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David and Goliath, L.Orbetto, 1840-50

20,00 

David and Goliath It is an engraving made by L. Orbetto between 1840 and 1850.
This work, performed in etching on strong paper, it represents an iconic scene of the fight between David and Goliath.
Published in Payne's Royal Dresden Gallery by A.H. Payne and W. French, this print is a significant example of 19th-century engraving art.

  • Sheet size: cm. 21×27
  • Condition: Excellent
  • Support: Strong paper

By Fer Nicolas, Naples, 1706

220,00 

By Fer Nicolas, Naples, 1706 It is a copper engraving that offers a perspective view of the city of Naples, enriched by 31 references located in the lower part.
This copy is made on slightly yellowed paper, giving a touch of historical authenticity to the work.

  • Sheet size: cm. 22.7×33.8 approx.
  • Engraving size: cm. 22.7×33.8 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Of Foe, 1850

20,00 

Of Foe, 1850 è un’incisione che ritrae il celebre scrittore inglese Daniel Defoe in una caratteristica posa.
Questa opera è stata realizzata da M. Vandergucht e incisa da J. Thomson utilizzando la tecnica del burin.

  • Sheet size: cm. 18×26 circa
  • Engraving size: cm. 10×13 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Pubblicata da S. Orr & C° a Londra, questa incisione è un esempio pregiato della ritrattistica del XIX secolo.

Of Foe, 1850

20,00 

Of Foe, 1850 It is an engraving made by J. Thomson, based on a print by M. Vandergucht.
This work, performed with the technique of burin, represents the famous English writer in a characteristic pose.

  • Sheet size: cm. 10×13 approx.
  • Support: Thick paper
  • Condition: Good state of preservation
  • Published by: S. Orr & Co., London

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Mara Anna, figlia del re Luigi XIV è un’incisione realizzata da Nicolas de Larmessin nel 1680.
This watercolor etching d’epoca è un esempio pregiato dell’arte incisoria del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Luigi D’Auphin è un’acquaforte acquarellata realizzata da Nicolas de Larmessin nel 1680.
Questa opera ritrae il figlio di Luigi il Grande e di Maria Teresa d’Austria, ed è firmata De L’Armessin, sculpsit.

  • Sheet size: cm. 25×18 approx.
  • Technique: Etching
  • Condition: Excellent
  • Support: Laid paper

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Francois de Harlay Chanvallon It is an engraving made by Nicolas de Larmessin nel 1680.
Questa opera rappresenta l’arcivescovo di Parigi ed è un esempio di watercolor etching di grande valore storico.

  • Sheet size: cm. 25×18 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Laid paper

​De Loubeau Pierre, Mediterranée Pittoresque, 1894

230,00 

Mediterranée Pittoresque It is a work of De Loubeau Pierre, pubblicata a Paris from Colin In the 1894.
Questo volume di cm. 32, composto da pp. xv e 500, è arricchito da numerose incisioni, molte delle quali a piena pagina, che ritraggono vedute e scorci delle città del Mediterraneo.

  • Località trattate: Les Colonnes d’Hercule, L’Algerie, La Tunisie, Alexandrie, La cote de Syrie, Smyrne, Les Dardanelles, Le Golfe de Corinthe, Les Iles Ionniennes, Les cotes de Dalmatie, La Sicile, La Sardaigne, La Corse, Les Iles Baleares, Malaga.
  • Condition: Ottimo stato di conservazione, con qualche macchia ma complessivamente ben conservato.

Deckert, Basan, Al telaio, 1771

30,00 

Deckert, Basan, Al telaio è un’incisione realizzata nel 1771, parte del Cabinet of the Duke of Choiseul.
This work is a collection of prints che raccoglie incisioni basate sui dipinti del cabinet di Monseigneur le Duc de Choiseul, edito da Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 17×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Delamarche, Atlas Elémentaire, 1806

650,00 

Elementary Atlas by Charles-François Delamarche is a work published in 1806, composed by XXXIII cards colored around the outline.
This third edition is an important cartographic resource, complete with all the maps, which offers a detailed vision of the geography of the period.

  • Book dimensions: cm. 23×16
  • Condition: Good condition, with some small woodworm holes in the margins of some pages
  • Cover Details: Cover rubbed with small loss on the spine
  • Details on the map: The map of France, folded several times, has a tear of a few centimetres repaired on the back with paper

Delphi, Greece, Etching, 1834 C.Stanfield

30,00 

Delphi, Greece It is an engraving made in 1834 by C. Stanfield, a famous designer, and engraved by E. Finden.
This work is taken from Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron, published by John Murray in London.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

This animated view of Delphi, home of the oracle of the god Apollo, represents an important artistic testimony of the 19th century.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Support: Unlaid paper
  • Condition: Perfect

The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels It is an engraving made by Stephen Of The Beautiful in the 17th century.
This work, part of the series Various Boardings, is a reverse copy and has a signature on the lower left with the initials SDBella.

  • Sheet size: cm. 17×32 approx.
  • Engraving size: cm. 8×16 approx.
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, originally conceived in the 17th century.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Excellent

The plates of these copies belong to the Calcografia of Rome.

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful in the 19th century, representing a series of vessels.
This work, signed lower left with the initials SDBella, is a copy in reverse of the series Various Boardings (DeVesme/Massar, 802-809).

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels it is an etching made by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This work represents a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBella.

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Technique: Etching
  • Support: Thick ivory-colored unlaid paper
  • Condition: Perfect

Della Bella, Various Vessels

60,00 

Various Vessels It is a work created by Stephen Of The Beautiful (Florence, 1610-1664) in the 19th century.
This etching on thick ivory-colored unlaid paper it has the following characteristics:

  • Sheet size: cm. 17×32
  • Engraving size: cm. 8×16
  • Support: Unlaid paper
  • Condition: Perfect

The work is a reverse copy of the series Various Boardings (DeVesme/Massar, 802-809), signed lower left with initials SDBellaThe plates of these copies belong to the Calcografia of Rome.

Della Bella, Landscapes of Rome

70,00 

Della Bella, Landscapes of Rome It is an engraving made by Stephen of the Beautiful (1610-1664), which represents the famous landscapes and ruins of Rome.
This work dates back to the 19th century and it is an etching on thick ivory-colored unlaid paper.

  • Sheet size: cm. 37×32
  • Engraving size: mm. 133×133 at the copper edge
  • Support: Unlaid paper
  • Condition: Excellent

Signed lower left with the wording Stef.Della Bella invented fecitThe plates of these copies belong to the Calcografia of Rome, as indicated by the dry mark visible in the lower left corner of the title page (Lugt 2144).

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