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Showing 25–48 of 116 results

Human Anatomy, Muscles of the Legs and Feet 1684

35,00 

Anatomia umana, Muscoli delle gambe e piedi It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questa tavola rappresenta in dettaglio l’anatomia dei muscoli del corpo umano, con particolare attenzione a gambe e piedi.

  • Sheet size: cm. 36×22 approx.
  • Engraving size: cm. 26×18 approx.
  • Support: Laid paper
  • Condition: Good condition

Human Anatomy, Muscles of the Legs and Feet 1684

35,00 

Anatomia umana, Muscoli delle gambe e piedi It is an engraving made in 1684 by Browne John, part of the work Myographia nova, sive muscularum omnium.
Questo esemplare presenta una dettagliata tavola anatomica dei muscoli del corpo umano, con particolare attenzione a gambe e piedi.

  • Sheet size: cm. 36×22
  • Engraving size: cm. 26×18
  • Support: Laid paper
  • Condition: Good condition

Antonio Tempesta Bulls, 1620

60,00 

Tori It is an engraving made by Anthony Tempest nel 1620, proveniente dalla Nuova raccolta de li animali più curiosi del mondo.
This work is a fine example of etching, stampata su carta vergellata.

  • Sheet size: cm. 15×21 approx.
  • Engraving size: mm. 96×140 circa
  • Support: Laid paper
  • Condition: Good general condition

Browne, Muscles of the Legs, 1694

35,00 

Muscoli delle gambe è un’incisione realizzata da Giulio Casserio e Odoardo Fialetti nel 1694.
Questa tavola di anatomia illustra i muscoli del corpo umano ed è tratta dall’opera Myographia nova, sive musculorum omnium, pubblicata ad Amsterdam nel 1694.

  • Sheet size: cm. 34×21 approx.
  • Engraving size: cm. 34×21 approx.
  • Support: Laid paper
  • Condition: Buone condizioni, con scritte retro in latino leggermente visibili al recto

Capolettera del XVII sec., lettera E

15,00 

Capolettera del XVII secolo, lettera E è un’incisione xilografica che presenta scene bibliche, tipiche dell’arte del periodo.
Questo capolettera, ritagliato alla battuta, misura cm. 3,5×3,5 ed è realizzato su carta leggera, con il retro stampato.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Cornelis Galle, Naval Battle, 17th century.

50,00 

Naval Battle It is an engraving made by Cornelis Galle in the 17th century.
This etching on laid paper It measures approximately 85 x 125 mm, excluding the margins, and depicts a lively naval battle scene.
The work is signed lower right with the initials C.Galle, but the attribution between Cornelis Galle the Elder and the Younger remains uncertain.

  • Sheet size: mm. 85×125 approx.
  • Condition: Good, with small defects on the two lower edges
  • Support: Laid paper

de Larmessin, Nicolas (1632-1694), 1680

40,00 

Maria Anna Christienne Victoire de Baviere è un’acquaforte acquarellato realizzata da Nicolas de Larmessin nel 1680.
This work, signed De L’Armessin, sculpsit, è un esempio pregevole dell’arte del XVII secolo.

  • Sheet size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Buone, con strappo di 10 cm riparato al verso con carta

Gabriel Perelle, Landscape, 1660

60,00 

Landscape by Gabriel Perelle is an engraving made in 1660, che cattura l’essenza dei paesaggi della regione parigina.
Questa opera è un’acquaforte su carta vergellata, firmata in basso a sinistra con ‘Perelle invent. et fecit’ e a destra ‘N.Poilly excudit’.

  • Sheet size: cm. 25×37
  • Engraving size: cm. 18×32
  • Support: Laid paper
  • Condition: Good

Probabilmente tratta dalla Collection of views of Paris, the surrounding castles and Rome, questa incisione presenta una piega centrale, tipica delle opere dell’epoca.

John Lanfranco, 1638

40,00 

Giovanni Lanfranco It is a copper engraving made in 1638 da Sisto Badalocchi e Giovanni Lanfranco.
This frontespizio è parte della History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Dio crea il Sole e la Luna è un’incisione realizzata da Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of theHistory of the Old Testament, dipinta da Raffaello nel Vaticano e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

È interessante notare che, essendo pubblicata per un pubblico ebraico, questa stampa presenta un’alterazione della figura di Dio, cancellata e sostituita con una scritta in ebraico, in conformità a un divieto che negava la rappresentazione di Dio sotto forme umane.

John Lanfranco, 1638

40,00 

Noè nel Diluvio It is an engraving made by Giovanni Lanfranco nel 1638, in collaborazione con Sisto Badalocchi.
This work is a frontispiece of the History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranco per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

The animals come out of the Ark it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Noè offre un sacrificio al Signore it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, dipinta a Roma nel Vaticano da Raffaello di Urbino e incisa in rame da Sisto Badalocchi e Giovanni Lanfranchi per il Sig. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Copper engraving
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Sodoma e Gomorra It is an engraving made by Giovanni Lanfranco And Sisto Badalocchi nel 1638.
This work is a frontispiece of the History of the Old Testament, dipinta da Raffaello nel Vaticano e intagliata in rame.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Abimelech surprises Isaac and his wife it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is part of the frontispiece of History of the Old Testament, painted by Raphael in the Vatican and carved in copper by the two artists.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper with watermark
  • Condition: Good condition

John Lanfranco, 1638

40,00 

Isaac and Esau it is an engraving made by Giovanni Lanfranco and Sisto Badalocchi in 1638.
This work is a frontispiece of the History of the Old Testament, painted in Rome in the Vatican by Raphael of Urbino and carved in copper by Sisto Badalocchi and Giovanni Lanfranchi for Mr. Annibale Carracci.

  • Sheet size: cm. 13×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

The Kiss of Judas, by Jacques Callot (1592-1635) – The Little Passion

30,00 

The Kiss of Judas It is an engraving made by Jacques Callot (1592-1635), part of the series The Little Passion.
This work is performed at burin on a sheet of 9x11.5 cm, printed on white laid paper on the back.
At the bottom, a Latin phrase from the New Testament is reported, adding further cultural value to the work.
It has small scattered foxing spots, but is found in good condition.

Inghilterra, Cellarius – 1701

80,00 

Inghilterra, Cellarius – 1701 è una mappa storica dell’Inghilterra, realizzata nel 1701 da Christophorus Cellarius.
Questa incisione su rame, tratta da Notitia Orbis Antiqui sive Geographia Plenior, presenta una rappresentazione dettagliata delle isole britanniche, colorata a mano.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Good condition

Jacques Callot The great miseries

80,00 

Le grandi miserie della guerra It is an engraving made by Jacques Callot, un importante incisore francese del Seicento.
Questa opera, conosciuta come L’arruolamento delle truppe, è la Tav.2 della serie dedicata alle miserie della guerra.

  • Sheet size: mm. 75×184 circa
  • Engraving size: mm. 75×184 circa
  • Technique: Etching
  • Support: Laid paper without watermark
  • Condition: Buone, con alcuni fori restaurati al verso e qualche spellatura

Callot, nato a Nancy nel 1594, è noto per la sua abilità nell’incisione e per la sua capacità di catturare la vita quotidiana e le miserie della guerra con un tocco di eleganza e precisione.
Questa opera è un esempio della sua maestria e della sua visione artistica unica.

Jacques Callot Little Passion 1625-1699

35,00 

Lavaggio dei Piedi è un’incisione realizzata da Jacques Callot, parte della serie The Little Passion, datata tra il 1624 e il 1625.
Questa opera è basata su 12 disegni conservati al Louvre e rappresenta un esempio di alto livello incisorio, molto rara nel suo genere.

  • Sheet size: mm. 76×59 circa
  • Support: Light laid paper
  • Condition: Buone (presenti un piccolo foro e qualche macchia)

Jean Le Pautre (1618-1682), Washing of the Feet, 17th century

60,00 

Washing of the Feet It is an engraving made by Jean Le Pautre in the 17th century.
This work, performed in etching on laid paper without watermark, size cm. 24×16The signature is present at the bottom left The Father made, while on the right is located P. Mariette ex.
Although the sheet has some creases and peeling, the engraving is overall in good condition. good condition.

  • Era: 17th century
  • Dimensions: Medium
  • Support: Laid paper
  • Condition: Good

Mitelli Giuseppe Maria, Arts and Crafts on the Street, Knife Grinder, 1660

120,00 

Knife grinder It is an engraving made by Joseph Maria Mitelli In the 1660, inspired by the theme of the Arts and Crafts on the Street.
This work is taken from THE ARTS BY WAY DRAWN, AND OFFERED […] TO THE GREAT AND TALL GIANT NEPTUNE MR. OF THE BOLOGNA SQUARE.

  • Sheet size: cm. 43×31 approx.
  • Engraving size: cm. 27×19 approx.
  • Technique: Etching
  • Support: Thick laid paper
  • Condition: Good condition

The engraving is signed lower left with CM. Mitelli Inv. and to the right F.Curti does.
Below the marginal line are four lines of verse about the trade represented.

Mitelli Giuseppe Maria, Arts and Crafts on the Street, Charlatan, Barker, 1660

120,00 

Arti e Mestieri per la via, Ciarlatano, Imbonitore It is an engraving made by Joseph Maria Mitelli In the 1660.
This work is taken from L’Arti per via disegnate, et offerte al Grande et Alto Nettuno Gigante, un’opera dedicata alla piazza di Bologna.

  • Sheet size: cm. 43×31 approx.
  • Engraving size: cm. 27×19 approx.
  • Technique: Etching
  • Support: Thick laid paper
  • Condition: Good condition

L’incisione è firmata in basso a sinistra con ‘CM. Mitelli Inv.’ e a destra ‘F.Curti fe’. Al di sotto della linea marginale, sono presenti quattro righe in versi sul mestiere rappresentato.

Mitelli Giuseppe Maria, Arts and Crafts on the Street, Porter, 1660

120,00 

Arts and Crafts on the Street, Porter It is an engraving made by Joseph Maria Mitelli In the 1660, inspired by the works of Hannibal Carracci.
This work is part of the series THE ARTS BY WAY DRAWN, AND OFFERED TO THE GREAT AND TALL GIANT NEPTUNE MR. OF THE BOLOGNA SQUARE.

  • Sheet size: cm. 43×31 approx.
  • Engraving size: cm. 27×19 approx.
  • Support: Thick laid paper
  • Condition: Good condition

The engraving is signed lower left with CM. Mitelli Inv. and to the right F. Curti doesBelow the marginal line are four lines of verse about the trade depicted.

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