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Canivet, Lace Santino
15,00 €Canivet, Lace Santino è un’opera tipografica del XIX secolo, realizzata in Francia, a Parigi, dalla casa editrice Letaille.
Questo santino presenta una preghiera ed è caratterizzato da un elegante merletto, tipico dei canivet.
- Sheet size: cm. 11×5
- Technique: Etching with lace-cut edges
- Condition: Excellent state of preservation
- Country of origin: France
Canivet, Santino, Gesù, 1830-50
20,00 €Canivet, Santino, Gesù è un’opera realizzata tra il 1830 and 1850, che rappresenta un’immagine sacra di Gesù con dei bambini.
Questa stampa è stata pubblicata dalla rinomata casa editrice Young Bouasse from Paris, France.
- Dimensions: cm. 6×10
- Technique: Hand-painted watercolor etching
- Condition: Perfect
- Support: Paper
- Prayer: Yes
Canivet, Tabernacolo, Letaille, 1850
15,00 €Canivet, Tabernacolo è un’opera realizzata da Ch. Letaille nel 1850, rappresentante un tabernacolo eucaristico.
Questa incisione è caratterizzata da una preghiera scritta a mano in tedesco e presenta bordi trinati, tipici della tecnica dell’acquaforte.
- Sheet size: cm. 5×10 circa
- Condition: Buone (piccola mancanza al bordo inferiore)
- Support: Paper
- Country of origin: France, Paris
- Casa Editrice: Ch.Letaille, Bounard
Canna, Chromolithograph, 1887
30,00 €Canna it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This splendid print, characterised by a white back and a sheet size of 25x16 cm, is very decorative and comes in excellent condition.
- Sheet size: cm. 25×16
- Support: Thick paper
- Condition: Excellent
Cannaiola di Ruppel, 1875
25,00 €Cannaiola di Ruppel è una litografia acquarellata d’epoca, realizzata nel 1875 e tratta dall’opera A History of Birds of Europe by Charles Robert Bree.
Questa illustrazione rappresenta il Ruppell’s Warbler, un uccello affascinante e raro.
- Sheet size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent state of preservation
Cannaiola rossiccia, 1875
25,00 €Cannaiola rossiccia It is a vintage watercolour lithograph, made in 1875 and taken from A HISTORY OF BIRDS OF EUROPE by Charles Robert Bree, published in London.
Questa opera rappresenta il Lesser Rufous Warbler e si distingue per la sua vivace rappresentazione.
- Sheet size: cm. 16×25 approx.
- Support: Strong paper with white back
- Condition: Excellent state of preservation
Canonico Francesco Ricciardi, 1843
15,00 €Ritratto del Canonico Francesco Ricciardi, realizzato nel 1843, è una lithographic printing che rappresenta un’importante figura del XIX secolo.
Questo ritratto è tratto dall’opera Picturesque Polyorama, a periodical publication designed to disseminate useful knowledge across all social classes.
- Printed part dimensions: cm. 11×16
- Margins: almost absent
- Origine: Napoli, tipografia e litografia del Poliorama Pittoresco, Filippo Cirelli Direttore, 1843
- Content: La stampa è contenuta nella pagina del libro e presenta scritte attorno e al verso
The entire page containing the print is sent.
Canonico Gio. Battista Manfredi, 1843
15,00 €Canonico Gio. Battista Manfredi it's a lithographic printing made in 1843.
Questo ritratto del Canonico, nato a Napoli nel 1758, è tratto dall’opera Picturesque Polyorama, a periodical publication aimed at disseminating useful knowledge to all classes of society.
- Printed part dimensions: cm. 11×16
- Margins: almost absent
- Support: Paper
- Condition: Excellent
The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.
Canosa, 1877
15,00 €Canosa, 1877 è un’incisione xilografica che rappresenta le rovine di Canusium.
This work is taken from the volume Italy by J. Gourdault.
- Sheet size: mm. 187×138
- Condition: Excellent
- Support: Paper
- Notes: Missing margins and writing on the back
Si tratta di una bella veduta decorativa, ideale per collezionisti e appassionati di arte.
Canossa, 1870
25,00 €Canossa, 1870 it is a woodcut engraving on woodblock representing a beautiful decorative view of the historic town of Canossa.
This work, with a caption in Gothic German, is taken from a German book and has almost no margins.
- Sheet size: mm. 270×180
- Condition: Excellent condition
- Support: Paper
Canossa, 1877
35,00 €Canossa, 1877 It is a woodcut engraving made by Edmund Kanoldt, a well-known German painter and designer.
This work, taken from the volume Italian by W. Kaden, offers a beautiful decorative view of the historic town of Canossa.
- Sheet size: mm. 185×250, plus margins
- Technique: Woodcut
- Support: Lightweight paper with white backing
- Condition: Excellent condition
Canova Antonio, 1857
30,00 €Canova Antonio It is an original etching, made in 1857 and taken from the work Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
This work features a joke of mm. 140×180 on a sheet of paper cm. 23×32, made on strong paper with white back.
- Condition: It has some light foxing at the edges, which does not affect the engraving.
A Mother's Song at the Cradle. Lithograph. 1845
15,00 €Canto di una madre alla culla it's a lithography made in 1845, taken from the volume Picturesque Polyorama.
Questa delicata opera rappresenta un tenero momento tra una giovane madre e il suo bambino, mentre una donna più adulta, probabilmente una figura di riferimento, tiene in mano un messale.
- Sheet size: cm. 30×21 approx.
- Engraving size: cm. 20×16 approx.
- Support: Light paper
- Condition: Excellent state of preservation
Choir, Italian Tyrol, 1866
25,00 €Cantoria, Tirolo Italiano it's a woodcut taken from the work From the Alps to the Adriatic, pubblicata a Milano da Giacomo Stella Editore nel 1866.
Questa stampa presenta un design affascinante che cattura l’essenza della cultura tirolese.
- Sheet size: cm. 25×17 approx.
- Print Size: cm. 19×13 approx.
- Support: Paper
- Condition: Excellent condition
Neapolitan Songs, Graziella, I Love You Very Much, 1884
30,00 €Neapolitan Songs, Graziella, I love you very much it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents an important testimony of the Neapolitan musical culture of the time.
- Sheet size: cm. 25×35 approx.
- Support: Paper
- Condition: Excellent
Neapolitan Songs, Michelemma, Fenesta that shines, 1884
30,00 €Neapolitan Songs, Michelemma, Fenesta that shines it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work has a sheet size of 25x35 cm and includes writing on the back.
- Sheet size: cm. 25×35
- Support: Paper
- Condition: Excellent
The entire sheet containing the print will be sent.
Capital Letters, Alphabet, 1626
70,00 €Capital Letters, Alphabet, 1626 It is a set of 15 capital letters taken from a German book from 1626.
These woodcuts feature a refined design and feature a printed back, making them a rare example of typographic art of the period.
- Dimensions of each capital letter: cm. 3,5×3,5
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Captained, 1845
15,00 €Captained, 1845 it is a lithograph representing the facade of the cathedral of Troja, located in Capitanata.
This work was created by S. Mariani and comes from the volume Picturesque Polyorama, published in Naples in 1845.
- Sheet size: mm. 155×155
- Support: Paper
- Condition: Excellent
- Notes: Almost no margins and writing on the back
This is a beautiful view, uncommon, perfect for collectors and enthusiasts of old prints.
Initial letter from the 15th-16th century
70,00 €Initial letter from the 15th-16th century it is a fascinating illuminated letter O, coming from an Italian antiphonary of this historical period.
It is probably attributed to Filippo di Matteo Torelli and features a cutout on the figure.
- Dimensions: mm. 110×115
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: Sì, è un pezzo raro con parte leggibile dell’antifonario sul retro.
Initial letter from the 15th-16th century
50,00 €Initial letter from the 15th-16th century it is a precious miniature depicting the letter O, coming from an Italian antiphonary.
This masterpiece is probably attributed to Philip by Matteo Torelli and stands out for its beauty and rarity.
- Dimensions: mm. 74×71
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent, with legible part of the antiphonary on the back
Initial letter from the 15th-16th century
50,00 €Initial letter from the 15th-16th century it is a fascinating illuminated letter O, coming from an Italian antiphonary of this historical period.
It is probably attributed to Filippo di Matteo Torelli and features a cutout on the figure.
- Dimensions: mm. 74×71
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: Yes, it is a rare piece with legible part of the back of the antiphonary
Initial letter from the 15th-16th century
60,00 €Initial letter from the 15th-16th century è una raffinata lettera ‘L’ miniata, proveniente da un antifonario italiano di questo periodo.
Probabilmente attribuita a Filippo di Matteo Torelli, questa opera è ritagliata alla figura e presenta una parte leggibile dell’antifonario sul retro.
- Dimensions: mm. 68×64
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: Un pezzo unico e prezioso
Initial letter from the 15th-16th century
60,00 €Initial letter from the 15th-16th century è una lettera O miniata, proveniente da un antifonario italiano, attribuita probabilmente a Filippo di Matteo Torelli.
Questa opera è caratterizzata da un ritaglio alla figura e presenta una parte leggibile dell’antifonario sul retro.
- Dimensions: mm. 80×78
- Support: Parchment paper
- Technique: Tempera and pen
- Condition: Excellent
- Rarity: Un pezzo unico e prezioso
Initial letter from the 15th-16th century
70,00 €Initial letter from the 15th-16th century it is an illuminated letter 'O', coming from an antiphonary of the Italian area, probably attributed to Philip by Matteo Torelli.
This work, cut to the figure, has dimensions of 74x73 mm and is made on parchment paper with the use of tempera and pen.
On the back, a legible part of the antiphonary is visible, making this work a true rarity.
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