Good

Showing 1225–1248 of 1283 results

Tivoli, 1834

25,00 

Tivoli, 1834 It is a steel engraving made in 1834, taken from the work Die Wundermappe oder Sämmtliche Kunst… by Strahlheim Conrad Friedrich.
This engraving represents a significant example of 19th century art, with fine details and a fascinating composition.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Good, with sporadic blooms

Titian, The Magdalen, 1838

15,00 

Tiziano, La Maddalena It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
Questa incisione misura cm. 11×15, con margini più piccoli, ed è stata ritagliata dal libro, presentando scritte al retro. La stampa verrà spedita con l’intera pagina contenente l’incisione.

  • Sheet size: Small
  • Condition: Good
  • Support: Paper
  • Technique: Burin
  • Era: XIX

Omnibus è stata una rivista fondata a Napoli nel 1833, tra i primi e più longevi periodici del Regno delle Due Sicilie. Le sue pubblicazioni continuarono fino al 1882. Fondata da un gruppo di giornalisti e scrittori, tra cui Vincenzo Torelli, la rivista ha avuto un’importante influenza culturale nel periodo post-unitario.

Torcello, 1865

15,00 

Torcello, 1865 It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published in Milan by the publisher Vallardi.

  • Sheet size: mm. 140×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torcello, 1877

15,00 

Torcello, 1877 it is a woodcut engraving on end grain, taken from the work Italy by J. Gourdault, published in Paris in 1877.
This small engraving features a decorative design and measures mm. 187×116, with almost no margins.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Light paper

Torino, 1865, Basilica di Superga

20,00 

Torino, 1865 – Basilica di Superga è un’incisione realizzata in xilografia, proveniente dal Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with approximately 1000 colored municipal weapons and was published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Turin, 1865, Central Station

20,00 

Turin, 1865, Central Station it is a woodcut representing the historic central station of Turin.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torino, 1888, Il Palazzo Madama

20,00 

Il Palazzo Madama è un’incisione realizzata nel 1888, che rappresenta uno dei simboli architettonici di Torino.
Questa xilografia su legno di testa è stata tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 215×155
  • Margins: Almost absent
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Torino, La stazione centrale, 1872

25,00 

Torino, La stazione centrale è un’incisione xilografica originale del 1872, tratta da The Popular Illustration, pubblicata dai Fratelli Treves a Milano.
Questa stampa rappresenta un’importante testimonianza storica della stazione centrale di Torino, catturando l’architettura e l’atmosfera dell’epoca.

  • Sheet size: cm. 16×32 circa
  • Engraving size: cm. 16×32 circa
  • Support: Light paper
  • Condition: Buone, con piega centrale e piccoli fori dovuti alla rilegatura
  • Notes: La stampa è stata ritagliata dal libro e presenta scritte sul retro

Torre del Greco, Napoli, 1841

25,00 

Torre del Greco, Napoli è un’incisione realizzata da A. Perboni nel 1841.
This work represents a beautiful view dell’eruzione del Vesuvio, caratterizzata da un sharp contrast e ben definito.

  • Sheet size: mm. 270×190
  • Engraving size: mm. 145×100
  • Support: Medium paper
  • Condition: Good state of preservation

Tortura, La prova dell’acqua, 1838

20,00 

Tortura, La prova dell’acqua è una litografia realizzata nel 1838, tratta dall’opera periodica Picturesque Polyorama, aimed at spreading useful knowledge among all classes of society.
Questa stampa illustra una delle procedure di tortura storicamente utilizzate, presentando un’importante testimonianza visiva dell’epoca.

  • Sheet size: cm. 14×13 approx.
  • Support: Paper
  • Condition: Buone condizioni, con margini quasi assenti

The print has been cut from the book and has writing on the verso; the full page containing the print will be sent.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Trento, 1865, The Castle

15,00 

The Castle of Trento It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published by Vallardi Editore in Milan.

  • Sheet size: mm. 135×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Tabarelli Palace

10,00 

Trento, 1865, Tabarelli Palace It is a woodcut representing an important work of the Chorographic Dictionary of Italy by Prof. Amato Amati.
This print, which measures mm. 65×120, was created in 1865 and features approximately 1000 colored municipal weapons.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Sant'Apollinare

10,00 

Trento, 1865, Sant'Apollinare it is a woodcut representing the Church of Sant'Apollinare, made in 1865.
This work comes from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 65×120
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Trieste, 6 views, 1877

30,00 

Trieste, 6 views It is a woodcut engraving made by J.J. Kirkner in 1877.
This work, taken from a German magazine of the time, presents six suggestive views of Trieste, including:

  • St. Justus
  • Big Square
  • The lantern
  • Stock Exchange Square
  • The Pier

The measure of the beat is cm. 32×23 with almost no margins. The paper is light and the print was cut from the book, with the back written on.
This engraving is notable for its sharpness and good contrast.

Trieste, Church of San Giusto, 1877

20,00 

Trieste, Chiesa di San Giusto It is a woodcut made by Pierre Eugene Grandsire in 1877.
Questa suggestiva veduta della chiesa è tratta dal volume Italian by Kaden.

  • Sheet size: mm. 158×178
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

L’opera presenta una scena molto animata, tipica dello stile di Grandsire, noto per la sua specializzazione nella pittura di paesaggio.

Trieste, Stock Exchange Square, 1877

20,00 

Trieste, Stock Exchange Square It is a woodcut made by Pierre Eugene Grandsire in 1877, taken from the volume Italian by Kaden.
This evocative view offers a lively representation of the square, with details that capture the essence of city life at the time.

  • Sheet size: mm. 158×115
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Tristezza, allegoria di Gottfried Bernhard Göz, 1750

30,00 

Tristezza, allegoria It is an engraving made by Gottfried Bernhard Göz In the 1750.
This work, performed with the technique of burin, has a size of cm. 13×19 and it is printed on thick paper con un retro scuro.
In calce all’incisione è riportata la frase latina Sedebam Tristis usque ad sacrificium vespertinum, che aggiunge un ulteriore strato di significato all’opera.

  • Sheet size: cm. 13×19 approx.
  • Condition: Good condition
  • Support: Thick paper

Türkiye, CF Delamarche, 1816

70,00 

Türkiye è una mappa incisa da C.F. Delamarche nel 1816, che rappresenta la Turchia d’Europa e parte dell’Asia.
This copper engraving is colored around the outline and is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù e pubblicato a Parigi da Delamarche.

  • Sheet size: cm. 21×27
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Uccello del Paradiso, 1890

20,00 

Uccello del Paradiso It is a lithograph made in 1890, taken from the famous publication Meyers Conversations Lexicon, published in Germany.
Questa opera fa parte di una vasta serie di stampe antiche create per illustrare questa enciclopedia, pubblicata dal Bibliographischen Instituts con sedi a Leipzig e Vienna.

  • Sheet size: cm. 20×13 approx.
  • Support: Paper
  • Condition: Fair general conditions, with slight yellowing of the sheet

Udine, 1865, Archbishopric

15,00 

Udine, 1865, Archbishopric è una xilografia che rappresenta il prospetto del Castello della piazza dell’Arcivescovado.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Udine, Town Hall, 1865

15,00 

Udine, Town Hall, 1865 è una xilografia che rappresenta il Palazzo del Municipio situato nella piazza Vittorio Emanuele.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×130
  • Support: Paper
  • Condition: Good

A Trappist, 1838

20,00 

A Trappist It is a copper engraving made in 1838, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, with printed part dimensions of cm. 11×10, has been cut from the book and has writing on the back. The entire page containing the print will be sent, offering an authentic piece of Neapolitan publishing history.

  • Sheet size: Small
  • Engraving size: cm. 11×10 approx.
  • Technique: Burin
  • Condition: Good
  • Support: Paper

A Girl Drawing Water, 1850

25,00 

Una fanciulla che attinge l’acqua è una litografia realizzata da Gennaro de Crescenzo nel 1850.
This work is taken from the work Literary and Artistic Register by Vittoria Colonna, published in Naples.

  • Sheet size: cm. 22×29 approx.
  • Lithograph dimensions: cm. 16×20 approx.
  • Support: Paper
  • Condition: Good condition, with some stains and a slightly worn sheet

Hungary, CF Delamarche, 1816

70,00 

Hungary è una mappa dettagliata dell’Ungheria, realizzata da C.F. Delamarche nel 1816.
Questa incisione su rame, colorata al contorno, rappresenta le principali province del paese.
It is taken from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27
  • Engraving size: cm. 21×27
  • Technique: Burin
  • Condition: Good
  • Support: Paper

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.