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Showing 409–432 of 7910 results

Arabs, 1850

30,00 

Arabs, 1850 it's a hand-colored lithograph with watercolor, made in 19th century.
This work, of dimensions cm. 24×18, is printed on thick paper and is glued onto another paper support.
This is a humorous and satirical print, reflecting the taste of the time.

  • Sheet size: cm. 24×18 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Lobster, 1890

20,00 

Lobster It is a lithograph made in 1890, taken from the publication Meyers Conversations Lexicon, a German encyclopedic work published by the Bibliographischen Instituts.
This series of antique prints was created to illustrate the famous encyclopedia, which had several editions starting from the second half of the 19th century.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions with slight yellowing of the sheet

Archimede, 1857

30,00 

Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Archimedes, 1883

20,00 

Archimede è un’incisione xilografica realizzata nel 1883, tratta dall’opera Cent Tableaux de Science Pittoresque, pubblicata da Albert-Levy, Hacette et C., a Parigi.
This print measures mm. 120×160 (inclusi i margini) ed è stampata su un foglio leggero, con retro stampato.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Architects at work, 19th century woodcut

25,00 

Architetti al lavoro è una xilografia dell’800, che rappresenta un affascinante momento di lavoro degli architetti.
Questa incisione è tratta da un testo della fine dell’800 e misura circa cm. 12×11 per l’incisione, su un foglio di cm. 27×18.
La pagina intera, contenente la stampa, verrà spedita estratta dal libro, con testo attorno e al verso.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 12×11 approx.
  • Support: Paper
  • Condition: Excellent

Italian architect

25,00 

Architetto Italiano è una xilografia dell’800, ispirata a una stampa antica del XVII secolo realizzata da Mitelli.
This work is taken from a text from the late 19th century and features text around and on the back.

  • Sheet size: cm. 27×18 approx.
  • Engraving size: cm. 16×11 approx.
  • Support: Paper
  • Condition: Excellent

The full page, containing the print, extracted from the book will be sent.

Architecture, capital bases, various styles, 1771

30,00 

Architettura, basi dei capitelli, vari stili è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice nel 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent

Questa incisione è particolarmente interessante poiché proviene dall’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its difference from the original, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Architecture, capitals, five orders 1771

30,00 

Architecture, capitals, five orders It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

The engraving represents an interesting example of architecture, highlighting the five orders.
De Felice's version, known as Yverdon Encyclopedia, is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.

Architecture, capitals, various orders 1771

30,00 

Architecture, capitals, various orders It is an engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18
  • Technique: Burin
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent

This engraving is particularly interesting because it comes from the edition of Encyclopedia of Diderot and D'Alembert known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.

Architecture, plan of a grand hotel, 1771

30,00 

Architecture, plan of a grand hotel It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the edition of Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Excellent condition

This engraving is notable for its less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.

Architecture, plan of a grand hotel, drawing by JFBlondel, 1771

30,00 

Architecture, plan of a grand hotel It is a burin engraving made by JF Blondel in 1771.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×30
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

This engraving is part of the edition of the Encyclopédie by Diderot and D'Alembert, known as the Encyclopedie d'Yverdon, published in Switzerland.
Its difference from the original gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.

Architecture, project of a grand hotel, drawing by JFBlondel, 1771

30,00 

Architecture, project of a grand hotel It is an engraving made by JF Blondel in 1771.
This drawing is part of the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18 approx.
  • Engraving size: cm. not specified
  • Support: Medium thickness laid paper
  • Condition: Excellent condition, with white back

This engraving represents an interesting example of architecture, known for its diffusion in Northern Europe thanks to its edition in Switzerland, known as the Encyclopédie d'Yverdon.
The difference in approach compared to the original by Diderot and D'Alembert gives it a unique character.

Architecture, elevation of a grand hotel, drawing by JFBlondel, 1771

30,00 

Architecture, elevation of a grand hotel It is an engraving made by JF Blondel in 1771, part of the important work Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
This burin engraving, of considerable historical interest, comes from the edition of the Diderot and D'Alembert Encyclopedia, known as Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×30 approx.
  • Engraving size: cm. 24×30 approx.
  • Support: Medium thickness laid paper
  • Condition: Excellent state of preservation

Architecture of particular houses, 1834-1837

25,00 

Architectures of particular houses It is a steel engraving made by Aubert and Bouchet between 1834 and 1837.
This work is part of the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 18×10 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Arch Tuono, Leonardo da Vinci, 1842

20,00 

Arcituono è una litografia realizzata nel 1842, fac-simile della pagina 33 del Manoscritto B di Leonardo da Vinci.
Questa opera, attribuita ad Archimede, è parte della pubblicazione Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.

  • Sheet size: cm. 18×17 circa
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

La stampa presenta margini quasi assenti e include scritte attorno e al verso, ed è spedita con l’intera pagina del libro.

Archbishopric of Bavaria.1861 Woodcut

15,00 

Archbishopric of Bavaria It is a woodcut from 1861 representing a view of the old Archbishopric of Bamberg.
This work was created by Freeman, who drew inspiration from a photograph for his drawing.

  • Sheet size: cm. 30×21 approx.
  • Engraving size: cm. 21×15 approx.
  • Support: Light paper
  • Condition: Excellent

Arch and Loggia of Peruzzi, Florence, 1826

20,00 

Arch and Loggia of Peruzzi, Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Arch, 1890, Arch Against the Shore

20,00 

Arco, 1890 è un’incisione xilografica che rappresenta una bella veduta decorativa di Arco contro Riva.
Questa opera è accompagnata da una didascalia in tedesco gotico and has almost no margins.

  • Sheet size: mm. 230×160
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper
  • Notes: La stampa ha scritte sul retro ed è tratta da un testo tedesco.

Arch, 1891

15,00 

Arch, 1891 è un’incisione xilografica su legno di testa, caratterizzata da una didascalia in tedesco gotico.
Questa opera, con una dimensione di mm. 130×80, presenta margini quasi assenti e un foglio leggero, proveniente da un testo tedesco.

  • Condition: Excellent condition
  • Characteristics: Stampa ritagliata dal testo con scritte sul retro
  • Notes: Beautiful decorative view

Arch, 1891

15,00 

Arch, 1891 è un’incisione xilografica su legno di testa, caratterizzata da una Caption in Gothic German.
Questa bella veduta decorativa presenta dimensioni di mm. 160×90 e margini quasi assenti. La stampa è stata ritagliata da un testo tedesco e presenta scritte sul retro.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light paper

Arcofelice, Pozzuoli, 1781-1786

60,00 

Arcofelice, Pozzuoli, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This etching, part of the work Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, offers a beautiful lively view of the historic town of Pozzuoli.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Condition: Perfect condition
  • Support: Paper

Ardea, 1846

25,00 

Ardea, 1846 è una litografia che rappresenta una veduta del castello di Ardea, situato in South Apulia.
This work is taken from the volume Picturesque Polyorama, published in Naples in 1846.

  • Sheet size: mm. 155×90
  • Condition: Buone, con margini quasi assenti e una macchia di umido che interessa anche la stampa
  • Support: Paper
  • Notes: La stampa presenta scritte al retro ed è una bella veduta, non comune.

Ardea, C.Frommel, 1829

25,00 

Ardea It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
This work is an example of etching on paper, characterized by an engraving measuring 7x10 cm, on a sheet of 13x22 cm.

  • Sheet size: cm. 13×22
  • Engraving size: cm. 7×10
  • Support: Medium paper
  • Condition: Excellent state of preservation

Aretusi Caesar, 1764

40,00 

Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.

  • Sheet size: cm. 37×49 approx.
  • Engraving size: cm. 16×21 approx.
  • Support: Heavy paper
  • Condition: Good condition, with some stains on the edges that do not affect the engraving

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