Cardboard

Showing 1–24 of 46 results

Aelbert Cuyp, Environs of Utrecht, 1830

70,00 

Aelbert Cuyp, Dintorni di Utrecht è un’incisione realizzata nel 1830, che offre una splendida veduta dei dintorni di Utrecht.
Questa opera è un’acquatinta colorata, tratta da uno dei quadri presenti nella Dulwich Picture Gallery, eseguita da Ralph Cockburn, pittore ed incisore, nonché primo custode della galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Questa rara e decorativa opera è timbrata al verso dalla Haverhill Public Library.

Berchem, A Landscape, 1830

70,00 

A Landscape It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, and stands out for its rarity and decorativeness.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: DULWICH GALLERY by R. Cockburn, 1830
  • Stamping: Haverhill Public Library stamp on the back

Claude – A Landscape, 1830

70,00 

Claude – A landscape It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This colored aquatint It is taken from one of the paintings in the gallery and is beautifully executed.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×23 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Claude Lorrain, The Embarkation of Santa Paola, 1830

70,00 

The Boarding of Santa Paola It is a colored aquatint made by Claude Gellée, known as Claude Lorrain, in 1830.
This work is a splendid execution taken from one of the paintings present in the Dulwich Picture Gallery and created by Ralph Cockburn, painter and engraver, as well as the gallery's first keeper.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent
  • Origin: Dulwich Gallery by R. Cockburn, 1830
  • Stamp: Haverhill Public Library on the reverse

Rare and decorative work.

Claude, A Seaport, 1830

70,00 

Claude, A Seaport It is a coloured aquatint made in 1830 by Ralph Cockburn, a well-known painter and engraver as well as the first keeper of the Dulwich Picture Gallery.
This work is a splendid execution based on one of the paintings in the gallery, characterised by a rare and decorative quality.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

D.Teniers, The Swineherd, 1830

90,00 

The Swineherd It is a colored aquatint made by D. Teniers in 1830.
This work, which measures 24x34 cm, is mounted on a thick cardboard support measuring approximately 33x42 cm.

  • Taken from: DULWICH GALLERY by R. Cockburn, 1830
  • Condition: Excellent
  • Rare and decorative work: Beautifully executed, it is one of the paintings in the Dulwich Picture Gallery.
  • Stamped on the back: Haverhill Public Library

D.Teniers, The Pasture, 1830

70,00 

Il Pascolo è un’acquatinta colorata realizzata da D. Teniers nel 1830, rappresentante un suggestivo paesaggio al tramonto.
Questa opera è tratta dalla Dulwich Gallery e realizzata da Ralph Cockburn, pittore ed incisore, nonché primo custode della galleria.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent state of preservation

Rara e decorativa, questa opera presenta al verso il timbro della Haverhill Public Library.

by Adriaen van Ostade, 1803

40,00 

Tre uomini attorno a un tavolo è un’incisione realizzata da David Deuchar nel 1803, ispirata all’opera di Adriaen van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 8.5×10 approx.
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent state of preservation

by Adriaen van Ostade, 1803

40,00 

Il Violinista con Due Bambini e Due Adulti è un’incisione realizzata da David Deuchar nel 1803, ispirata alle opere di Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which also includes works by Rembrandt, Cornelius Bega and Van Vliet.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 10,5×8,5 circa
  • Technique: Etching
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent state of preservation

by Adriaen van Ostade, 1803

50,00 

Uomo con Berretto alla Porta It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include anche opere di Rembrandt, Cornelius Bega e Van Vliet.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 9×10 circa
  • Technique: Etching
  • Support: Straw-colored cardboard
  • Condition: Excellent state of preservation

by Adriaen van Ostade, 1803

40,00 

A Baker Playing the Horn It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 20×15 approx.
  • Engraving size: cm. 8.5×10 approx.
  • Technique: Etching
  • Support: Straw-colored cardboard
  • Condition: Excellent

by Adriaen van Ostade, 1803

40,00 

Contadini che leggono una lettera It is an engraving made by David Deuchar in 1803, inspired by the work of Adriaen van Ostade.
This work is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, che include artisti come Rembrandt e Cornelius Bega.

  • Sheet size: cm. 25×20 approx.
  • Engraving size: cm. 10,5×9 circa
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent state of preservation

da Adriaen van Ostade, La famiglia religiosa, 1803

70,00 

La Famiglia Religiosa è un’incisione realizzata da David Deuchar nel 1803, ispirata all’opera di Adriaen van Ostade.
This engraving is part of the collection A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by artists such as Rembrandt and Cornelius Bega.

  • Sheet size: cm. 25×20 approx.
  • Engraving size: cm. 14,5×12,5 circa
  • Technique: Etching
  • Support: Cardboard
  • Condition: Excellent

Questa opera è un esempio significativo dello stile di Ostade, noto per le sue rappresentazioni di scene di vita quotidiana e contadina.

by Jan van Vliet (1600-1668)

40,00 

Resting beggar It is an engraving made by David Deuchar in 1803, inspired by the work of Jan van Vliet, a well-known Dutch engraver and painter.
This work is part of the series The Beggars and it is taken from A Collection of Etchings after the most Eminent Master of the Dutch and Flemish Schools, which includes works by masters such as Rembrandt and Ostade.

  • Sheet size: cm. 15×20 approx.
  • Engraving size: cm. 6×9 approx.
  • Technique: Etching
  • Support: Very thin paper glued on straw-colored cardboard
  • Condition: Excellent

Elisha, Giorgio Vasari, 1850

25,00 

Eliseo è un’incisione realizzata da Saverio Pistolesi nel 1850, ispirata al celebre dipinto di Giorgio Vasari.
Questa opera fa parte dell’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Elisha, Giorgio Vasari, 1850

25,00 

Eliseo è un’incisione realizzata da Saverio Pistolesi nel 1850, ispirata al celebre dipinto di Giorgio Vasari.
Questa opera fa parte dell’album Picturesque album designed and engraved by Saverio Pistolesi dedicated to the majesty of Vittorio Emanuele II king of Sardinia, published in Florence in 1850.

  • Sheet size: cm. 35×26 approx.
  • Engraving size: cm. 22×15 approx.
  • Support: Cardboard
  • Condition: Excellent state of preservation

Guercino, Saint Cecilia, 1830

90,00 

Saint Cecilia It is an engraving made by Ralph Cockburn in 1830, inspired by the painting of the same name present in the Dulwich Picture Gallery.
This colored aquatint It is a splendid performance that reflects the art of the period, with particular attention to detail and composition.

  • Sheet size: cm. 36×32 approx.
  • Engraving size: cm. 28×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Hosmer Shepherd, Landscape, 19th century

180,00 

Landscape è un acquerello originale realizzato da Thomas Hosmer Shepherd (1793-1864), firmato in basso a sinistra.
Questo lavoro è eseguito su cartoncino leggero e presenta tracce di precedente incollatura sul retro. A matita, si legge la nota Benezit pag 741 Vol VII And Christies 21.X.69 n6/224, suggerendo che l’opera sia stata venduta all’asta da Christies nel 1969.

  • Sheet size: Medium
  • Condition: Good
  • Technique: Etching

Thomas Hosmer Shepherd è noto per la sua abilità nel catturare gli aspetti architettonici delle città britanniche, in particolare Londra.
Le sue opere non solo ritraggono edifici, ma anche la vita urbana, rendendo le sue immagini vivaci e dettagliate. Shepherd ha avuto un impatto significativo sulla documentazione dell’architettura e della storia del XIX secolo.

James Pollard, watercolour on card, 1827

600,00 

Cavalli e Cavalieri è un acquarello su cartoncino attribuito a James Pollard, realizzato nel 1827.
Questo affascinante lavoro, caratterizzato da un colore paglierino, presenta un soggetto tipico dell’artista, noto per le sue raffigurazioni di scene equestri. Al retro, si possono leggere annotazioni a matita che confermano l’attribuzione a Pollard e la data di realizzazione.

  • Sheet size: cm. 25×33
  • Condition: Buone condizioni, con un piccolo strappo di cm. 2 al margine superiore e margine sinistro irregolare
  • Support: Cardboard

Karel du Jardin, Italian Landscape, 1830

70,00 

Italian Landscape It is an engraving made by Karel du Jardin in 1830, representing a fascinating Italian landscape.
This work is a colored aquatint of splendid execution, taken from one of the paintings present in the Dulwich Picture Gallery, created by Ralph Cockburn, painter and engraver, as well as the gallery's first keeper.
The reverse bears the Haverhill Public Library stamp, making this work even more rare and decorative.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

Le Nain, In front of a well, 1830

50,00 

Davanti ad un pozzo è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, noto pittore ed incisore.
Questa opera rappresenta figure e animali presso un pozzo, ed è tratta da uno dei quadri della Dulwich Picture Gallery.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The verso bears the Haverhill Public Library stamp, making this work not only rare but decorative as well.

Murillo, Jacob and Rachel, 1830

70,00 

Murillo, Jacob and Rachel It is an engraving made in 1830 by Ralph Cockburn, a well-known painter and engraver, as well as the first keeper of the Dulwich Picture Gallery.
This work is a colored aquatint reproducing one of the famous paintings in the gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The verso bears the Haverhill Public Library stamp, making this work not only rare but decorative as well.

N.Poussin, The Assumption of the Virgin, 1830

70,00 

The Assumption of the Virgin It is a colored aquatint made by N. Poussin in 1830.
This work, taken from the Dulwich Gallery by R. Cockburn, presents a splendid execution and is one of the paintings exhibited in the Dulwich Picture Gallery.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

P. Wouvermans, Travellers, 1830

70,00 

Travelers It is a colored aquatint made by P. Wouvermans in 1830, entitled The travellers' stop (Travelers' Halt).
This beautifully executed work is based on one of the paintings in the Dulwich Picture Gallery and was made by Ralph Cockburn, painter and engraver as well as the gallery's first keeper.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

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