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Showing 337–360 of 5718 results

Auto da Fé, Inquisition, 1850

30,00 

Auto da Fé, Inquisition It is an engraving made in 1850 that represents a significant moment in the history of the Spanish Inquisition.
This work, entitled Car from Fe der Inquisition (In Cordoba), is an etching that measures cm. 15,5×10,5 with small irregular margins.

  • Sheet size: Small
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

The auto-da-fé was a public ceremony in which the penance or sentence decreed by the Inquisition was carried out, an act of faith that profoundly marked history.

Autograph by Beniamino Cesi, 1895

120,00 

Autografo di Beniamino Cesi è un raro documento datato 24 giugno 1895, proveniente da Napoli.
Questo autografo include uno spartito musicale, ma non è chiaro se le note siano inedite o parte di melodie già conosciute.

  • Sheet size: cm. 19×12
  • Condition: Ottimo stato
  • Support: Thick cardboard

Beniamino Cesi (1845-1907) è stato un rinomato pianista e compositore italiano, noto per il suo contributo alla musica del suo tempo.

Self-Portrait, Rembrandt, 1845

20,00 

Self portrait It is a lithograph made by Rembrandt in 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Remains of the Nuraghi, 1890

20,00 

Remains of the Nuraghi it's a woodblock print created in 1890, based on a late nineteenth-century Italian text.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet, which measures cm. 30×20.
The entire sheet containing the print will be shipped, thus offering a complete experience of the work.

​Ave Maria gratia plena, painting by Angelo Dall'Oca Bianca, 1886

30,00 

Hail Mary full of grace It is an engraving made by White Goose Angel In the 1886.
This work is taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.

  • Sheet size: cm. 21×9 approx.
  • Support: Paper
  • Condition: Excellent

Hail Mary, 1856

35,00 

Hail Mary it is a very fine burin engraving made in 1856, the work of the Rouargue brothers.
This engraving is watercolour and measures 12x17 cm on a 17x26 cm sheet.

  • Sheet size: cm. 17×26
  • Engraving size: cm. 12×17
  • Support: Heavy paper
  • Condition: Perfect state of preservation

The work is taken from the volume Picturesque voyage in southern Italy, written by M. Paul De Musset and published in Paris by Morizot editeur.

Ave Maria, AHPayne, 1840-50

20,00 

Hail Mary It is an engraving made by AH Payne between 1840 and 1850.
Questa opera è una pregevole incisione al burin su rame, tratta da Payne's Universe.

  • Sheet size: mm. 152×115, più margini
  • Support: Rame con retro bianco
  • Condition: Excellent

Avellino, 1871

20,00 

Avellino, 1871 it's a woodcut taken from the work The Hundred Cities of Italy, created for Ariodante Manfredi in Milazzo in 1871.
Questa stampa rappresenta un’importante testimonianza della città di Avellino nel XIX secolo.

  • Sheet size: cm. 10×14 circa, più margini
  • Support: Light sheet
  • Condition: Excellent condition

Avellino, Ancient Customs, 1890

20,00 

Avellino, Ancient Customs It is a woodcut print made in 1890, which represents the Ancient Customs House of the Princes and the grain market.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Red-Backed Shrike, 1853

15,00 

Averla capirossa (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Hooded Shrike, 1875

25,00 

Averla Incappucciata, conosciuta anche come Hooded Shrike, è una watercolor lithograph realizzata nel 1875.
This work is taken from A History of Birds of Europe by Charles Robert Bree, published in London in the same year.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent state of preservation

Great Grey Shrike, 1853

15,00 

Averla maggiore (Great Grey Shrike) è una cromolitografia realizzata nel 1853, tratta dal volume Our Native Songsters di Anne Pratt, pubblicato a Londra.
Questa opera presenta un’immagine vivace e decorativa dell’uccello, perfetta per gli amanti della natura e della fauna avicola.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Greater Shrike, 1870

15,00 

Averla maggiore è una litografia acquarellata d’epoca, rappresentante il grande strillone.
This work is taken from A HISTORY OF BRITISH BIRDS del Rev. Francis Orpen Morris, B.A., pubblicata a Londra nel 1870.

  • Sheet size: cm. 12×18 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Red-Backed Shrike, 1853

15,00 

Averla piccola (Red-Backed Shrike) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
This print features a charming and decorative bird, perfect for nature and birdlife lovers.

  • Sheet size: mm. 135×100
  • Engraving size: mm. 120×90 circa
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Avernus and Lake Fusaro, 1847

30,00 

Avernus and Fusaro Lake It is an engraving made in 1847, which offers a suggestive view of Lake Averno and Fusaro, located near Naples.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.

  • Sheet size: mm. 150×100 approx.
  • Support: Paper with wide margins and white back
  • Condition: Excellent

Avernus, Lake, Phlegraean Fields, 1830

30,00 

Avernus, Lake, Phlegraean Fields It is a copper engraving colored with watercolour made in 1830.
This decorative view of Lake Avernus features vivid detail and a charming composition.

  • Sheet size: mm. 190×126 plus margins
  • Engraving size: mm. 190×126
  • Support: Medium paper
  • Condition: Excellent condition

Aversa, Entrance to the city, 1845

20,00 

Aversa, Entrance to the city it's a lithographic printing made in 1845, which represents a suggestive view of the entrance to the city of Aversa, coming from the Naples side.
This work is taken from Picturesque Polyorama, an important publication of the Kingdom of the Two Sicilies, directed by Filippo Cirelli.

  • Sheet size: cm. 11×9 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; it is shipped complete with mat. A fascinating work for collectors and history buffs.

Aversa, Ingresso della S.Annunziata, 1844

20,00 

Aversa, Ingresso della S.Annunziata it's a lithographic printing realizzata nel 1844 da G. Mariani.
Questa opera rappresenta l’Arco di Trionfo all’Ingresso della S.Annunziata ed è tratta dal volume Picturesque Polyorama, un’importante pubblicazione dedicata alla diffusione della cultura nel Regno delle Due Sicilie.

  • Sheet size: cm. 15×18 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è stata ritagliata dal libro e presenta scritte al verso; viene fornita completa di passepartout. Una bella veduta che arricchisce ogni collezione.

Aversa, The Magdalene, 1845

20,00 

Aversa, La Maddalena it's a lithographic printing realizzata nel 1845, che rappresenta una bella veduta della casa pe’ folli in Aversa.
This work is taken from Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 15x9 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the verso; it is shipped complete with mat.
The Picturesque Polyorama, published from 1836 to 1860 in the Kingdom of the Two Sicilies, dealt with science, technology, art and biographies, making family reading pleasant and profitable.

Aversa, Hospice of St. Lorenzo, 1845

20,00 

Aversa, Ospizio di S.Lorenzo it's a lithographic printing realizzata nel 1845, che offre una bella veduta dell’ospizio situato ad Aversa.
This work is taken from Picturesque Polyorama, un’importante pubblicazione periodica diretta a diffondere conoscenze utili in tutte le classi sociali.

  • Sheet size: cm. 15x9 approx.
  • Support: Paper
  • Condition: Excellent

La stampa presenta margini quasi assenti ed è stata ritagliata dal libro, con scritte al verso. Viene spedita completa di passepartout, rendendola un’ottima scelta per collezionisti e appassionati di arte.

Avezzano, The Colonna Castle, 1890

20,00 

Avezzano, The Colonna Castle it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Avignon, France, 1839

15,00 

Avignon, France, 1839 It is a copper engraving representing the historic city of Avignon, located on the banks of the Rhone.
This work is taken from Omnibus Pittoresco, artistic and literary encyclopedia, directed by Vincenzo Torelli, published in Naples by the Omnibus printing house in 1839.

  • Sheet size: cm. 8×13 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in the book page and has writing on the back; the entire page containing the print will be sent.
Avignon is famous for its imposing Palais des Papes, which was the seat of the Catholic Popes from 1309 to 1377, and remains an important symbol of the city's history.

Avignone, Francia, 1843

25,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 8×14 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa.

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Vulture, Bearded Vulture, 1875

25,00 

Avvoltoio, Bearded Vulture è una litografia acquarellata realizzata nel 1875, tratta dall’opera A History of Birds of Europe di Charles Robert Bree, pubblicata a Londra.
Questa stampa rappresenta un esemplare di avvoltoio, noto per il suo aspetto distintivo e il suo habitat.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

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