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Selinunte, Trapani, 1840
20,00 €Selinunte, Trapani it's a lithographic printing of 1840 which offers a general view of the ruins of Selinunte.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge to all classes of society.
- Sheet size: cm. 15×19 approx.
- Condition: Excellent
- Support: Paper
- Notes: Almost no margins, cut from the book with writing on the back and back.
The print ships complete with mat, making it a beautiful decorative display for any collector.
Selinunte, Trapani, Saint-Non, 1781-86
40,00 €Selinunte, Trapani It is an engraving made by Jean-Claude Richard de Saint-Non between 1781 and 1786.
This magnificent original engraving comes from the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Excellent state of preservation
The work offers a beautiful animated view of Sicily, highlighting the artistic talent of Saint-Non, known for his contribution to art and archaeology.
Simplon and Crevola Bridge, 1834
30,00 €Simplon and Crevola Bridge It is a double steel engraving made between 1834 and 1837.
This work is part of the volume Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 11x8 approximately for each
- Support: Light paper
- Condition: Excellent state of preservation
The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.
Simplon, Gondo Gallery, 1834
25,00 €Simplon, Gondo Gallery It is a steel engraving made between 1834 and 1837.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 18×10 approx.
- Support: Light paper
- Condition: Excellent state of preservation
This view is lively and decorative, perfect for art and history lovers.
Sempione, The Simplon, 1834
30,00 €Sempione, The Simplon è un’incisione realizzata da W. Brockedon nel 1834, tratto da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata disegnata da H. Gasteneau e incisa da E. Finden, edita da John Murray a Londra.
- Sheet size: cm. 23×16 approx.
- Engraving size: cm. 13×9 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
- Notes: Retro bianco, veduta animata
Senigallia, 1846
15,00 €Senigallia, 1846 it is a fascinating lithograph taken from the volume Picturesque Polyorama, published in Naples in 1846.
This small-sized print offers a historical snapshot of the city of Senigallia.
- Sheet size: cm. 15×8 approx.
- Support: Paper
- Condition: Excellent
- Notes: Almost no margins and printed back with writing
Senigallia, Town Hall, 1890
20,00 €Senigallia, Palazzo Municipale è una stampa xilografica realizzata nel 1890, che rappresenta la piazza e il palazzo municipale della storica città marchigiana.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 10×12 circa, circondata da testo, con ulteriori informazioni al verso del foglio.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Support: Paper
- Condition: Excellent
Senigallia, Lambertina Gate, 1890
20,00 €Senigallia, Lambertina Gate it is a woodcut print made in 1890, depicting the historic Porta Lambertina of Senigallia.
This work is taken from Illustrated geographical Italy by P. Premoli and features a descriptive text around the image and the back.
- Sheet size: cm. 12×9 approx.
- Technique: Woodcut
- Support: Light paper
- Condition: Excellent
The print will be shipped with the full page, including the text on the back.
Roman Sepino, Campobasso 1856
25,00 €Roman Sepino, Campobasso 1856 it is a valuable one lithographic printing representing a view of Sepino, made in 1856.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 18×15 approx.
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.
Sepino, 1856
20,00 €Sepino, 1856 it's a lithographic printing of great historical and artistic interest.
This work is taken from Picturesque Polyorama, a periodical publication aimed at disseminating useful knowledge to all classes of society.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 13×15 approx.
- Support: Paper
- Condition: Good
The print has been cut from the book and has writing on the verso; the entire page containing the print will be sent.
Sepolcro di Antenore a Padova, 1843
30,00 €Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.
- Sheet size: cm. 28×20 approx.
- Dimensione della immagine: cm. 14×10 approx.
- Technique: Woodcut
- Condition: buona, scritto al verso del foglio, in parte visibile al recto.
- Support: Paper
La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili, viene spedita la pagina intera che contiene la stampa .
La cosiddetta tomba di Antenore è un’edicola medievale che, secondo la leggenda, dovrebbe contenere le spoglie del mitico fondatore di Padova. Il monumento è posto oggi in Piazza Antenore, a Padova, davanti all’edificio della prefettura.
Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.
Sera in Italia, 1850-60
20,00 €Sera in Italia è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un suggestivo paesaggio italiano.
This work is taken from the Art Journal Engraving e proviene dalla collezione reale.
- Sheet size: cm. 32×24 approx.
- Engraving size: unspecified
- Support: Strong engraving paper
- Condition: Excellent general condition
Evening, J. Both, 1840-50
20,00 €Evening It is an engraving made by J. Both between 1840 and 1850.
This work, an etching on strong paper, was published in the Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.
- Sheet size: cm. 21×27 approx.
- Condition: Excellent condition
- Support: Strong paper
Albert Henry Payne, English engraver, designer and publisher, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Serra S. Bruno, 1856
20,00 €Serra S. Bruno it is a lithograph from 1856 which represents the Priory Chapel of the Royal Charterhouse of S. Stefano del Bosco.
This print is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
- Sheet size: cm. 30×20 approx.
- Print Size: cm. 12×20 approx.
- Technique: Lithography
- Condition: Good
- Support: Paper
The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
Serravalle, Alessandria, 1835
25,00 €Serravalle, Alessandria, 1835 è un’incisione in rame che rappresenta un affascinante scorcio della città.
This work is taken from C. Strahlheim – Die Wundermappe oder sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, pubblicato a Frankfurt am Main nel 1835.
- Sheet size: cm. 11×14 approx.
- Engraving size: cm. 7.5×10 approx.
- Support: Paper
- Condition: Excellent condition
Serravalle, The Meschio, 1890
20,00 €Serravalle, The Meschio It is a woodcut made in 1890 by E. Bondier, a well-known French designer and illustrator active in Paris in the latter part of the 19th century.
This print, taken from a late 19th century French book, features a beautiful animated scene and is found in excellent condition.
- Sheet size: cm. 10×13
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the back. The full page containing the print will be sent.
Serravalle, Vittorio Veneto, Treviso, 1890
20,00 €Serravalle, Vittorio Veneto, Treviso it is a woodcut from 1890, taken from a French book from the late 19th century.
This beautiful print is animated and comes in excellent condition.
- Sheet size: cm. 10×13
- Support: Paper
- Condition: Excellent
The print has been cut from the book and has writing on the back. The full page containing the print will be sent.
Sessa, Colonna per il Duomo di Sessa, 1845
20,00 €Colonna per il Duomo di Sessa it's a lithographic printing realizzata nel 1845 da S. Puglia.
Questa opera rappresenta la colonna per il cereo pasquale nel duomo di Sessa ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione del XIX secolo che mirava a diffondere conoscenze utili in tutte le classi sociali.
- Sheet size: cm. 15×18 approx.
- Support: Paper
- Condition: Excellent
- Notes: Almost no margins, cut from the book with writing on the back, shipped complete with passepartout.
Sessa, Tribune of the Cathedral, 1845
20,00 €Sessa, Tribune of the Cathedral it is a lithograph from 1845 which represents a beautiful view of the ancient tribune of the Cathedral of Sessa.
This print was made by S. Puglia and measures cm. 15×18, with almost no margins.
It is taken from the periodical work Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Published in Naples by the typography and lithography of Poliorama Pittoresco, under the direction of Filippo Cirelli, the periodical had an editorial life from 1836 to 1860.
The print has been cut from the book and has writing on the verso; it is shipped complete with mat.
Sixth Calende, Varese, 1832
25,00 €Sixth Calende, Varese, 1832 è un’incisione realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, stampata da C. Stanfield, è stata pubblicata nel volume Picturesque Annual, basata su un disegno di Clarkson Stanfield, Londra, 1832.
- Sheet size: cm. 12×19 approx.
- Engraving size: cm. 10×13 approx.
- Support: Paper
- Condition: Excellent state of preservation
Sixth Calende, Varese, 1832
25,00 €Sixth Calende, Varese, 1832 è un’incisione realizzata con la tecnica dell’acquaforte e bulino.
Questa opera, stampata da C. Stanfield, è stata pubblicata nel volume Picturesque Annual, basata su un disegno di Clarkson Stanfield, Londra, 1832.
- Sheet size: cm. 12×19 approx.
- Engraving size: cm. 10×13 approx.
- Support: Paper
- Condition: Excellent state of preservation
Sfera armillare, rotazione della Terra, 1843
35,00 €Stampa litografica del 1843, che rappresenta uno strumento antico.
This work is taken from Picturesque Polyorama, un periodico fondato da Filippo Cirelli e Salvatore Fergola, pubblicato nel Regno delle Due Sicilie dal 1836 al 1860.
- Printed part dimensions: cm. 24×17 approx.
- Dimensione del foglio: cm. 29×20 approx.
- Margins: almost absent
- Condition: Excellent
- Support: Paper
La stampa è contenuta nella pagina del libro e presenta scritte intorno e al verso. Verrà spedita l’intera pagina che contiene la stampa. Stampa di grande interesse storico scientifico.
Sforza, Leonardo da Vinci, 1840-50
20,00 €Sforza, Leonardo da Vinci It is an etching made between 1840 and 1850, which portrays Francesco Sforza, Duke of Milan.
This work was published in the volume Payne's Royal Dresden Gallery by AH Payne and W. French, and is printed on strong paper with a white back.
- Sheet size: cm. 21×27
- Technique: Etching
- Condition: Excellent
- Support: Paper
Siena, 1865
15,00 €Siena, 1865 è un’incisione xilografica che rappresenta la Cappella del Palazzo della Signoria a Siena.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan in 1865.
- Size of the joke: mm. 150×180
- Margins: almost absent
- Support: Light paper
- Condition: Buone, con il retro scritto e parte visibile al verso
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