 

Aphrodite (Morning Star) It is an engraving made by AH Payne between 1840 and 1850.
This work, which represents a classical theme, was published in Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: unspecified
  • Support: Medium thickness paper
  • Condition: Excellent condition

Hagar and Ishmael in the Desert

25,00 

Hagar and Ishmael in the Desert It is an engraving made by F. Baroccio and engraved by J.Rogers between 1830 and 1850.
This work is taken from the Scripture Gallery of Engraving and it was published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back, with editorial frame and vignettes

Hagar and Ishmael, 1850

20,00 

Hagar and Ishmael It is an engraving made in 1850, inspired by the work present in the Vernon Gallery.
This work is an example of etching and burin, published in Art Journal Engraving.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Aglauro tramutata in sasso, Metamorfosi di Ovidio, acquaforte del 1676

30,00 

Questa splendida incisione del 1676 proviene dalla prestigiosa edizione delle “Métamorphoses d’Ovide en rondeaux” Of Isaac de Benserade, un’opera di grande raffinatezza, commissionata da Luigi XIV per l’educazione del Delfino di Francia.

Descrizione dell’opera

  • Titolo: Stampa tratta da Les Métamorphoses d’Ovide en rondeaux

  • Author: Isaac de Benserade (testo), Le Clerc, Chauveau e Le Brun (incisioni)

  • Publisher: De l’Imprimerie Royale, Parigi, 1676

  • Technique: Acquaforte su carta vergellata (testo al verso)

  • Dimensions:

    • Incisione: cm 7,5 × 9 (alla battuta del rame)

    • Foglio: cm 27 × 20

Importanza storica e artistica

L’opera di Benserade è una delle più celebri reinterpretazioni seicentesche delle Ovid's Metamorphoses. La particolarità di questa edizione è il suo approccio didattico ed estetico: ogni mito è presentato attraverso una citazione in latino, una riscrittura in versi (i rondeaux, tipici componimenti poetici francesi) e un’incisione su rame che illustra la scena.

Le incisioni furono realizzate da tre importanti artisti dell’epoca:

  • Sébastien Le Clerc (1637-1714), incisore di corte del Re Sole

  • François Chauveau (1613-1676), celebre illustratore parigino

  • Charles Le Brun (1619-1690), pittore ufficiale di Luigi XIV

Questa stampa rappresenta un esempio straordinario di arte barocca, caratterizzata da un tratto preciso e dettagliato, che enfatizza la drammaticità e il dinamismo delle scene mitologiche.

Valore collezionistico

L’opera, stampata presso l’Imprimerie Royale, è una testimonianza del lusso e della raffinatezza della cultura francese sotto Luigi XIV. Le incisioni, realizzate con grande maestria, sono oggi oggetti di culto tra i collezionisti di ancient books, incisioni del XVII secolo And iconografia mitologica.

Un pezzo di altissimo valore storico e artistico, espressione della grande tradizione incisoria francese e dell’interesse del Re Sole per l’arte e la letteratura classica.

Agnano, Phlegraean Fields, 1835

25,00 

Agnano, Campi Flegrei è un’incisione in rame del 1835 che ritrae il suggestivo Lago di Agnano.
This work is taken from The Wundermappe oder Sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs by C. Strahlheim, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Lamb of God, 1850

15,00 

Agnello di Dio It is an engraving made in 1850, rappresentante il celebre soggetto dell’Agnello di Dio.
Questa opera è stata pubblicata dalla casa editrice Serz & co. Edits Nurnberg in Germania.

  • Sheet size: cm. 8×12 approx.
  • Support: Cardboard
  • Condition: Buono stato, con qualche piccola mancanza e cartoncino applicato sul retro per coprire una scritta

Agora, Athens, Greece, 1842

15,00 

Agora, Athens, Greece it's a lithographic printing made in 1842, coming from the work Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.
This print measures 11x8 cm and has almost no margins. It is contained within a page of the book, with writing around and on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Agordo, Town Hall, 1890

20,00 

Agordo, Town Hall it's a woodblock print built in 1890, which offers a suggestive view of the Agordo town hall.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9 x 12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Augustine of Saragossa, 1843

15,00 

Augustine of Saragossa It is a copper engraving made in 1843, taken from thePicturesque Omnibus.
This work depicts Agustina Raimunda María Saragossa Domènech, a Spanish patriot known for her courage during the Peninsular War.
Known as “the Spanish Joan of Arc,” Agostina has been the subject of folk tales and iconography, inspiring artists such as Francisco de Goya and poets such as Lord Byron.

  • Sheet size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Agostino Carracci, The Deposition from the Cross, 1838

15,00 

The Deposition from the Cross It is an engraving made by Augustine Carracci In the 1838.
This work is taken from Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.

  • Sheet size: cm. 11×15 approx.
  • Support: Paper
  • Condition: Good state of preservation

The print has been cut from the book and has writing on the back; the entire page containing the print will be sent.
Omnibus It was a magazine founded in Naples in 1833, among the first and longest-running periodicals of the Kingdom of the Two Sicilies, whose publications continued until 1882.

Augustine of John, 1820-40

20,00 

Augustine of John It is an engraving made between 1820 and 1840, which represents a significant work by this artist.
The engraving is performed in etching on copper, with a measure of the beat of mm. 140×190.
The margins are almost non-existent and the paper used is of a strong type, with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Agrigento, 1829

30,00 

Agrigento, 1829 It is a copper engraving by Carl Frommel, depicting a suggestive view of the historic city of Agrigento, also known as Girgenti.
This work, measuring 107x75 mm, is printed on a sheet of 260x210 mm, made of medium paper with a white back.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper
  • Condition: Excellent condition

Agrigento, 1834

30,00 

Agrigento, 1834 It is a burin engraving that offers a splendid view of the city.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins, C. Nodiers and others, published in Paris.

  • Sheet size: mm. 183×115, plus margins
  • Support: Lightweight paper, white back
  • Condition: Good condition

This engraving is a decorative piece of great charm.

Agrigento, 1840

20,00 

Agrigento, 1840 it is a lithograph that represents The tomb of Theron in Girgenti.
Made by S. Puglia, this work is taken from the volume Picturesque Polyorama published in Naples in 1840.

  • Engraving size: mm. 152×145
  • Margins: almost absent
  • Support: Light sheet
  • Condition: Excellent condition

The print was cut from the book and has writing on the back, but offers a beautiful decorative view.

Agrigento, 1840

20,00 

Agrigento, 1840 It is a lithograph representing the remains of the temple of Hercules in Girgenti.
Made by S. Puglia, this work is taken from the volume Picturesque Polyorama, published in Naples in 1840.

  • Sheet size: mm. 152×180
  • Margins: almost absent
  • Support: Light sheet
  • Condition: Excellent condition

The print has been cut from the book and features writing on the back, making it a lovely decorative view.
Price: €20.00

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