Woodcut

Showing 529–552 of 2299 results

Comacchio, Three Bridges, 1890

20,00 

Comacchio, Treponti è una stampa xilografica del 1890 che rappresenta una veduta della località vista dal mare.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9 x 12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Comacchio, Caldirolo Valley, 1890

20,00 

Comacchio, Valle Caldirolo è una stampa xilografica realizzata nel 1890, che rappresenta la stazione di pesca di Valle Caldirolo.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Comacchio, Office Street, 1890

20,00 

Comacchio, Via degli Uffici it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

Como, The Cathedral, 1884

30,00 

Como, The Cathedral It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a suggestive view of the Como Cathedral, capturing the architectural essence of the time.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Como, The Cathedral, The Broletto and the Tower, 1890

20,00 

Como, The Cathedral, The Broletto and the Tower It is a woodcut print made in 1890, which captures the architectural beauty of Como.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30 x 20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Panorama, 1890

30,00 

Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Technique: Woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Como, Porta Vittoria, 1890

20,00 

How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Como, Coat of Arms, 1871

15,00 

Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper
  • Notes: The print was removed from the book and has writing on the verso.

Como, View of the Lake, 1877

20,00 

Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.

Council of Basel, Cosmographia, 1588

30,00 

Concilio di Basilea It is an engraving made in woodcut nel 1588, pubblicata da Sebastian Munster nel celebre volume Cosmography.
Questa opera, una delle più popolari del XVI secolo, presenta una scritta in ancient gothic and comes from the edition From the German Lands.

  • Sheet size: cm. 33×20 approx.
  • Engraving size: cm. 12×12 circa
  • Support: Handmade laid paper
  • Condition: Bad

Conegliano, Vittorio Emanuele Street, 1890

20,00 

Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Conegliano, Treviso, 1890

20,00 

Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Condition: Excellent
  • Support: Paper

There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 1

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It was one of the first scientific reference works, initially published in Latin and later translated into German.
The first German publications of the various parts were printed in 1563, while the Bird book (Book of Birds) was published in 1557, shortly before the present plate.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2

90,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3

90,00 

Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.

  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 5

90,00 

Ornithological Table by Conrad Gessner It is an engraving made between 1551 and 1587, taken from the work Historiae Animalium.
This plate, published in Zurich by the Froschauer publishing house, represents an important source of scientific studies in the field of zoology.

  • Sheet size: cm. 34×22
  • Engraving size: cm. 34×22 (another image on the back)
  • Technique: Watercolor woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 6

80,00 

Ornithological Table by Conrad Gessner It is an engraving made by Conrad Gessner, an important naturalist of the 16th century.
This plate is taken from the work Historiae Animalium, published in Zurich between 1551 and 1587, with the German edition of 1557.

  • Sheet size: cm. 34×22
  • Technique: Watercolor woodcut
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It is considered one of the first scientific works on animals, used as a source of scientific studies and translated into several languages.
The first German publications of the various parts of the work were produced by the Froschauer publishing house of Zurich, contributing significantly to the spread of zoological knowledge during the Renaissance period.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 7

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is an important figure in the field of natural history, known for his work Historiae Animalium.
This Ornithological Table It is taken from the German edition of 1557, published by Froschauer in Zurich.

  • Sheet size: cm. 34×22
  • Technique: Watercolor woodcut
  • Condition: Excellent
  • Support: Paper

There Historia Animalium has been a fundamental source for scientific studies, with the first German publications of the various parts dating back to 1563. The third part, the Bird book (Book of Birds), was published in 1557, contributing significantly to the ornithological knowledge of the time.

Constantin Huyghens e i suoi figli – Haye.

15,00 

Portraits de Constantin Huyghens e dei suoi figli è un’incisione realizzata da Van Dyck, datata 1861.
This work is taken from the Picturesque Store e rappresenta una delle famiglie più illustri del periodo, con un particolare focus su Christian Huyghens, noto per la scoperta della prima luna di Saturno.

  • Sheet size: cm. 30 x 21 approx.
  • Engraving size: cm. 15 x 19 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Peasant Woman from Biassa, La Spezia, 1885

25,00 

Peasant from Biassa, La Spezia it is an engraving made in 1885, part of the volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden.
This watercolour woodcut has an engraving size of 16x8 cm, with smaller margins and printed reverse.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The print was cut from a book page and features writing on the verso.

Contadini romani che giocano a ruzzica, 1845

25,00 

Contadini romani che giocano a ruzzica è un’incisione del 1845 che rappresenta un vivace momento di svago nella campagna romana.
Questa xilografia, realizzata da H. Linton e disegnata da Gildreau, è tratta dal volume L’ami de la jeunesse.

  • Sheet size: cm. 29×37 approx.
  • Engraving size: cm. 22×28 circa
  • Support: Paper
  • Condition: Good

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