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Showing 49–72 of 354 results

Bay, Pozzuoli, Christopher Weigel, 1719

120,00 

Bay, Pozzuoli It is an engraving made by Christopher Weigel In the 1719, which represents the famous town of Pozzuoli in Campania.
This work is an example of an original copper engraving, with beautiful colouring contemporary with the watercolour, which enhances the details.

  • Sheet size: cm. 37,5×28,5 approx.
  • Support: Laid paper with watermark
  • Condition: Good condition, with some stains on the front and back and a thin, almost invisible lesion at the bottom

Baia, Temple of Venus, 1834

20,00 

Baia, Temple of Venus it is a burin engraving made in 1834, which represents the famous Temple of Venus in Baia.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.

  • Sheet size: mm. 117×90
  • Support: Light glued paper
  • Condition: Good state of preservation

Baia, Temple of Venus, Phlegraean Fields, 1835

20,00 

Baia, Tempio di Venere, Campi Flegrei è un’incisione realizzata nel 1835, che rappresenta un’importante testimonianza artistica dei Campi Flegrei.
Questa opera è stata realizzata da STRUTT e fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 plus irregular margins
  • Engraving size: mm. 105×73 circa
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Bartolomeo Pinelli, Acquavitaro, 1810

40,00 

Acquavitaro It is an engraving made by Bartholomew Pinelli in 1810, executed with etching and coloured with watercolour.
This work is taken from the New Collection of fifty Picturesque Motifs and Costumes of Rome, published in Rome by Lorenzo Lazzari.

  • Sheet size: cm. 18×16 approx.
  • Engraving size: cm. 15×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper

Bartolozzi, Elements of Drawing, 1820

850,00 

Elements of Drawing It is a work by Francesco Bartolozzi, created around 1820.
This volume, published in Vienna by Artaria & Comp., is an important collection of drawing studies, containing a frontispiece and 25 copper-engraved plates.

  • Sheet size: mm 229×410
  • Condition: Good condition with fresh and clear plates
  • Support: Rustic cardboard
  • Rarity: Rare specimen, cited in Cicognara 293

Benevento, Caudine Forks, 1835

25,00 

Benevento, Forche Caudine è un’incisione realizzata nel 1835 da Vogel.
Questa opera, che rappresenta il Vallo di Caudium, è eseguita in burin on copper and is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Support: Medium paper
  • Condition: Good state of preservation

Bologna, 1840

30,00 

Bologna, 1840 è un’incisione realizzata da Frommel nel 1840, che offre una beautiful animated view of the city.
Questa opera è stata realizzata con la tecnica del burin su acciaio ed è parte del volume Picturesque Italy, pubblicato a Lipsia.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Bolzano, 1840

30,00 

Bolzano, 1840 è un’incisione realizzata da Frommel, che combina abilmente l’arte del disegno e della scultura.
Questa incisione al bulino su acciaio presenta una beautiful view di Bolzano, catturando l’essenza del paesaggio italiano dell’epoca.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Cagliari, 1834

30,00 

Cagliari, 1834 It is an engraving made with the technique of burin su acciaio, che misura mm. 183×114 più margini.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 183×114 circa
  • Support: Light paper
  • Condition: Good condition

The press offers a bella veduta di Cagliari dal mare, con i monti sullo sfondo, rendendola un pezzo affascinante per collezionisti e appassionati di arte.

Champs Elysees, 1835

35,00 

Campi Elisei è un’incisione realizzata nel 1835, eseguita con la tecnica del burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: mm. 105×73 circa
  • Condition: Good state of preservation
  • Support: Medium paper

Canivet, Jesus, 1879

20,00 

Canivet, Jesus è un’incisione realizzata nel 1879, che rappresenta il soggetto di Gesù.
Pubblicata dalla casa editrice A.W. Sehulgen a Parigi, Francia, questa opera è un esempio di arte sacra del XIX secolo.

  • Sheet size: cm. 8×12 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper
  • Prayer: presente in tedesco
  • Notes: angolo inferiore destro ricostruito

Canivet, Jesus, Communion, 19th century

25,00 

Canivet, Jesus, Communion It is an engraving made in 19th century, precisely in 1881.
This fascinating subject represents Jesus during Communion, accompanied by an Angel, and was published by the publishing house R. Pannier in Paris, France.

  • Sheet size: cm. 8×12
  • Support: Paper
  • Condition: Good, with some shortcomings
  • Prayer: Yes

Canivet, Preghiera, 1830-50

20,00 

Canivet, Preghiera è un’incisione realizzata tra il 1830 e il 1850, che rappresenta il tema dell’Amore Divino attraverso l’immagine di Gesù in preghiera.
This work is published by the publishing house L.Turgis from Paris, France.

  • Sheet size: cm. 8×12
  • Technique: Burin
  • Condition: Buone, con spellature al verso
  • Support: Paper

Canivet, First Communion, 1890

15,00 

Canivet, First Communion It is an engraving made in 1890, representing The Communion of Mary, a first communion souvenir.
Published by the publishing house Ch. Letaille in Paris, France, this piece is a significant example of religious art of the period.

  • Sheet size: cm. 8×12 approx.
  • Condition: Good, with repair to the edge on the back
  • Support: Paper
  • Prayer included: Yes

Capua, 1834

25,00 

Capua, 1834 è un’incisione in acciaio realizzata nel 1834, tratta dal volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
Questa opera, proveniente da Francoforte sul Meno, presenta un formato elegante e dettagliato, ideale per gli amanti dell’arte antica.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Capua, Amphitheatre, 1835

20,00 

Capua, Amphitheatre it is an engraving made by D. Bertharux in 1835.
This work represents a lively view of the Roman remains of Capua and is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 110×75
  • Technique: Burin
  • Support: Medium paper
  • Condition: Good state of preservation

Caravaggio, Cristo al Sepolcro, 1838

15,00 

Caravaggio, Cristo al Sepolcro It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia with copper-engraved figures, edited by Vincenzo Torelli.
Questa incisione misura cm. 11×15, con margini più piccoli, ed è stata ritagliata dal libro. La stampa presenta scritte al retro e verrà spedita con l’intera pagina contenente l’incisione.

  • Era: XIX
  • Technique: Burin
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

Castellammare, Naples, 1834

25,00 

Castellammare, Naples It is an engraving made in 1834, which represents a fascinating view of the city.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich, published in Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Castellammare, Naples, 1840

35,00 

Castellammare, Naples, 1840 è un’incisione al bulino realizzata da Frommel, che offre una vista suggestiva della città.
This work is part of the volume Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Catania, Eruption of 1669

30,00 

Catania, Eruption of 1669 It is a burin engraving made in 1835, which represents a significant historical event.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 25×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Catania, Elephant Square, 1835

25,00 

Catania, Piazza Elefante It is an engraving made at burin on steel in 1835.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Catania, Market Square, 1835

25,00 

Catania, Piazza mercato It is an engraving made at burin on steel in 1835.
This work comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. di AUDOT padre, pubblicato tra il 1835 e il 1837.

  • Sheet size: cm. 12×16 approx.
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Certaldo, 1842-1844

45,00 

Certaldo, 1842-1844 It is a steel engraving made by William Brockendon between 1842 and 1844.
This work is taken from the volume Italy, classical, historical, and picturesque illustrated and described, which celebrates the beauty and history of Italy.

  • Sheet size: cm. 34×25 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Thick engraving paper
  • Condition: Good, with some occasional stains on the edges

Chiesa, Canivet, 1870-90

15,00 

Chiesa è un’opera realizzata tra il 1870 e il 1890, rappresentante un soggetto sacro.
Questa stampa è una chromolithography con un elegante bordo traforato a punzone, tipica della produzione artistica francese dell’epoca.

  • Sheet size: cm. 7×11
  • Condition: Buone, con strappo restaurato nell’angolo inferiore destro
  • Support: Paper

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