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Showing 3673–3696 of 7890 results

L’ovaiola, F.Palizzi, 1853

60,00 

L’ovaiola It is an engraving made by Philip Palizzi In the 1853.
This work is an example of Burin al delineato acquarellato, su carta media con retro bianco.

  • Sheet size: cm. 17×25 approx.
  • Condition: Excellent state of preservation
  • Support: Paper

The work is taken from Customs and Traditions of Naples and Surrounding Areas di Francesco De Bourcard, edizione del 1853.
Si precisa che non si tratta di una copia anastatica.

The Last Dream, 1850

20,00 

The Last Dream It is an engraving made in 1850 by J. Edwards, inspired by a monument.
This work is performed with the technique ofEtching and Burin and it is taken from theArt Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

The Man of the Vineyard 1830-1850

25,00 

The Man of the Vineyard It is an engraving made between 1830 and 1850, attributed to Rembrandt and engraved by H.Wallis.
This work is part of the Scripture Gallery of Engraving and is published by John Tallis & Co. of London and New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent condition, with editorial frame and vignettes

The Man in the Net, Raimondo di Sangro, 1855

25,00 

The man in the net It is a woodcut engraving made by Raymond of Sangro in 1855.
This work is taken from the volume Description of the City of Naples and its surroundings divided into XXX days Of Gaetano Nobile, published in Naples in the same year.

  • Sheet size: cm. 15×10 approx. (including typographic frame)
  • Condition: Excellent state of preservation
  • Support: White backed paper
  • Included: Passepartout

Famous work by Raimondo di Sangro, Prince of San Severo, available at €15.00.

The Bay of Villafranca. Woodcut 1841

11,00 

La Baia di Villafranca è una xilografia realizzata nel 1841, che rappresenta un’incantevole vista della baia.
This work is taken from the Picturesque Store dello stesso anno e porta la firma dell’autore da du Moncel, con disegni di Rouargue.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 14 x 15 circa
  • Support: Light paper
  • Condition: Excellent

The Bastille, 1841

20,00 

The Bastille it's a lithographic printing made in 1841, part of the work Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.
This print, with almost no margins, measures cm. 10×16 and has writing on the back and on the back. It is supplied in a mat for better preservation.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper

La battaglia delle immagini, W.Hogarth, 1850-60

20,00 

La Battaglia delle Immagini è un’incisione realizzata da W. Hogarth tra il 1850 e il 1860.
This work, entitled The Battle of the Pictures, è un’acquaforte su acciaio acquarellata, che rappresenta un interessante confronto visivo.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 25×19 approx.
  • Support: Heavy paper with white backing
  • Condition: Excellent

La battaglia di Fleurus, Mauzaisse, 1850

20,00 

La battaglia di Fleurus è un’incisione realizzata da A.H. Payne nel 1850, ispirata a un dipinto di Jean Baptiste Mauzaisse.
Questa opera rappresenta la celebre battaglia del 1794, in cui le forze francesi si scontrarono con gli alleati inglesi, olandesi e asburgici.

  • Sheet size: mm. 165×140 circa
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Medium engraving paper

La raffigurazione è suggestiva e cattura l’intensità del conflitto, rendendo questa incisione un pezzo di grande valore storico e artistico.

La Battaglia di Meeanee, 1850

20,00 

La Battaglia di Meeanee It is an engraving made in 1850, che rappresenta un’importante scena storica.
Questa opera è tratta da un’immagine della Royal Collection e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Engraving size: unspecified
  • Support: Strong engraving paper
  • Condition: Excellent general condition

La Battaglia di Montebello, 1884

30,00 

La Battaglia di Montebello It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
Questa opera rappresenta un’importante testimonianza storica e artistica dell’epoca.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent

La Befana. Incisione su rame 1838

15,00 

La Befana It is a copper engraving made in 1838 dall’autore dal Pinelli and engraved by Gnaccarini.
This work is taken from thePicturesque Omnibus e rappresenta una scena familiare affascinante in cui i bambini, impauriti, vengono condotti dalla madre davanti alla Befana, costretti a scegliere tra una bacchettata e calze ripiene.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 16×13 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

The Beauty of Camarda, L'Aquila, 1856

20,00 

The Beauty of Camarda it's a lithographic printing made in 1856, from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
This print, measuring approximately 12x16 cm on a 30x20 cm sheet, was cut from the book and features writing on the back.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 12×16 approx.
  • Support: Paper
  • Condition: Excellent

The full page containing the print will be sent.

La bella filatrice, xilografia dell’800

25,00 

La Bella Filatrice è un’incisione in xilografia risalente all’800, ispirata a una stampa antica del XVII secolo.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

La Bella Panettiera, xilografia dell’800

25,00 

La Bella Panettiera It is a 19th century woodcut, inspired by an ancient 17th century print.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

La Benedizione . Incisione su rame 1838

15,00 

The Blessing è un’incisione su rame realizzata nel 1838, ispirata a un dipinto di L. Rocco.
Questa opera, incisa da Cataneo e disegnata da Rajola, rappresenta un delizioso quadretto di famiglia povera, in cui un frate offre la sua benedizione mentre un bambino fruga nel suo cesto.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 12×14 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

La benedizione della pesca, 1850

25,00 

La Benedizione della Pesca è una litografia realizzata nel 1850 da Alonso di S.Teodoro, tratta dall’opera Literary and Artistic Register by Vittoria Colonna, published in Naples.
Questa opera rappresenta un momento significativo legato alla tradizione della pesca, con dettagli artistici che catturano l’attenzione.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Buone, con qualche macchia e uno strappo che interessa anche lo stampato

​La Benedizione, quadro di Angelo Tommasi, 1886

30,00 

The Blessing è un’incisione realizzata da Angelo Tommasi nel 1886, pubblicata in The Italian Illustration from the Treves Editors of Milan.
Questa opera presenta un’immagine di dimensioni cm. 21×31, arricchita da scritte intorno e annotazioni al retro del foglio.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

La botte di Heidelberg, 1702

25,00 

La Botte di Heidelberg è un’incisione realizzata nel 1702, che rappresenta la famosa botte, la più grande del mondo.
This work is taken from the volume Nouveau Voyage d’Italie MDCCII, pubblicato da Henry van Bulderen.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 27×21 più margini irregolari
  • Technique: Bulino su rame
  • Support: Lightweight paper, white back
  • Condition: Buone, con strappo di 3 cm circa al margine sinistro

La Caccia, Rutsdael, 1840-50

20,00 

La Caccia è un’incisione realizzata da Albert Henry Payne tra il 1840 e il 1850.
Questa opera, pubblicata nella Royal Dresden Gallery, rappresenta un esempio pregevole di acquaforte su carta forte.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent condition

Albert Henry Payne, incisore e editore inglese, ha avuto un ruolo significativo nel panorama artistico del XIX secolo, fondando l’Istituto d’Arte Inglese a Lipsia nel 1838.

The Fall of Man, J.Martin, 1846

30,00 

The Fall of Man It is an engraving made by J. Martin in 1846.
This work is taken from The Imperial Family Bible, old and new Testaments, published by Blackie and Son in Glasgow.

  • Sheet size: cm. 25×35 approx.
  • Engraving size: cm. 15×20 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

The Canofiera in Rome, Pinelli, 1840

25,00 

The Canofiera in Rome It is an engraving made by Bartholomew Pinelli in 1840.
This unsigned work is an example of engraving burin on copper, which captures a beautiful and lively scene with many characters, reflecting the life and customs of the time.
Taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840, the work is an important testimony of Roman culture.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Support: Light paper
  • Condition: Perfect state of preservation

The Nurse Goat, painting by Nicolo Cannicci, 1886

30,00 

The Nurse Goat It is an engraving made by Nicolo Cannicci in 1886, published in theItalian Illustration in Milan by Fratelli Treves Editori.
This work presents an image of cm. 21x31, enriched by writings around and annotations on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

La Carbonaia, xilografia dell’800

25,00 

La Carbonaia è una xilografia dell’800, proveniente da un testo della fine del secolo.
This work measures cm. 15×11 about for the engraving and cm. 27×18 per il foglio, con testo attorno e al verso.
Verrà spedita l’intera pagina, contenente la stampa, estratta dal libro.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Paper
  • Condition: Excellent

La Carità dei Frati, B. Pinelli, 1840

25,00 

La Carità dei Frati It is an engraving made by Bartholomew Pinelli in 1840.
Questa opera, non firmata, è un esempio pregevole della sua abilità come incisore e pittore, rappresentando un soggetto di grande interesse.

  • Sheet size: mm. 230×140
  • Engraving size: mm. 105×70
  • Technique: Burin
  • Support: Light paper
  • Condition: Perfect

This engraving is taken from FROMMEL, Picturesque Italy, published in Leipzig in 1840.

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