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William Hogarth, The Shrimp Girl 1822

40,00 

The Shrimp Girl It is an etching made by William Hogarth in 1822.
This work is part of Hogarth's famous publications, included in The Works of William Hogarth, published by Baldwin, Cradock and Joy.

  • Sheet size: cm. 48×64
  • Engraving size: cm. 21×17
  • Support: Thick paper without watermark
  • Condition: Excellent condition

James Heath's edition was the last to print directly from Hogarth's original engraved plates.

William Hogarth, Burlesque, 1822

50,00 

Burlesque It is an engraving made by William Hogarth nel 1822, che satirizza la pala d’altare di Kent nella chiesa di St. Clement Danes.
Questa opera mette in evidenza le scarse abilità artistiche di Kent, rappresentando angeli e cherubini in modo sproporzionato e caricaturale.

  • Sheet size: cm. 40×30 circa
  • Engraving size: cm. 33×18 circa
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

La pala d’altare, commissionata dai parrocchiani, suscitò delusione e fu successivamente rimossa.
L’opera di Hogarth, con la sua chiave satirica, offre una critica pungente all’arte di Kent, evidenziando la sua inadeguatezza.

William Hogarth, Mr Ranby's House, 1822

20,00 

View of Mr Ranby's House It is an engraving made by William Hogarth in 1822.
This work offers a distant view of Mr Ranby's residence in Chiswick, capturing the essence of the landscape of the period.

  • Sheet size: cm. 13×22 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Examination of Bambridge, 1822

50,00 

Examination of Bambridge It is an etching made by William Hogarth in 1822.
Questa opera rappresenta l’esame di Thomas Bambridge davanti a un Comitato della Camera dei Comuni, dove un prigioniero, Jacob Mendez Solas, si inginocchia con una morsa di ferro intorno al collo davanti a Oglethorpe e ad altri parlamentari come Onslow, Egmont, Grant e Hucks.

  • Sheet size: cm. 64×48 approx.
  • Image size: cm. 37×30 circa
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Garrick in Richard III 1822

70,00 

Garrick in Richard III è un’incisione realizzata da William Hogarth nel 1822, che rappresenta l’attore Mr. David Garrick nel celebre ruolo shakespeariano di Riccardo III.
Questa opera è tratta dal dipinto originale del 1745 e celebra la fama che Garrick ha raggiunto nel 1743 grazie a questa interpretazione.

  • Sheet size: cm. 48×64 circa
  • Image size: cm. 41×52 circa
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, King Henry, 1822

50,00 

King Henry it is an etching made by William Hogarth in 1822, which portrays the famous king Henry VIII together with Anne Boleyn.
This work is an important historical representation, with the image measuring cm. 37×30 on a sheet of paper cm. 64×48, printed on thick paper without watermark.

  • Sheet size: cm. 64×48
  • Image size: cm. 37×30
  • Support: Thick paper
  • Condition: Excellent condition

At the bottom is the wording “Designed & Engraved by Wm Hogarth”.

William Hogarth, Masquerade Ticket, 1822

50,00 

Masquerade Ticket It is an engraving made by William Hogarth in 1822.
Questa opera rappresenta una grande compagnia che preme con impazienza alla porta di una Masquerade, all’interno della stanza affollata da una moltitudine di personaggi grotteschi, che celebrano le orge del luogo.

  • Sheet size: cm. 24×35 circa
  • Image size: cm. 18×25 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William Hogarth, Masquerades and Opera, 1822

50,00 

Masquerades and Opera è una celebre incisione di William Hogarth, realizzata nel 1822.
This work, also known as The Bad Taste of the Town, critica la moda contemporanea e la commedia dell’arte, rappresentando una scena vivace di mascherate e opere italiane.

  • Sheet size: cm. 30×18 circa
  • Image size: cm. 18×13 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

La scena si svolge davanti al King’s Theatre, Haymarket, dove una folla di persone mascherate è guidata da un diavolo che porta una borsa contenente £ 1.000.
Un striscione sopra l’ingresso mostra nobili inginocchiati davanti alla soprano italiana Francesca Cuzzoni, mentre a destra si attende l’ingresso alla pantomima di Arlecchino Doctor Faustus.
Hogarth, con maestria, utilizza sia l’acquaforte che il bulino per creare dettagli vividi e incisivi.

William Hogarth, Putti, 1822

30,00 

William Hogarth, Putti è un’incisione realizzata nel 1822, che rappresenta un momento giocoso della natura.
This work, entitled Boys Peeping at Nature, mostra tre putti e un satiro in una scena vivace.

  • Sheet size: cm. 19×17 circa
  • Engraving size: cm. 15×13 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation
  • Technique: Etching and burin

L’opera è un biglietto di abbonamento inciso per A Harlot’s Progress, basato su un disegno a pennello presente nella Royal Collection.
I putti sono rappresentati in attività artistiche, mentre uno di loro cerca di proteggere la statua di Efeso Artemide da uno sguardo indiscreto. Il design trae ispirazione da un dipinto di Rubens e Bruegel, evidenziando l’abilità di Hogarth nel combinare arte e satira.

William Hogarth, Royalty, Episcopacy and Law, 1822

50,00 

Royalty, Episcopacy and Law è un’opera incisoria di William Hogarth, made in 1822.
Questo emblema iconoclasta, eseguito in uno stile surrealista, rappresenta un audace attacco alla classe dirigente inglese dal punto di vista della classe media.

  • Sheet size: cm. 27×30 circa
  • Image size: cm. 18×25 approx.
  • Technique: Etching and burin
  • Support: Thick paper without watermark
  • Condition: Excellent condition

La stampa raffigura re, vescovi e avvocati come forme vuote e meccaniche, simbolizzando il potere di manipolazione attraverso i loro ornamenti. La forma circolare della stampa suggerisce il campo visivo di un telescopio, con un re che tiene uno scettro e un globo, mentre un vescovo è rappresentato in una posizione lussuosa.
L’avvocato, vestito in modo eccessivo, è affiancato da figure simboliche che rappresentano la società aristocratica, creando un’opera ricca di significato e critica sociale.

William Hogarth, Sancho at the Feast Starved by his Physician

70,00 

Sancho at the Feast Starved by his Physician it is an etching made by William Hogarth in 1822.
This work represents a significant moment in Sancho's life, masterfully captured by the artist.

  • Sheet size: cm. 64×48 approx.
  • Image size: cm. 30×30 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, The Lottery, 1822

50,00 

The Lottery it is an etching made by William Hogarth in 1822, which is a satire on the state lottery.
This iconic work shows a drawing of lots at Guildhall, with allegorical figures explaining the significance of each character in the scene.

  • Sheet size: cm. 32×48
  • Image size: cm. 22×31
  • Support: Thick paper without watermark
  • Condition: Excellent condition

The English caption provides details about the characters:
1) The allegory of National Credit is supported by Justice;
2) Apollo shows Britannia a picture of the earth;
3) Fortune is on the right;
4) Unrestrainedness is on the left;
5) Suspense, Hope and Fear are found at the base of the pedestal;
6) Good Luck is kidnapped by Pleasure and Madness;
7) Bad Luck is oppressed by Pain, supported by Minerva;
8) Sloth and Avarice complete the scene.
This engraving is an important reflection on the consequences of the lottery and human destiny.

William Hogarth, The Man of Taste 1822

30,00 

The Man of Taste It is an engraving made by William Hogarth in 1822.
This work represents a satirical analysis of the taste and culture of his time.

  • Sheet size: cm. 28×27 approx.
  • Engraving size: cm. 22×16 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, Woman Swearing a Child, 1822

70,00 

Woman Swearing a Child It is an etching made by William Hogarth in 1822.
This work depicts a pregnant woman swearing before a justice of the peace that the father of her child is a wealthy, married man.
The scene is enriched by the presence of the man's wife, who scolds him, while the real father encourages the woman.

  • Sheet size: cm. 64×48 approx.
  • Engraving size: cm. 30×35 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent state of preservation

William Hogarth, The Battle of the Paintings, 1822

30,00 

The Battle of the Paintings It is an engraving made by William Hogarth in 1822.
This work, which combines the technique ofEtching and of the Burin, represents a comparison between different artistic currents.

  • Sheet size: cm. 24×27 approx.
  • Image size: cm. 20×20 approx.
  • Support: Thick paper without watermark
  • Condition: Excellent condition

William III King of England, 1850

30,00 

William III King of England It is an engraving made in 1850, which portrays William III of Orange, known for his historical role as King of England.
This work is made in etching with technique to black way, typical of the mid-1800s.

  • Sheet size: cm. 17×21 approx. without margins
  • Support: Glued onto another paper support
  • Condition: Excellent condition

Windsheim, St.Munster, 1614

90,00 

Windsheim, St.Munster It is a map view of Windsheim, dating back to 1576, located in Franconia, Germany, Bavaria.
This map is taken from the famous work Cosmography Universalis by Sebastian Munster, published in Basel in 1614.
The work features the monogram of Gregorius Sickinger (1558-1631) at the bottom right and there is some writing on the back.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12.5x15.5 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Winter Raphael (1784-1852), Goats, 1830

35,00 

Goats It is an engraving made by Winter Raphael In the 1830.
This work, an example of etching, is monogrammed at the bottom right with the initials RW and represents a typical subject of 18th century art.

  • Sheet size: cm. 12×16 approx.
  • Support: Heavy laid paper
  • Condition: Excellent state of preservation

Wittenberger, St.Munster, 1614

60,00 

View of Wittenberger It is a woodcut made by Sebastian Munster in 1614, extracted from his famous work Cosmography Universalis.
This engraving offers a fascinating overview of the city of Wittenberg, located in Baden-Wuerttemberg, and features the city's coat of arms on the reverse.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 9×13 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Wittenburg, St.Munster, 1614

80,00 

Wittenburg, S.Munster è una veduta di Wittenberg, rappresentante un’importante località legata a Martin Lutero in Germania.
This engraving is taken from the famous work Cosmography Universalis di Sebastian Munster, pubblicata a Basilea nel 1614. Sul retro si trova un’immagine di Martin Lutero, figura centrale della Riforma protestante.

  • Sheet size: cm. 36×22 approx.
  • Image size: cm. 12×15 approx.
  • Support: Watercolored laid paper
  • Condition: Excellent state of preservation

Wolfgang Amadeus Mozart, 1842

15,00 

Wolfgang Amadeus Mozart It is a lithograph made in 1842, taken from the volume Picturesque Polyorama.
Questa stampa rappresenta un omaggio al celebre compositore austriaco, noto per le sue opere musicali di straordinario valore artistico.

  • Sheet size: cm. 14×10 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Wolfgang Amadeus Mozart, 1846

15,00 

Wolfgang Amadeus Mozart è un’incisione su rame realizzata nel 1846, tratta dall’Picturesque Omnibus.
Questa litografia misura circa cm. 10×19 e presenta testo sia intorno che al verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Wolfgang Amadeus Mozart, nome di battesimo Joannes Chrysostomus Wolfgangus Theophilus Mozart, è stato un compositore, pianista, organista e violinista austriaco, nato a Salisburgo il 27 gennaio 1756 e morto a Vienna il 5 dicembre 1791. È universalmente riconosciuto per la creazione di opere musicali di straordinario valore artistico.
The entire page containing the print will be sent.

Wolfgang Amadeus Mozart, 1846

20,00 

Mozart's Childhood It is a lithograph from 1846, taken from Picturesque Polyorama.
This charming print measures approximately 12 x 14 cm and features text both around the edge and on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The lithograph will ship with the full page containing the print, offering a piece of history dedicated to one of the greatest composers of all time.

Yanina, Greece, 1832

25,00 

Yanina, Grecia It is an engraving made in 1832, representative of the first half of the 19th century.
This etching presents an image measuring 9x13 cm on a sheet of 16x22 cm, printed on medium-thickness paper with a white back.

  • Sheet size: cm. 16×22
  • Engraving size: cm. 9×13
  • Support: Medium thickness paper
  • Condition: Excellent condition

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