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Showing 1–24 of 28 results

Anonymous, God who admonishes, 18th century

30,00 

God who warns It is an anonymous engraving from the 18th century, made in etching on laid paper.
The work represents God sitting on a cloud, supported by little angels, while pointing to a dove in the sky.

  • Sheet size: mm. 125×84 at the marginal line
  • Condition: Good condition

Anonymous, Jesus and St. Peter, 18th century

30,00 

Jesus and St. Peter It is an anonymous engraving from the 18th century which represents the moment in which Jesus hands over the keys to Saint Peter.
This work is made in etching on heavy paper, with dimensions of mm. 95×95 at the marginal line.
On the back there is a dry stamp from a previous collector, which certifies its provenance.

  • Condition: Good condition
  • Support: Heavy paper

Anonymous, Studies of hands, 18th century.

30,00 

Hand studies It is an engraving made by a anonymous engraver in the 18th century.
This work features detailed studies of hands and arms, highlighting the artist's technical skill.

  • Sheet size: cm. 16×12 approx.
  • Technique: Etching
  • Condition: Good condition
  • Support: Laid paper without watermark

Frontespizio di Voyage en Italie, 1724

30,00 

Frontespizio di Voyage en Italie è un’incisione realizzata nel 1724, tratta dall’opera Nieu We Reize van Misson naen door Italy by François Misson.
Questa bella veduta animata presenta una composizione vivace e dettagliata, tipica dell’epoca.

  • Sheet size: cm. 17×13 circa, più margini irregolari
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Venetian Gondolier, 1724

30,00 

Venetian Gondolier It is an engraving made in 1724, which offers a lively representation of a gondolier in Venice.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×12 approximately, plus irregular margins
  • Engraving size: cm. 16×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good state of preservation

Idris, J. H. Ramberg, 1790

20,00 

Idris It is an engraving made by Johann Heinrich Ramberg nel 1790, con l’incisione di Johann Friedrich Bause.
This work is part of the volume The oper complete di Wieland, pubblicato a Lipsia.

  • Sheet size: mm. 142×190 più margini
  • Technique: Burin
  • Condition: Good state of preservation
  • Support: Medium engraving paper

Johann Heinrich Meil, (1729-1803) Etching. The Sculptor and the Statue of Jupiter

25,00 

The sculptor and the statue of Jupiter It is an engraving made by Johann Heinrich Meil in 1729-1803.
This etching represents a significant moment in sculptural art, highlighting the artist's mastery in capturing the beauty of the statue of Jupiter.

  • Sheet size: mm. 76×139 approx.
  • Support: Heavy paper
  • Condition: Good condition

Lodovico Furlanetto, Spada di Gedeone

50,00 

Spada di Gedeone it is an etching made by Lodovico Furlanetto In the 18th century.
Questa opera presenta una scritta in latino che recita “non est hic aliud nisi gladius Gedeonis. Iudic 7.14” e si vende da Lodovico Furlanetto sopra il ponte de Baretteri.

  • Sheet size: cm. 23×15 approx.
  • Technique: Etching
  • Support: Carta vergellata incollata su altro supporto cartaceo pesante
  • Condition: Good

Mappa di Firenze, Scoto, 1761

90,00 

Mappa di Firenze it is a copper engraving made in 1761 by Francesco Scotto.
This map is part of the work Itinerary of Italy, pubblicata a Roma da Fausto Amidei.

  • Sheet size: cm. 18×23 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Laid paper
  • Condition: Buone, con pieghe editoriali e riparazioni con carta al verso

Map of Livorno, Scoto, 1761

90,00 

Map of Livorno It is a copper engraving made in 1761 by Francesco Scotto.
This map is part of the work Itinerary of Italy, published in Rome at the expense of Fausto Amidei, Book Merchant.

  • Sheet size: cm. 18×23 approx.
  • Engraving size: cm. 12×18 approx.
  • Support: Laid paper
  • Condition: Good, with editorial folds and paper repair on the back

Mappa di Napoli, Pozzuoli, 1724

140,00 

Mappa di Napoli, Pozzuoli, 1724 It is an engraving made in etching su carta vergellata con filigrana.
This map is taken from Nieu We Reize van Misson naen door Italy, di Francois Misson, pubblicata a Utrecht nel 1724.
Presenta una bella veduta animata della zona dei Campi Flegrei.

  • Sheet size: cm. 17×27 circa, più margini irregolari
  • Support: Laid paper
  • Condition: Good condition, with two editorial folds

Meil Johann Wilhelm (1733-1805)

20,00 

L’Aratro It is an engraving made by Johann Wilhelm Meil (1733-1805) tramite la tecnica dell’Etching.
Questa opera, che rappresenta un tema agricolo, è stata creata con grande maestria e si distingue per i suoi dettagli accurati.

  • Engraving size: mm. 127×100
  • Support: Carta vergellata senza filigrana, retro bianco
  • Condition: Good condition

Napoli, Obelisco di S.Gennaro, 1707

20,00 

Napoli, Obelisco di S.Gennaro è un’incisione realizzata nel 1707, che rappresenta un’importante opera d’arte legata alla città di Napoli.
Questa incisione in rame è tratta dal volume The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: mm. 65×125
  • Support: Light paper
  • Condition: Buone condizioni, con margini assenti

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from the volume Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

Palm, 1799

15,00 

Palm It is a watercolour copper engraving made in 1799.
This work is taken from Unterhaltungen aus der Naturgeschichte by Gottlieb Tobias Wilhelm (1758-1811).

  • Sheet size: cm. 9×15 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition, with some light creases

Pecora, XVIII secolo

20,00 

Sheep It is an engraving made in 18th century, performed with the technique ofEtching on heavy laid paper.
This work, of small dimensions, measures approximately cm. 11×17. Presenta una firma illeggibile e una macchia di unto, che ne evidenziano la storia e l’autenticità.

  • Sheet size: Small
  • Condition: Good
  • Support: Heavy laid paper

Pierre Moreau, Esequie in Italia, 1760 ca.

60,00 

Esequie in Italia è un’incisione realizzata da Pierre Moreau, un artista francese attivo nel XVIII secolo.
Questa opera, datata circa 1760, è un esempio significativo della sua abilità nell’arte dell’acquaforte.

  • Sheet size: cm. 13×19 approx.
  • Technique: Etching
  • Support: Carta vergellata, incollato ai margini ad altro supporto cartaceo
  • Condition: Buone, con mancanze ai margini superiori

Roma, Nove Chiese per Indulgenza, 1707

40,00 

Roma, Nove Chiese per Indulgenza è un’incisione in rame realizzata nel 1707, che rappresenta un bell’insieme delle nove chiese importanti di Roma.
This work is taken from The delights of Italy by De Rogissart, published in Paris.

  • Sheet size: mm. 165×122
  • Support: Light paper
  • Condition: Buone, con piccoli margini irregolari e due pieghe editoriali

Roma, Palazzo Farnese, 1724

40,00 

Roma, Palazzo Farnese è un’incisione realizzata nel 1724, che offre una vista affascinante del celebre palazzo romano.
This work is taken from Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Size of the joke: cm. 16×27 approx.
  • Support: Medium paper with white back
  • Condition: Good, it has two editorial folds

Ruccellai Patrizio, Della Rosmunda Tragedia, 1737

40,00 

Della Rosmunda Tragedia è un’opera di Giovanni Ruccellai, pubblicata nel 1737. Questa nuova edizione è dedicata all’Eccellenza di Madama Maria Cavendish, contessa di Westmorland.
Stampata a Londra per Carlo Bennet, l’opera si presenta in un elegante formato in-24 (cm. 8×13) con una legatura coeva in piena pelle, caratterizzata da un dorso decorato con titolo e ornamenti dorati.

  • Dimensions: Small
  • Condition: Buone (intervento di restauro sulla legatura)
  • Support: Paper
  • Characteristics: pp. IV-64, capilettere e testatine all’inizio di ciascuno dei 5 atti della tragedia
  • Rarity: Esemplare raro

St. James of Nisibis, 1711

20,00 

Saint James of Nisibis It is an engraving made in 1711, executed with the technique ofetching and burin.
This work, signed by Mariette, is printed on laid paper with partial watermark.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper
  • Condition: Good condition

St. Mark the Evangelist, 1797

20,00 

Saint Mark the Evangelist It is an engraving made in 1797, which represents the famous evangelist.
This work is made with the technique ofetching and burin, and was hand-watercolored to add a pop of color.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 12×8 approx.
  • Support: Laid paper
  • Condition: Good condition

Saint Peter the Anchorite, 1711

20,00 

Saint Peter the Anchorite It is an engraving made in 1711 by Mariette, performed with the technique ofetching and burin.
This work features an engraving size of cm. 6×11 on a sheet of paper cm. 10×16, printed on laid paper with partial watermark.

  • Condition: Good condition
  • Price: €20,00

Saint Asclapius, 1711

20,00 

Saint Asclapius It is an engraving made in 1711, which represents the famous god of medicine.
This work was created using the technique ofetching and burin, and is an example of engraving art of the period.

  • Sheet size: cm. 10×16 approx.
  • Engraving size: cm. 6×11 approx.
  • Support: Laid paper with partial watermark
  • Condition: Good condition

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