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1718, Southern Italy, C.Weigel
220,00 €1718, Southern Italy it's a lithography with contemporary watercolour, made by C. Weigel.
This map represents ancient Italy from Octavian Augustus in Regions XI described.
- Place of publication: Nuremberg
- Year of publication: 1718
- Sheet size: cm. 39×47
- Condition: Excellent, with editorial center fold
- Rarity: Rare representation, with excellent colouring
1718, Southern Italy, C.Weigel
280,00 €Map of Southern Italy It is a lithograph made by C. Weigel in 1718, characterised by a contemporary coloring which enhances its beauty.
This map, titled Magna Graecia Description, was published in Nuremberg with the privilege of the SC Majest.
- Sheet size: cm. 38×45
- Technique: Lithography
- Condition: Excellent, with editorial center fold
- Support: Paper
Rare and valuable representation, with high quality colouring.
Agrigento, Ancient Ruins, Saint-Non, 1781-86
90,00 €Agrigento, Ancient ruins It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21×34 approx.
- Support: Paper
- Condition: Excellent state of preservation
The animated view offers a fascinating look at the ancient ruins of Agrigento, making this engraving a valuable piece for collectors and art enthusiasts.
Agrigento, Athenian Rock, Saint-Non, 1781-86
90,00 €Agrigento, Athena Rock It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21×34 approx.
- Support: Paper
- Condition: Excellent state of preservation
The animated view offers a fascinating glimpse of Sicily, highlighting the beauty of the Rupe Atenea or Scala dei Franceschini.
Agrigento, Temple of Concord, Saint-Non, 1781-86
90,00 €Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21x34 approximately at the copper edge
- Support: Paper
- Condition: Excellent
The view represents a lively scene of the Temple of Concordia, testifying to the artistic ability and archaeological interest of the author.
Agrigento, Temple of Concord, Saint-Non, 1781-86
90,00 €Agrigento, Temple of Concordia It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, a work that combines art and archaeology.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21×34 approx.
- Support: Paper
- Condition: Excellent state of preservation
This engraving offers a beautiful animated view of the Temple of Concord, testifying to Saint-Non's artistic skill and his contribution to the documentation of historical sites in Sicily.
Agrigento, Temple of Juno, Saint-Non, 1781-86
90,00 €Agrigento, Temple of Juno It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 33×50 approx.
- Engraving size: cm. 21×34 approx.
- Support: Paper
- Condition: Excellent state of preservation
The engraving offers a beautiful animated view of the ruins of the Temple of Juno in Sicily, representing an important artistic and historical testimony of the eighteenth century.
Albani, Audran, Diana and Love, 1770
130,00 €Diana and Love It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is an example of an etching on heavy laid paper, signed on the plate with the following indications: Franc. Albanus in and pinx And Well. Audran ex cum privilege. Regis.
- Dimensions of the figured part: cm. 32×26 approx.
- Engraved part dimensions: cm. 34×30 approx.
- Condition: Excellent state of preservation
- Support: Heavy laid paper
Albani, Audran, Venus and Adonis, 1770
130,00 €Venus and Adonis It is an engraving made by Francis Albani And Benoit Audran II in 1770.
This work is a fine example of etching on heavy laid paper, signed on the plate by Albani and Audran.
- Sheet size: cm. 34×30 approx.
- Dimensions of the figured part: cm. 32×26 approx.
- Technique: Etching
- Condition: Excellent state of preservation
- Support: Heavy laid paper
Andrea Schiavone, Jesus Before Pilate, 1786
70,00 €Jesus Before Pilate it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper with watermark, coming from the Gallery of the Palais Royal.
- Engraving size: cm. 24×37 (including the editorial frame)
- Margins: Good irregular margins
- Condition: Excellent condition, nice proof with good contrast
- Published by: J. Couche, Paris, 1786
Bay, Pozzuoli, Christopher Weigel, 1719
Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.
- Sheet size: cm. 37,5×28,5 approx.
- Support: Laid paper with watermark
- Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom
Bartolozzi, Piazzetta, The Pentecost, 1756
250,00 €La Pentecoste It is an engraving made by Francesco Bartolozzi nel 1756, con disegno di Giovanni Battista Piazzetta.
This work is an example of etching and burin su carta vergellata pesante, caratterizzata da una filigrana non riconosciuta.
- Engraving size: cm. 37,5×26,5 circa
- Condition: Excellent
- Support: Heavy laid paper
Al retro si trova un timbro di collezionista non riconosciuto.
Si ipotizza che questa incisione sia stata eseguita per un messale dell’editore Albrizzi, secondo le notizie storico-critiche di De Vesme e Calabi.
C.Le Brun, L.Desplaces, Manoah, 1730
50,00 €Manoah e sua moglie It is an engraving made by Louis Desplaces nel 1730, su soggetto di Charles Le Brun.
This work is an example of etching and burin on laid paper senza filigrana, rifilata alla battuta del rame.
- Engraving size: cm. 28×34 circa senza margini apprezzabili
- Condition: Buone condizioni, con tre piccoli fori e stampa un po’ sbiadita
Catania, Water Cistern, Saint-Non, 1781-86
40,00 €Catania, Cisterna dell’acqua It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies, an encyclopedic work illustrated by the author himself.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent state of preservation
Questa incisione offre una bella veduta animata della Sicilia, rappresentando un’importante testimonianza storica e artistica.
Charles Le Brun (1619-1690), Versailles Gallery, 1752
90,00 €Charles Le Brun (1619-1690) è un’incisione originale realizzata nel 1752, che rappresenta Ornements de L’Angle qui termine la Galerie, parte della Galleria di Versailles.
This work is taken from ‘La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent’, pubblicata a Parigi nel 1752.
- Sheet size: cm. 49×40 circa
- Image size: cm. 40×33 circa
- Technique: Etching
- Support: Carta spessa vergellata
- Condition: Excellent
Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.
Charles Le Brun, The Gallery of Versailles, 1752
90,00 €La Galleria di Versailles è un’incisione realizzata da Charles Le Brun nel 1752, che rappresenta un’importante opera del XVIII secolo.
Questa incisione, intitolata Ornements de L’Angle qui termine la Galerie (Salone della Pace), è stata impressa su carta spessa vergellata ed è tratta da La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent, pubblicato a Parigi nel 1752.
- Sheet size: cm. 49×40 circa
- Engraving size: cm. 40×33 circa
- Support: Laid paper
- Condition: Excellent state of preservation
Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.
Costumes of Campania, 18th century
40,00 €Costumes of Campania, 18th century è un’incisione che rappresenta i costumi tradizionali dei contadini e popolani della Campania nel XVIII secolo.
Made in etching su carta spessa vergellata, quest’opera offre uno spaccato della vita quotidiana e delle tradizioni di un’epoca passata.
- Sheet size: cm. 22×32 approx.
- Support: Laid paper
- Condition: Excellent
David Deuchar, Monk Reading the Bible, 1786
80,00 €Monk reading the Bible It is an engraving made by David Deuchar in 1786, which represents a monk immersed in reading the Bible in his cell.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt, Ostade, Cornelius Bega and Van Vliet.
- Sheet size: cm. 35×26 approx.
- Engraving size: cm. 13,5×10,5 approx.
- Technique: Etching
- Support: Very thin paper back-glued on heavy straw-colored paper
- Condition: Excellent
David Teniers, La Fumatrice, 1786
50,00 €La Fumatrice è un’incisione realizzata da David Teniers nel 1786.
Questa opera è un’acquaforte su carta vergellata, senza filigrana, che misura cm. 24×37, inclusa la cornice editoriale.
- Taken from: Gallery of the Palais Royal
- Description: Gravée d’après les tableaux des différentes écoles qui la composent, con un abrégé de la vie des peintres e una descrizione storica di ogni quadro da parte di Mr l’abbé de Fontenai.
- Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
- Publisher: J. Couche; Paris; 1786
- Condition: Excellent condition, nice proof with good contrast
Diderot and D'Alembert, 1778, lead working, rolling mill, foundry, trades
25,00 €Diderot and D'Alembert è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, che esplora il tema della lavorazione del piombo, del laminatoio e della fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, nota per la sua influenza nel campo delle arti e dei mestieri.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back and editorial fold
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.2
25,00 €Diderot and D'Alembert, 1778 It is an engraving illustrating the processing of lead, with a focus on rolling mills and foundries.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back and editorial fold
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
This engraving is part of the edition of Diderot and D'Alembert's Encyclopédie, known as the Encyclopedie d'Yverdon, which stands out for its less French and less anti-religious approach, earning it the nickname of Protestant encyclopédie and a strong circulation in Northern Europe.
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.6
25,00 €Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema della lavorazione del piombo, rappresentando un laminatoio e una fonderia.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
Questa incisione è parte dell’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.7
25,00 €Diderot and D'Alembert, 1778 è un’incisione che esplora il tema delle arti e mestieri, in particolare la lavorazione del piombo, il laminatoio e la fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.
Diderot and D'Alembert, 1771, arts and crafts needlework
25,00 €Diderot and D'Alembert, 1771 It is a burin engraving that explores the theme of arts and crafts, in particular needlework.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×30
- Engraving size: cm. 24×30
- Technique: Burin
- Support: Medium thickness laid paper with white backing
- Condition: Excellent
This engraving is part of the edition of the Encyclopédie by Diderot and D'Alembert, known as the Encyclopédie d'Yverdon, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition earned the nickname of Protestant encyclopedia, ensuring a strong diffusion in Northern Europe.
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