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Bay, Pozzuoli, Christopher Weigel, 1719
Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.
- Sheet size: cm. 37,5×28,5 approx.
- Support: Laid paper with watermark
- Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom
C.Le Brun, L.Desplaces, Manoah, 1730
50,00 €Manoah e sua moglie It is an engraving made by Louis Desplaces nel 1730, su soggetto di Charles Le Brun.
This work is an example of etching and burin on laid paper senza filigrana, rifilata alla battuta del rame.
- Engraving size: cm. 28×34 circa senza margini apprezzabili
- Condition: Buone condizioni, con tre piccoli fori e stampa un po’ sbiadita
Diderot and D'Alembert, 1778, lead working, rolling mill, foundry, trades
25,00 €Diderot and D'Alembert è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, che esplora il tema della lavorazione del piombo, del laminatoio e della fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, nota per la sua influenza nel campo delle arti e dei mestieri.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back and editorial fold
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.2
25,00 €Diderot and D'Alembert, 1778 It is an engraving illustrating the processing of lead, with a focus on rolling mills and foundries.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back and editorial fold
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
This engraving is part of the edition of Diderot and D'Alembert's Encyclopédie, known as the Encyclopedie d'Yverdon, which stands out for its less French and less anti-religious approach, earning it the nickname of Protestant encyclopédie and a strong circulation in Northern Europe.
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.6
25,00 €Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema della lavorazione del piombo, rappresentando un laminatoio e una fonderia.
This work is taken from the important Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
Questa incisione è parte dell’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.7
25,00 €Diderot and D'Alembert, 1778 è un’incisione che esplora il tema delle arti e mestieri, in particolare la lavorazione del piombo, il laminatoio e la fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.
Nicolò Dell'Abate, Rape of Proserpina, 1786
60,00 €Rape of Proserpina it is an engraving made by Nicolò Dell'Abate in 1786.
This work is an etching on laid paper without watermark, from the Gallery of the Palais Royal, which collects works from different artistic schools.
- Sheet size: cm. 24×37 approx.
- Support: Laid paper
- Condition: Good, with repaired tear on the back
The print features good rough edges and offers good contrast, making it a nice piece for collectors.
Salvator Rosa, Figurine, 1720
1.450,00 €Salvator Rosa, Figurines It is a complete set of 60 plates, including the title plate, published by the engraver and publisher François Chéreau in Paris in the first half of the 18th century.
This collection, known as the Figurines, was originally created by Rosa in 62 etchings between 1656 and 1657.
- Sheet size: Great
- Dimensions of the tables: Variables
- Technique: Etching
- Condition: Good
- Support: Laid paper
On the frontispiece we read: SALVATOR ROSA Invenit. Liber Primus.
This edition is a good example, with six backlit prints and a few stains that do not detract from the artwork.
Syracuse, Fountain, Papyri, Saint-Non, 1786
40,00 €Syracuse, Fountain, Papyri It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Good
The engraving offers a beautiful animated view of Syracuse, Sicily, and represents an important artistic and historical testimony of the 18th century.
Syracuse, Stairway from Etna, Saint-Non, 1786
40,00 €Siracusa, Scala dall’Etna It is an engraving made by Jean-Claude Richard de Saint-Non in 1786.
This magnificent work is part of the first edition of the famous Voyage picturesque or description of the Royal Palaces of Naples and Sicilies.
- Sheet size: cm. 22×33 approx.
- Engraving size: cm. 18×25 approx.
- Support: Paper
- Condition: Good
La veduta animata di Siracusa offre un affascinante sguardo sulla Sicilia del XVIII secolo, rendendo questa incisione un pezzo prezioso per collezionisti e appassionati di storia.
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