Good

Showing 145–168 of 355 results

Diderot and D'Alembert, 1778, Burin engraver, Printer

25,00 

Diderot and D'Alembert It is an engraving made by Fortunato Bartolomeo De Felice in 1778, which represents an important work in the field of arts and crafts.
This engraving is from the edition of Encyclopédie or Dictionnaire Universel Raisonné des connoissance…, known as the Encyclopedie d'Yverdon, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

This engraving is characterized by a less French and less anti-religious approach than the original by Diderot and D'Alembert, which has earned it the nickname of Protestant encyclopedia, ensuring its strong diffusion in Northern Europe.

Diderot and D'Alembert, 1778, Burin engraver, La Pressa printer

25,00 

Diderot and D'Alembert It is a burin engraving made by Fortunate Bartholomew De Felice nel 1778, tratta dall’importante opera Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione è parte dell’edizione dell’Enciclopedia curata da De Felice, nota come Yverdon Encyclopedia, published in Switzerland.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’opera si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e D’Alembert, guadagnandosi il soprannome di Protestant encyclopedia e assicurando una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Professions, Lacemaker, String

25,00 

Costruttore di lacci, Spago It is an engraving made by Fortunate Bartholomew De Felice in 1778, part of the work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
Questa incisione, che rappresenta un mestiere tradizionale, è nota per il suo approccio meno antireligioso e più accessibile rispetto all’edizione originale, guadagnandosi il soprannome di Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Diderot and D'Alembert, 1778, Trades, Lacemaker, String No. 2

25,00 

Costruttore di lacci, Spago n.2 è un’incisione realizzata da Fortunato Bartolomeo De Felice nel 1778, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
Questa incisione rappresenta un interessante esempio di arti e mestieri, evidenziando il lavoro del costruttore di lacci.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Diderot and D'Alembert,1778, Printer, Typographer, Movable type printing

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1778, taken from the important work Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
This engraving, which represents the theme of arts and crafts, was published in Yverdon, Switzerland, and is notable for its less French and less anti-religious approach than the original by Diderot and D'Alembert, thus earning it the nickname Protestant encyclopedia.

  • Sheet size: cm. 24×18
  • Engraving size: cm. 24×18 approx.
  • Technique: Etching
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert It is an engraving made by Fortunate Bartholomew De Felice nel 1771, pubblicata nel 1778.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, curata da De Felice, nota come Yverdon Encyclopedia.

  • Argomento: Arti e mestieri, Tipografo, Imprimerie en Lettres
  • Place of publication: Yverdon, Svizzera
  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

Questa incisione è interessante per la sua differenza rispetto all’edizione originale di Diderot e D’Alembert, essendo meno francese e meno antireligiosa, il che le ha conferito il soprannome di Protestant encyclopedia, assicurandole una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools

25,00 

Diderot and D'Alembert it is an engraving made by Fortunato Bartolomeo De Felice in 1771, published in 1778.
This work is part of the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, a fundamental work for the diffusion of knowledge in the 18th century.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

This engraving is an interesting example of typography, highlighting the tools used by printers of the time. His edition, known as the Encyclopedie d'Yverdon, is distinguished by a less French and less anti-religious approach than the original by Diderot and D'Alembert, earning it the nickname of Protestant encyclopedia and a notable circulation in Northern Europe.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.3

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopedie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Encyclopedie d’Yverdon, che si distingue per il suo approccio meno francese e meno antireligioso, guadagnandosi il soprannome di enciclopedia protestante e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.4

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che esplora il tema delle arti e mestieri, in particolare il lavoro del tipografo.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Fortunato Bartolomeo De Felice.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition
  • Place of publication: Yverdon

Questa incisione, realizzata nel 1771 e tirata nel 1778, è nota per la sua diffusione nel Nord Europa, grazie alla sua natura meno francese e meno antireligiosa rispetto all’originale di Diderot e D’Alembert.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.5

25,00 

Diderot and D'Alembert, 1778 It is an engraving made by Fortunate Bartholomew De Felice, part of the work Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa incisione, che rappresenta il tema degli arti e mestieri, è nota per la sua importanza storica e culturale.

  • Sheet size: cm. 24×18
  • Engraving size: unspecified
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon
  • Era: 1771 (engraving), 1778 (print run)
  • Technique: Etching

Questa incisione è parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, curata da De Felice, nota come Yverdon Encyclopedia.
Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.6

25,00 

Diderot and D'Alembert, 1778 è un’incisione affascinante che rappresenta gli utensili per la stampa, parte della celebre Encyclopédie ou Dictionnaire Universel Raisonné des connaissances.
Made by Fortunate Bartholomew De Felice, questa opera è un esempio significativo della tipografia del XVIII secolo.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back
  • Place of publication: Yverdon

Questa incisione è nota per la sua importanza storica, essendo parte dell’edizione dell’Enciclopedia curata da De Felice, che si distingue per il suo approccio meno francese e meno antireligioso rispetto all’originale di Diderot e d’Alembert, guadagnandosi il soprannome di Protestant encyclopedia e una notevole diffusione nel Nord Europa.

Diderot and D'Alembert,1778, Printer, Typographer, Printing with movable type Tools n.7

25,00 

Diderot and D'Alembert, 1778 è un’incisione realizzata da Fortunato Bartolomeo De Felice, parte della celebre Encyclopedia or Dictionnaire Universel Raisonné des connoissance….
Questa opera rappresenta un’importante testimonianza degli arti e mestieri, in particolare del lavoro del tipografo e degli utensili per la stampa.

  • Sheet size: cm. 24×18
  • Support: Medium thickness laid paper with white backing
  • Condition: Good condition, with white back

L’incisione è stata realizzata con la tecnica dell’etching e fa parte dell’edizione dell’Enciclopedia di Diderot e D’Alembert, nota come Yverdon Encyclopedia, pubblicata in Svizzera. Questa edizione, meno influenzata dal pensiero francese e antireligioso, è conosciuta come enciclopedia protestante e ha avuto una forte diffusione nel Nord Europa.

Neapolitan woman, 1870

25,00 

Neapolitan Woman it is an engraving made in 1870, which represents a typical Italian costume.
This work is made in colored watercolor etching and presents a figure measuring 15x10 cm on a sheet of 27x18 cm.

  • Sheet size: cm. 27×18
  • Figure dimensions: cm. 15×10
  • Support: White backed paper
  • Condition: Good, with a tear of about 8 cm. repaired with paper on the back

Women and Costumes of Augsburg, 1724

40,00 

Women and costumes of Augusta It is an etching made in 1724, which represents a lively view of the city of Augsburg in Germany.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Good, it has two editorial folds

Women and Costumes of Nuremberg, 1724

40,00 

Women and costumes of Nuremberg It is an engraving made in 1724, which offers a lively representation of daily life in Nuremberg, Germany.
This work is taken from the volume Nieu We Reize van Misson naen door Italy by François Misson, published in Utrecht in 1724.

  • Sheet size: cm. 16×27 approximately, plus irregular margins
  • Engraving size: cm. 16×27 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Good condition, has two editorial folds

Durer Albrecht, Saint Anne and Saint Joachim, 1509

450,00 

Incontro di Sant’Anna e San Gioacchino è una xilografia realizzata da Albrecht Dürer nel 1509.
Questa opera fa parte della serie di venti tavole della Vita della Vergine, pubblicata a Norimberga nel 1511.

  • Sheet size: cm. 21×29 circa
  • Engraving size: cm. 21×29 alla linea marginale
  • Support: Carta vergellata sottile
  • Condition: Buone, con abile intervento di ricostruzione di cm. 7×2 nell’angolo in basso a destra e riparazioni con carta al verso agli altri angoli

Questa xilografia è rara e ricercata, rappresentando un’importante opera di Dürer, con una datazione della serie compresa tra il 1502 e il 1511.

Egypt Cellarius – Aegypti Delta 1701

80,00 

Egypt Cellarius – Aegypti Delta It is a copper engraving made in 1701 by Christophorus Cellarius.
This map represents the Nile Delta and is taken from the work Notitia Orbis Antiqui sive Geographia Plenior.

  • Sheet size: cm. 24×33 approx.
  • Engraving size: cm. 20×30 approx.
  • Support: Laid paper
  • Condition: Good (with slight water stain at the bottom)

Egypt, CF Delamarche, 1816

70,00 

Egypt It is a historical map of ancient and modern Egypt, made by CF Delamarche in 1816.
This copper engraving is colored around the outline and comes from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Emisferi della Terra, C.F. Delamarche, 1793

50,00 

Emisferi della Terra è un’incisione su rame realizzata da C.F. Delamarche nel 1793.
This work is taken from the Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Support: Paper
  • Condition: Buone condizioni, presenta qualche spellatura e una piega centrale editoriale

Entry of Charles V into Antwerp, H. Makart, 1887

30,00 

Entry of Charles V into Antwerp It is an engraving made by H. Makart in 1887.
This woodcut represents an important historical scene and comes from the Italian illustration, published by the Treves Brothers of Milan.

  • Sheet size: cm. 46×27 approx.
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Europe, CF Delamarche, 1816

70,00 

Europe è una mappa dell’Europa realizzata da C.F. Delamarche nel 1816.
This copper engraving is colored around the outline and comes from the volume Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicato alla gioventù, pubblicato a Parigi presso Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Europe, CF Delamarche, 1816

70,00 

Europe è un’incisione su rame realizzata da C.F. Delamarche nel 1816, che rappresenta l’Europa divisa nei suoi stati.
This work is taken from the Petit Atlas Moderne ou Collection de Cartes Elementaires, dedicated to youth and published in Paris by Delamarche.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. not specified
  • Technique: Burin
  • Condition: Good condition, with some peeling and a central editorial crease
  • Support: Paper

Evangelista Torricelli, 1857

30,00 

Evangelista Torricelli it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
Questa opera ritrae Evangelista Torricelli, un importante matematico e fisico italiano, nato a Faenza il 15 ottobre 1608 e morto a Firenze il 25 ottobre 1647.

  • Sheet size: cm. 23×32
  • Size of the joke: cm. 14×18
  • Support: Strong paper
  • Condition: Buone, con qualche leggera macchia di ruggine ai bordi, che non interessa l’incisione

Butterflies, 1890

30,00 

Butterflies, 1890 it is an old lithographic print taken from the publication Meyers Conversations Lexicon, published in Germany from the second half of the 19th century.
This work is part of a large series of prints created to illustrate this famous encyclopedia.

  • Sheet size: cm. 29×23
  • Support: Paper
  • Condition: Fair general condition with light yellowing and central editorial fold

Explore the fascinating world of antique prints

Antique prints are silent witnesses of history, capable of transporting us to distant eras through the art of engraving. Our e-commerce offers a vast selection of these precious finds, carefully selected for their authenticity and artistic value. Whether you are an expert collector or a novice enthusiast, you will find unique pieces here that will enrich your spaces with a touch of timeless elegance.

A safe and rewarding shopping experience

We understand the importance of each individual print and are committed to ensuring a flawless purchasing experience. Our secure payment system and insured shipping with professional packaging ensure that each piece arrives in the best condition. Our expertise in the sector allows us to offer detailed descriptions and personalized advice, helping you to make informed choices. If you have any questions or specific requests, do not hesitate to contact us: we will be happy to guide you into the wonderful world of antique prints.