Burin

Showing 1–24 of 45 results

Assembly of the Council of Trent, 1707

15,00 

Assemblea del Concilio di Trento It is an anonymous engraving made in 1707.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: cm. 7×12 approx.
  • Technique: Burin
  • Condition: Excellent state of preservation
  • Support: Paper

Bologna, 1707, Bocchiana Academy

35,00 

Bologna, 1707, Bocchiana Academy è un’incisione al bulino su rame che rappresenta la facciata principale della nota accademia bolognese.
Questa graziosa e decorativa incisione settecentesca è tratta dall’opera Les délices de l’Italie di De Rogissart, pubblicata a Parigi nel 1707.

  • Sheet size: mm. 70×120
  • Condition: Perfect state of preservation
  • Support: Carta in epoca coeva, retro bianco

Frontespizio dell’Itinerario, Scoto, 1659

60,00 

Frontespizio dell’Itinerario è un’incisione realizzata da Francesco Scoto nel 1659.
Questo frontespizio è parte dell’opera Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×10 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation

John Lanfranco, 1638

40,00 

Giovanni Lanfranco It is a copper engraving made in 1638 da Sisto Badalocchi e Giovanni Lanfranco.
This frontespizio è parte della History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Dio crea il Sole e la Luna è un’incisione realizzata da Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of theHistory of the Old Testament, dipinta da Raffaello nel Vaticano e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

È interessante notare che, essendo pubblicata per un pubblico ebraico, questa stampa presenta un’alterazione della figura di Dio, cancellata e sostituita con una scritta in ebraico, in conformità a un divieto che negava la rappresentazione di Dio sotto forme umane.

John Lanfranco, 1638

40,00 

Noè nel Diluvio It is an engraving made by Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of the History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

The animals come out of the Ark it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Noè offre un sacrificio al Signore it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranchi per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Copper engraving
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Sodoma e Gomorra It is an engraving made by Giovanni Lanfranco And Sisto Badalocchi nel 1638.
This work is a frontispiece of the History of the Old Testament, dipinta da Raffaello nel Vaticano e intagliata in rame.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Abimelech surprises Isaac and his wife it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Isaac and Esau it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

The Kiss of Judas, by Jacques Callot (1592-1635) – The Little Passion

30,00 

The Kiss of Judas It is an engraving made by Jacques Callot (1592-1635), part of the series The Little Passion.
This work is performed at burin on a sheet of 9x11.5 cm, printed on white laid paper on the back.
At the bottom, a Latin phrase from the New Testament is reported, adding further cultural value to the work.
It has small scattered foxing spots, but is found in good condition.

Jacques Callot, Varie Figure, 1611-1621

650,00 

Varie Figure è una serie di incisioni realizzate da Jacques Callot tra il 1611 e il 1621. Questa collezione comprende 14 tavole su un totale di 16, tutte incise in etching on laid paper.
Ogni tavola misura circa cm. 9×9 and it is presented on a sheet of cm. 16×11. Le incisioni mostrano piccole tracce di carta gommata al verso, sul margine superiore, che non influenzano la qualità visiva dell’opera. Due tavole presentano un piccolo strappo riparato con carta al verso, ma nel complesso sono in excellent condition e conservano ampi margini.

  • Era: XVII
  • Technique: Burin
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Questa selezione di incisioni è di grande valore e raramente si trova sul mercato, rendendola un’importante aggiunta per collezionisti e appassionati di arte.

​M. Demasso, Mappa della Germania, 1700

80,00 

Map of Germany è un’incisione realizzata da M. Demasso nel 1700, intitolata L’Alemagne avec ses confins et ses dependances.
Questa mappa è colorata all’acquarello e presenta dettagli accurati sui confini e le dipendenze della Germania dell’epoca.

  • Sheet size: cm. 16×23 approx.
  • Map dimensions: cm. 14×18 approx.
  • Support: Paper
  • Condition: Excellent

Map of Ancona, Scotus, 1659

90,00 

Map of Ancona it is a copper engraving made in 1659 by Francesco Scoto.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Fold: Editorial fold

Map of Ferrara, Scotus, 1659

120,00 

Mappa di Ferrara it is a watercolour copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent state of preservation
  • Fold: Editorale

Map of Mantua, Scoto, 1659

120,00 

Map of Mantua It is a watercolour copper engraving made in 1659 by Francis Scotus.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent condition

Map of Parma, Scotus, 1659

90,00 

Map of Parma it is a copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent condition

Map of Pozzuoli, Scotus, 1659

90,00 

Map of Pozzuoli it is a watercolour copper engraving made by Francesco Scoto in 1659.
This map is part of the work Itinerary of Italy, published in Padua by Matteo Cadorino.

  • Sheet size: cm. 16×20 approx.
  • Engraving size: cm. 12×17 approx.
  • Support: Light laid paper
  • Condition: Excellent condition
  • Characteristic: Editorial fold

Matthieu Ogier, Map of the Russian States, Moscow, 1700

40,00 

Map of Russian states It is an engraving made by Matthieu Ogier in 1700.
This map, titled The Empire of Moscow, is colored in watercolour and represents a precious cartographic testimony of the time.

  • Sheet size: cm. 16×23 approx.
  • Map dimensions: cm. 14×18 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Matthieu Ogier, Map of the Netherlands, Holland, 1700

50,00 

Matthieu Ogier, Map of the Netherlands It is an engraving made in 1700, representing the seventeen provinces of the Netherlands.
This map was engraved by Matthieu Ogier and hand-colored in watercolor, making it a unique and fascinating piece.

  • Sheet size: cm. 16×23 approx.
  • Map dimensions: cm. 14×18 approx.
  • Support: Paper
  • Condition: Excellent

Meisner, Castelnovo di Porto, 1678

60,00 

Meisner, Castelnovo di Porto, 1678 è una veduta tratta dall’edizione del 1678 della celebre Sciagraphia Cosmica.
Questa incisione in rame presenta margini e si trova in perfetto stato di conservazione.

  • Sheet size: cm. 13×19 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

Orazio Borgianni, Arca dell’Alleanza, 1615

120,00 

Arca dell’Alleanza è un’incisione realizzata da Orazio Borgianni nel 1615, che rappresenta il Trasporto dell’arca dell’Alleanza a Gerusalemme.
Questa opera è la tavola n.39 della serie Storie bibliche dipinte nelle Logge Vaticane da Raffaello, con incisioni di Borgianni.

  • Author: Sanzio Raffaello (e aiuti) (1483/1520), inventore; Borgianni Orazio (1578/1616), incisore
  • Engraving size: cm. 15×19 alla battuta del rame
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Monogramma e data: HB 1615 in lastra
  • Riferimenti: Bartsch XVII.319, Charles Le Blanc, T. II, n°1-52

Pavia, 1707, Charterhouse

40,00 

Pavia, 1707, Charterhouse è un’incisione realizzata da Magdeleine Horthemels nel 1707, che rappresenta una veduta della Certosa di Pavia.
This work is taken from the volume The delights of Italy, pubblicato da De Rogissart a Parigi.

  • Sheet size: mm. 150×120
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

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