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1701, Africa from the Cellarium
60,00 €Africa from Cellario It is a copper engraving made in 1701, taken from the work Notitia Orbis Antiqui sive Geographia Plenior by Christophorus Cellarius.
This map represents a detailed view of Africa and measures cm. 20×30 approximately, on a sheet of cm. 24×33.
- Sheet size: cm. 24×33 approx.
- Engraving size: cm. 20×30 approx.
- Support: Paper
- Condition: Good, with some stains on the edges and editorial creases
1701, Mauritania and Numidia, from Cellario
60,00 €1701, Mauretania and Numidia it is a copper-engraved and water-coloured map, taken from the volume Notitia Orbis Antiqui sive Geographia Plenior by Christophorus Cellarius, published in 1701.
This hand-colored engraving has dimensions of cm. 20×30 for engraving and cm. 24×33 for the sheet.
- Sheet size: cm. 24×33 approx.
- Engraving size: cm. 20×30 approx.
- Support: Paper
- Condition: Good condition, with some stains on the edges
1701, Scythia and Serica, from Cellario
60,00 €Scythia and Serica It is a copper-engraved and watercoloured map, created in 1701 by Christophorus Cellarius.
This piece is taken from Notitia Orbis Antiqui sive Geographia Plenior, a work that offers a detailed vision of ancient geographies.
- Sheet size: cm. 24×33 approx.
- Engraving size: cm. 20×30 approx.
- Support: Paper
- Condition: Good, with some stains on the edges
Anonymous, God who admonishes, 18th century
30,00 €God who warns It is an anonymous engraving from the 18th century, made in etching on laid paper.
The work represents God sitting on a cloud, supported by little angels, while pointing to a dove in the sky.
- Sheet size: mm. 125×84 at the marginal line
- Condition: Good condition
Anonymous, Jesus and St. Peter, 18th century
30,00 €Jesus and St. Peter It is an anonymous engraving from the 18th century which represents the moment in which Jesus hands over the keys to Saint Peter.
This work is made in etching on heavy paper, with dimensions of mm. 95×95 at the marginal line.
On the back there is a dry stamp from a previous collector, which certifies its provenance.
- Condition: Good condition
- Support: Heavy paper
Anonymous, Studies of hands, 18th century.
30,00 €Hand studies It is an engraving made by a anonymous engraver in the 18th century.
This work features detailed studies of hands and arms, highlighting the artist's technical skill.
- Sheet size: cm. 16×12 approx.
- Technique: Etching
- Condition: Good condition
- Support: Laid paper without watermark
Aretusi Caesar, 1764
40,00 €Aretusi Caesar It is an etching made in 1764, part of the Series of portraits of famous painters, published in Florence by the Moückiana printing house.
The engraving is the work of the engraver Antonio Pazzi and depicts the Bolognese painter Cesare Aretusi, known for his collaboration with Giambattista Fiorini in the decoration of the dome of St. Peter's in Bologna.
- Sheet size: cm. 37×49 approx.
- Engraving size: cm. 16×21 approx.
- Support: Heavy paper
- Condition: Good condition, with some stains on the edges that do not affect the engraving
Bay, Pozzuoli, Christopher Weigel, 1719
Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.
- Sheet size: cm. 37,5×28,5 approx.
- Support: Laid paper with watermark
- Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom
Benigno Bossi (1727-1792), Head of a Boy, 1754
90,00 €Testa di ragazzo It is an engraving made by Benigno Bossi In the 1754.
Questa opera è un’acquaforte su carta vergellata con filigrana a croce uncinata, parte della Raccolta di teste inventate, disegnate e incise da B.Bossi.
- Sheet size: cm. 33×22
- Engraving size: mm. 95×70
- Support: Laid paper
- Condition: Buone condizioni, con qualche piega e piccoli strappi ai margini
Benigno Bossi, Study of a Head, 1754
80,00 €Studio di testa It is an engraving made by Benigno Bossi In the 1754.
Questa opera è un’acquaforte su carta vergellata con filigrana a croce uncinata, parte della Raccolta di teste inventate, disegnate e incise da B.Bossi.
- Sheet size: cm. 29×22 circa
- Engraving size: mm. 84×73 circa
- Support: Laid paper
- Condition: Buone condizioni, con qualche piega e piccoli strappi ai margini
C.Le Brun, L.Desplaces, Manoah, 1730
50,00 €Manoah e sua moglie It is an engraving made by Louis Desplaces nel 1730, su soggetto di Charles Le Brun.
This work is an example of etching and burin on laid paper senza filigrana, rifilata alla battuta del rame.
- Engraving size: cm. 28×34 circa senza margini apprezzabili
- Condition: Buone condizioni, con tre piccoli fori e stampa un po’ sbiadita
Phlegraean Fields, Bacoli, Saint-Non, 1781
45,00 €Campi Flegrei, Bacoli è un’incisione realizzata da Jean-Claude Richard de Saint-Non nel 1781.
This work represents la vista dei resti di un antico teatro, erroneamente chiamato il Tombeau d’Agrippine, situato a Bauli, vicino a Baia.
- Sheet size: cm. 19×28 approx.
- Engraving size: cm. 17×22 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Buone condizioni, con foglio ingiallito ai margini
This engraving is part of the volume Voyage Pittoresque ou description des Royaumes de Naples et de Sicile, un’opera enciclopedica illustrata dallo stesso Saint-Non, che documenta le sue impressioni durante i suoi viaggi in Italia.
Carlo Orsolini, Christ and an Angel, 1732
80,00 €Christ and an Angel it is an engraving made by Carlo Orsolini in 1732.
This work, performed in etching on parchment, measures 24x16 cm at the marginal line.
At the bottom left is the inscription “Franc. Bagozzi SS.Filippo e Giacomo” and on the right is the artist's signature “Car.Orsolini 1732”.
The print has two small holes and stains on the verso, making it a rarity of its kind.
- Sheet size: cm. 24×16 approx.
- Condition: Good
- Support: Parchment
da Giuseppe Ribera, Un Filosofo, XVIII secolo
50,00 €Un Filosofo It is an engraving made by Giuseppe de Ribera, noto anche come Lo Spagnoletto, e incisa da Anton Joseph Prenner in the 18th century.
Questa opera è un esempio significativo del lavoro di Ribera, uno dei principali pittori della scuola spagnola, attivo principalmente in Italia.
- Sheet size: cm. 22×17 circa
- Technique: Etching
- Support: Medium thickness paper
- Condition: Buone (foglio un poco sporco)
Diderot and D'Alembert, 1778, Horse riding, horse, riding school
25,00 €Diderot e D’Alembert, 1778, Equitazione è un’incisione affascinante che esplora il tema dell’equitazione e del maneggio.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition
- Place of publication: Yverdon
Questa incisione, realizzata nel 1771 e tirata nel 1778, è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia.
Si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.
Diderot and D'Alembert, 1778, Horsemanship, Horse, The Capriole
25,00 €Diderot e D’Alembert, Equitazione It is an engraving made by Fortunate Bartholomew De Felice nel 1778, tratta dall’importante opera Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, dedicata all’arte dell’equitazione e alla figura del cavallo, è parte dell’edizione nota come Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
Diderot and D'Alembert, 1778, Riding, horse, the groupade
25,00 €Diderot e D’Alembert, 1778 – Equitazione, cavallo, la groupade è un’incisione affascinante che esplora il tema dell’equitazione.
Tratta dall’importante opera Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, questa incisione è stata realizzata da Fortunato Bartolomeo De Felice, noto per il suo contributo all’edizione dell’Enciclopedia di Diderot e D’Alembert.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
Questa incisione è parte dell’edizione dell’Enciclopedia d’Yverdon, nota per la sua diffusione nel Nord Europa, grazie al suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert.
Diderot and D'Alembert, 1778, Riding, horse, la pescade, la courbette
25,00 €Diderot e D’Alembert, 1778 – Equitazione è un’incisione che esplora le tecniche equestri, in particolare il passaggio, la pesade e la courbette.
This work is taken from the Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
L’incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, published in Switzerland.
Questa edizione, meno influenzata dalle idee francesi e antireligiose, è conosciuta come enciclopedia protestante e ha avuto una notevole diffusione nel Nord Europa.
Diderot and D'Alembert, 1778, Horsemanship, horse, the saddle
25,00 €Diderot e D’Alembert, Equitazione it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, che rappresenta un tema legato all’equitazione e alla sella, è parte della famosa edizione dell’enciclopedia curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18
- Technique: Etching
- Support: Medium thickness laid paper with white backing
- Condition: Good condition
Diderot and D'Alembert, 1778, Horsemanship, horse, the piafer
25,00 €Diderot e D’Alembert, Equitazione it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione rappresenta un interessante studio sull’equitazione e il cavallo, ed è parte dell’edizione nota come Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
Questa edizione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di enciclopedia protestante e assicurando una forte diffusione nel Nord Europa.
Diderot and D'Alembert, 1778, Horsemanship, Horse, English Saddles
25,00 €Diderot e D’Alembert, 1778, Equitazione è un’incisione di Fortunato Bartolomeo De Felice, realizzata nel contesto della celebre Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa opera, dedicata all’arte dell’equitazione e alle selle inglesi, è parte dell’edizione dell’enciclopedia curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Era: 1771 (engraving), 1778 (print run)
Questa incisione si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e D’Alembert, guadagnandosi il soprannome di enciclopedia protestante e contribuendo alla sua diffusione nel Nord Europa.
Diderot and D'Alembert, 1778, Horsemanship, the gallop
25,00 €Horse riding, the gallop It is an engraving made by Fortunate Bartholomew De Felice in 1778, part of the work Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Diderot and D'Alembert.
This engraving, interesting for its content, comes from the edition of the Diderot and D'Alembert Encyclopedia known as Yverdon Encyclopedia, published in Switzerland.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
- Place of publication: Yverdon
- Engraving period: 1771
- Period of circulation: 1778
Diderot and D'Alembert, 1778, lead working, rolling mill, foundry, trades
25,00 €Diderot and D'Alembert è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, che esplora il tema della lavorazione del piombo, del laminatoio e della fonderia.
This work is taken from the important Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, nota per la sua influenza nel campo delle arti e dei mestieri.
- Sheet size: cm. 24×42
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back and editorial fold
Diderot and D'Alembert, 1778, lead processing, rolling mill, foundry, n.10
25,00 €Diderot and D'Alembert, 1778 è un’incisione che rappresenta la lavorazione del piombo, un tema centrale nelle arti e mestieri.
Questa opera proviene dall’importante Encyclopedia or Dictionnaire Universel Raisonné des connoissance…, edited by Fortunato Bartolomeo De Felice.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Good condition, with white back
L’incisione è stata realizzata con la tecnica dell’etching e fa parte dell’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, pubblicata in Svizzera.
Questa edizione, meno influenzata dalle idee francesi e antireligiose, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.
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