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Showing 193–214 of 214 results

Torino, La stazione centrale, 1872

25,00 

Torino, La stazione centrale è un’incisione xilografica originale del 1872, tratta da The Popular Illustration, pubblicata dai Fratelli Treves a Milano.
Questa stampa rappresenta un’importante testimonianza storica della stazione centrale di Torino, catturando l’architettura e l’atmosfera dell’epoca.

  • Sheet size: cm. 16×32 circa
  • Engraving size: cm. 16×32 circa
  • Support: Light paper
  • Condition: Buone, con piega centrale e piccoli fori dovuti alla rilegatura
  • Notes: La stampa è stata ritagliata dal libro e presenta scritte sul retro

Trento, 1865, The Castle

15,00 

The Castle of Trento It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published by Vallardi Editore in Milan.

  • Sheet size: mm. 135×110
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Tabarelli Palace

10,00 

Trento, 1865, Tabarelli Palace It is a woodcut representing an important work of the Chorographic Dictionary of Italy by Prof. Amato Amati.
This print, which measures mm. 65×120, was created in 1865 and features approximately 1000 colored municipal weapons.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Trento, 1865, Sant'Apollinare

10,00 

Trento, 1865, Sant'Apollinare it is a woodcut representing the Church of Sant'Apollinare, made in 1865.
This work comes from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore.

  • Sheet size: mm. 65×120
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Trieste, 6 views, 1877

30,00 

Trieste, 6 views It is a woodcut engraving made by J.J. Kirkner in 1877.
This work, taken from a German magazine of the time, presents six suggestive views of Trieste, including:

  • St. Justus
  • Big Square
  • The lantern
  • Stock Exchange Square
  • The Pier

The measure of the beat is cm. 32×23 with almost no margins. The paper is light and the print was cut from the book, with the back written on.
This engraving is notable for its sharpness and good contrast.

Trieste, Church of San Giusto, 1877

20,00 

Trieste, Chiesa di San Giusto It is a woodcut made by Pierre Eugene Grandsire in 1877.
Questa suggestiva veduta della chiesa è tratta dal volume Italian by Kaden.

  • Sheet size: mm. 158×178
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

L’opera presenta una scena molto animata, tipica dello stile di Grandsire, noto per la sua specializzazione nella pittura di paesaggio.

Trieste, Stock Exchange Square, 1877

20,00 

Trieste, Stock Exchange Square It is a woodcut made by Pierre Eugene Grandsire in 1877, taken from the volume Italian by Kaden.
This evocative view offers a lively representation of the square, with details that capture the essence of city life at the time.

  • Sheet size: mm. 158×115
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Udine, 1865, Archbishopric

15,00 

Udine, 1865, Archbishopric è una xilografia che rappresenta il prospetto del Castello della piazza dell’Arcivescovado.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, a work illustrated with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×130
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Udine, Town Hall, 1865

15,00 

Udine, Town Hall, 1865 è una xilografia che rappresenta il Palazzo del Municipio situato nella piazza Vittorio Emanuele.
This work is taken from the Chorographic Dictionary of Italy by Prof. Amato Amati, an illustrated work with approximately 1000 colored municipal weapons, published in Milan by Vallardi Editore in 1865.

  • Sheet size: mm. 140×130
  • Support: Paper
  • Condition: Good

Vallassina (Como), 1889

20,00 

Vallassina (Como) è un’incisione del 1889 che rappresenta una vista panoramica della Vallassina, situata tra il lago di Como e il lago Segrino.
Questa opera è composta da 5 xilografie stampate su un unico foglio, con dimensioni di mm. 210×250.

  • Origine: Taken from The Italian Illustration, Fratelli Treves, Milano
  • Condition: Good, with writing on the back
  • Margins: Almost absent

Valmontone, 1877

20,00 

Valmontone, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and lithographer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Valmontone.

  • Sheet size: mm. 150×100
  • Condition: Buona, con margini quasi assenti e scritte sul retro
  • Support: Carta leggera, ritagliata dal libro

Sailing ship, 1856

20,00 

Sailing ship, 1856 It is a woodblock woodcut depicting the types of the French navy, including the Redoutable and the Ironclad.
This print is from The Illustrated London News from 1856 and has frame measurements of 231x165 mm, with smaller margins.

  • Sheet size: Small
  • Engraving size: mm. 231×165
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Velletri, 1877

15,00 

Velletri, 1877 It is a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is taken from the volume Italian di Kaden e presenta una beautiful panoramic view della città di Velletri.

  • Sheet size: mm. 150×100
  • Margins: almost absent
  • Support: Light paper
  • Condition: Good, with writing on the back

Venezia, il Ghetto, 1877

15,00 

Venezia, il Ghetto è una xilografia realizzata nel 1877, che rappresenta l’entrata del ghetto di Venezia.
This work is taken from the volume L'Italy illustrée de 450 engravures sur wood, edited by Gourdault Jules and published in Paris by Hachette.

  • Sheet size: mm. 110×150
  • Support: Light paper
  • Condition: Good condition, with almost no margins and writing on the back

Venezia, Palazzo Salviati, 1872

15,00 

Venezia, Palazzo Salviati It is an original woodcut engraving made in 1872.
This work is taken from The Popular Illustration, published in Milan by the Treves Brothers.

  • Sheet size: cm. 15×12 approx.
  • Technique: Woodcut
  • Support: Light sheet
  • Condition: Good, with writing on the back

Vercelli, 1865, The Cathedral

20,00 

Il Duomo di Vercelli It is a woodcut made in 1865, taken from the Chorographic Dictionary of Italy by Prof. Amato Amati.
This work is illustrated with about 1000 colored municipal weapons and was published by Vallardi Editore in Milan.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

Vercelli, 1865, Major Hospital

20,00 

Vercelli, 1865, Major Hospital It is a woodcut representing an important work of the Chorographic Dictionary of Italy by Prof. Amato Amati.
Questa illustrazione è parte di un volume che include circa 1000 armi comunali colorate, pubblicato a Milano da Vallardi editore nel 1865.

  • Sheet size: mm. 220×140
  • Technique: Woodcut
  • Condition: Good
  • Support: Paper

The print was cut from the book and has writing on the back.

Virgin surrounded by Prophets Galle.1877

20,00 

The Virgin surrounded by the Prophets It is an engraving made by Galle In the 1877.
This woodcut depicts the Virgin receiving the announcement, surrounded by prophets, and is taken from a French text from the late 19th century.

  • Sheet size: cm. 28×19 approx.
  • Print Size: cm. 14×22 approx.
  • Support: Paper
  • Condition: Good condition, white back

Verona, 1877

15,00 

Verona, 1877 è una xilografia che rappresenta un cortile di una casa a Verona.
This work is taken from the volume L'Italy illustrée de 450 engravures sur wood, realizzato da Jules Gourdault e pubblicato a Parigi da Hachette nel 1877.

  • Sheet size: mm. 130×110
  • Support: Light paper
  • Condition: Good, with almost no margins and writing on the back

Verona, 1888, Monumento Paolo Veronese

20,00 

Monumento a Paolo Veronese è un’incisione realizzata nel 1888, che celebra il famoso pittore rinascimentale.
Questa xilografia su legno di testa è tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 155×210 circa
  • Support: Paper
  • Condition: Good condition, with writing on the back

Avenue of the Boulogne Wood, De Nittis, 1887

20,00 

Viale del bosco di Boulogne è un’incisione realizzata da Giuseppe De Nittis nel 1887.
Questa xilografia su legno di testa è tratta da The Italian Illustration, published by the Treves Brothers of Milan.

  • Sheet size: mm. 190×145
  • Condition: Good, with almost no margins and writing on the back
  • Support: Paper

Vignola, 1880, The Castle

20,00 

Il Castello di Vignola è un’incisione xilografica realizzata nel 1880, con un disegno di Pessina.
This work, taken from theUniverso Illustrato, offre una bella veduta del castello, con dimensioni di mm. 220×145.

  • Sheet size: mm. 220×145
  • Support: Light sheet
  • Condition: Discrete condizioni, con margini quasi assenti e scritte sul retro

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