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Showing 1129–1152 of 1214 results

Fashion Print, 1880

20,00 

Fashion Print è una litografia acquarellata del 1880, proveniente dal Journal of the Demoiselles.
Questa opera rappresenta un’affascinante visione della moda dell’epoca, con dettagli curati e un’atmosfera elegante.

  • Sheet size: cm. 19×27 approx.
  • Engraving size: cm. 19×27 approx.
  • Support: Paper
  • Condition: Buone, con qualche strappo ai margini che non intacca la stampa

Stefano Della Bella, Cavalieri negri…, 1651

120,00 

Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651, rappresentante due cavalieri polacchi.
Questa opera è un’acquaforte di dimensioni mm. 175×175 and it is printed on laid paper, databile alla prima metà del XVII secolo.

  • Stato di conservazione: Buono, con prova un po’ pallida
  • Serie: Cavalieri negri, polacchi e ungheresi
  • Reference: De Vesme-Massar 280

Stefano Della Bella, Various Animals, 1641

50,00 

Various Animals It is an engraving made by Stephen Of The Beautiful in 1641, part of his famous series dedicated to fauna.
This etching è impressa su laid paper senza filigrana e presenta alcune tracce di colla ai margini superiori, oltre a una leggera spellatura al margine inferiore.

  • Sheet size: Not specified
  • Condition: Good state of preservation
  • Support: Laid paper
  • Reference: De Vesme-Massar 690

Stephen Of The Beautiful, noto anche come Stefanino, è stato un incisore fiorentino attivo tra il 1610 e il 1664. Al servizio della corte medicea, ha soggiornato in diverse città europee, tra cui Roma e Parigi, e ha lasciato un’importante eredità artistica con oltre mille incisioni caratterizzate da un linguaggio originale e vivace.

Stefano Della Bella, Various Animals, 1641

50,00 

Various Animals It is an engraving made by Stephen Of The Beautiful in 1641, part of his famous series dedicated to fauna.
This work is an etching signed on the lower left with the inscription Stef. of the beautiful fecit, imprinted on laid paper without watermark.

  • Sheet size: not specified
  • Condition: Good condition, with traces of glue on the upper edges
  • Technique: Etching

Stephen Of The Beautiful (Florence 1610 – 1664) was a highly talented engraver, known for his original style and for the more than a thousand engravings he created.
His work is characterized by an innovative use of the etching technique, with a visual language that reflects contemporary life and the culture of his time.

Stefano Della Bella, Various Caprices, 1647

40,00 

Various Whims It is an engraving made by Stephen Of The Beautiful in 1647, a work that reflects the mastery of the Florentine artist.
This etching, part of the series Various Whims, is signed on the plate with 'Stef. of Bella decisit' and 'Mariette excudit'.

  • Sheet size: mm. 81×96 approx.
  • Technique: Etching
  • Support: Laid paper glued onto another paper support
  • Condition: Good, with a small defect and tear on the left edge

This board is number 17 in the series and features high quality execution, despite the imperfections.

Stefano Della Bella, Various Caprices, 1647

40,00 

Various Whims It is an engraving made by Stephen Of The Beautiful in 1647, a work that reflects the mastery of the Florentine artist.
This etching, part of the series Various Whims, is signed on the plate with 'Stef. of Bella decisit' and 'Mariette excudit'.

  • Sheet size: mm. 81×96 approx.
  • Technique: Etching
  • Support: Laid paper glued onto another paper support
  • Condition: Good, with a small defect and tear on the left edge

This board is number 17 in the series and features high quality execution, despite the imperfections.

Stefano Della Bella, Two Swordsmen, 17th Century

40,00 

Two swordsmen It is an engraving made by Stephen Of The Beautiful In the 17th century.
This work, made in etching, represents two swordsmen in a moment of confrontation.

  • Sheet size: mm. 54×85
  • Support: Laid paper
  • Condition: Good, with a small flaw in the lower right corner

Stefano Della Bella, Paesaggio con albero

50,00 

Paesaggio con albero It is an engraving made by Stephen Of The Beautiful, un artista fiorentino attivo nel XVII secolo.
Questa opera, che rappresenta un paesaggio con un albero e un animale, è databile alla prima metà del XVII secolo.

  • Sheet size: mm. 82×68 alla battuta del rame
  • Support: Laid paper
  • Condition: Buono stato di conservazione, con piccole mancanze ai bordi
  • Technique: Etching

L’esemplare è considerato una splendida prova nell’unico stato e fa parte della collezione De Vesme-Massar, numero 279.

Stefano Della Bella, Six Landscapes…, 1646

150,00 

Sei Paesaggi con soggetti di animali It is a work created by Stephen Of The Beautiful nel 1646 circa.
Questa acquaforte, firmata in lastra in basso a sinistra con la dicitura S.D.Bella inu. et fec., rappresenta una splendida prova nel secondo stato su due.

  • Sheet size: mm. 135×135
  • Support: Laid paper glued onto another paper support
  • Condition: Buono stato di conservazione, con qualche spellatura
  • Era: First half of the 17th century

Questa tavola n. 2 della serie Sei paesaggi con soggetti di Animali è catalogata nel De Vesme-Massar con il numero 715.

Stefano Della Bella, Heads of Warriors 1630

45,00 

Warriors' Heads it is an etching made by Stephen Of The Beautiful In the 1630.
This small and uncommon engraving features, in the upper part, three studies for the heads of warriors with helmets of different make, while in the lower part one can observe a group of peasants leading the flock to pasture, carrying long sticks in their hands.

  • Sheet size: cm. 13×18 approx.
  • Support: Unlaid paper
  • Condition: Good condition, with a small tear on the bottom right that is barely visible

Tadorna, Duck, Somateria, Aix, 1890

15,00 

Tadorna, Anatra, Somateria, Aix It is a lithograph from 1890, taken from the encyclopedic publication Meyers Conversations Lexicon, published in Germany.
Questa opera è stata realizzata dal Bibliographischen Instituts, noto per le sue edizioni a partire dalla seconda parte del XIX secolo.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair condition, with light yellowing and central crease

The sheet has a central fold because it was originally inserted folded into the volume from which it was taken.

Taormina, 1840

30,00 

Taormina, 1840 It is a burin engraving made by Frommel, which offers a suggestive view of the famous Sicilian location.
This work is taken from the volume FROMMEL, Picturesque Italy, published in Leipzig in 1840.

  • Sheet size: cm. 22×14 approx.
  • Engraving size: cm. 15×10 approx.
  • Support: Light paper
  • Condition: Good state of preservation

Taormina, 1877

15,00 

Taormina, 1877 It is a woodcut that offers a splendid view of the historic Sicilian city, with the remains of the amphitheatre clearly visible.
This work is taken from the volume Italian of Kaden and has almost no margins.

  • Sheet size: mm. 160×210
  • Support: Light paper
  • Condition: Good condition, with writing on the back

Taormina, Teatro, Etna, 1835

30,00 

Incisione realizzata al burin in 1835.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16×25 approx.
  • Dimensione dell’immagine: cm. 11×16 circa
  • Support: Medium thickness paper
  • Condition: Good state of preservation

Taranto, 1835

25,00 

Taranto, 1835 it is an engraving made with a burin on steel, which represents a fascinating view of the city of Taranto.
This work is taken from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 12×16
  • Support: Medium thickness paper, white back
  • Condition: Good state of preservation

Tarantula, 1890

20,00 

Tarantola It is an old lithographic print made in 1890, taken from the publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa celebre enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Condition: Fair general conditions, with slight yellowing of the sheet
  • Support: Paper

Insects Table, 1890

20,00 

Tavola di Insetti It is a lithograph made in 1890, tratta dalla celebre pubblicazione Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa enciclopedia, pubblicata a partire dalla seconda metà del XIX secolo dal Bibliographischen Instituts, con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Syracuse Theatre, 1865

15,00 

Syracuse Theatre It is an engraving made in 1865, coming from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This woodcut, which measures mm. 140×130, is part of a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Terni, 1835

20,00 

Terni, 1835 è un’incisione al bulino su acciaio, proveniente dall’opera Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE, pubblicata nel 1835.
Questa veduta panoramica di Terni è caratterizzata da un’elegante decorazione e presenta una misura della battuta di mm. 130×90.

  • Sheet size: Small
  • Condition: Good
  • Support: Lightweight paper with white backing

Terni, The Waterfalls, 1835

20,00 

Terni, The Waterfalls It is an engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.
This work, which represents a suggestive view of the Terni waterfalls, is made with the technique of burin on steel.

  • Sheet size: mm. 90×130
  • Support: Lightweight paper with white backing
  • Condition: Good condition

A decorative work that captures the natural beauty of waterfalls, ideal for collectors and engraving enthusiasts.

Land of Otranto, 1835

30,00 

Land of Otranto It is an engraving made by Sauvage in 1835, which offers a picturesque view of the city, animated and decorative.
This work is taken from “Italie picturesque tableau historique et descriptif de l’Italie…” by M. De Norvins and C. Nodiers, published in Paris in 1835.

  • Sheet size: mm. 190×117
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Technique: Burin
  • Price: €30,00

Land of Otranto, B. Marzolla, 1832

90,00 

Land of Otranto It is a geographical map created by B. Marzolla in 1832, executed in lithography with watercolor borders.
This map is part of the work Historical and statistical chorographic atlas of the Kingdom of the Two Sicilies, dedicated to HM King Ferdinand II and published by the Royal Military Typography of Naples.

  • Sheet size: cm. 45×60
  • Condition: Good state of preservation
  • Support: Paper

The paper has some age stains and light humidity stains, but is free of editorial creases.
On the sides of the map there are historical information and statistics of the province. The map will be sent in a rigid tube with registered mail.

Terracina, 1834

35,00 

Terracina, 1834 è un’incisione al bulino acquarellata che offre una splendida veduta della città di Terracina.
Realizzata da Coignet, questa opera è parte del volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers, published in Paris in 1834.

  • Sheet size: mm. 185×120 approx.
  • Support: Light paper
  • Condition: Good condition

Terracina, 1834

25,00 

Terracina, 1834 è un’incisione in acciaio realizzata nel 1834, proveniente dal volume Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
Questa opera è caratterizzata da dimensioni di mm. 140×90 su un foglio di mm. 240×150, con un supporto in light paper e un retro bianco. Presenta sporadiche fioriture, che ne attestano l’autenticità e la storia.

  • Era: XIX
  • Technique: Burin
  • Condition: Good
  • Dimensions: Small
  • Support: Paper

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