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Showing 3769–3792 of 5825 results

Osteria Fiamminga, 1850

25,00 

Osteria Fiamminga è un’incisione realizzata nel 1850, rappresentante un tipico passatempo fiammingo.
Questa opera è un’acquaforte su carta spessa, firmata da Brauwer e incisa da G. Noble.

  • Sheet size: cm. 20×25 approx.
  • Engraving size: cm. 15×18 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Ostia, 1877

20,00 

Ostia, 1877 It is a woodblock engraving made by Adolf Closs.
This work is taken from Italy by J. Gourdault, published in Paris in 1877.

  • Size of the joke: mm. 187×113
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

La stampa, ritagliata dal libro, presenta un retro scritto e offre una suggestiva veduta, nitida e ben contrastata.

Ostia, C.Frommel, 1829

25,00 

Ostia It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
Questa opera è un’acquaforte su carta media, caratterizzata da un’incisione di dimensioni cm. 7×10, su un foglio di cm. 13×22.

  • Sheet size: cm. 13×22
  • Engraving size: cm. 7×10
  • Support: Medium paper
  • Condition: Excellent state of preservation

Ostiglia, Mantua, Piazza Cornelio, 1890

20,00 

Ostiglia, Mantua, Cornelio Square it's a woodblock print dating back to 1890, which represents a fascinating glimpse of the Ostiglia square.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9 x 12 cm, surrounded by text and with additional annotations on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Ostuni, Table of the Paladins, 1876

15,00 

Tavola de’ Paladini è un’incisione xilografica realizzata nel 1876, che rappresenta i famosi dolmen pugliesi situati nel comune di Fasano.
This work is taken from the volume Italian di K. Stieler e W. Kaden, pubblicato a Stuttgart.

  • Sheet size: cm. 18×15 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation
  • Notes: Almost no margins and writing on the back

Otranto, 1819

25,00 

Otranto, 1819 It is an engraving made by TO THE CASTELLAN, a well-known French painter and engraver.
This etching misura mm. 105×140 e presenta piccoli margini irregolari. È un’opera tratta da Letters on Italy, published in Paris in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato decorato della Legion d’onore e membro dell’Accademia di Belle Arti.
È noto per i suoi paesaggi e le illustrazioni per libri come View of Italy And View of the Alps.

Otranto, 1819

35,00 

Otranto, 1819 it is an etching made by AL Castellan, which offers a suggestive view of the city of Otranto.
This work is taken from Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: mm. 215×135 approx.
  • Support: Paper
  • Condition: Excellent

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to important illustrated volumes such as View of Italy And View of the Alps.

Otranto, 1829

25,00 

Otranto, 1829 it is a copper engraving representing a suggestive view of Hydruntum, Otranto.
Made in 1829, this work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper with white back
  • Condition: Excellent condition
  • Rarity: Rare

Otranto, 1834

25,00 

Otranto, 1834 è un’incisione in acciaio realizzata da Strahlheim Conrad Friedrich, pubblicata nel 1834.
This work is taken from the volume Die Wundermappe oder Sämmtliche Kunst…, edito a Frankfurt am Main.

  • Sheet size: mm. 240×150
  • Engraving size: mm. 140×90
  • Support: Light paper
  • Condition: Excellent, with sporadic blooms on the white back

Otranto, 1835

20,00 

Otranto, 1835 It is an engraving made by Aubert del. & sc. using the technique of burin on copper.
This work, which measures 110×82 cm (plus irregular margins), is taken from the volume “Italy, Sicily, the Aeolian Islands, Elba, Sardinia, Malta, Calypso Island, etc.” by AUDOT père, published between 1835 and 1837.
The engraving features a sharp and fine depiction of the city of Otranto in the distance, making it a fascinating piece for collectors and art enthusiasts.

Otranto, 1889

20,00 

Otranto, 1889 it's a view of Otranto made by woodcut, which captures the beauty of the landscape from the Dogana.
This engraving, measuring 240x150 mm, is taken from The Italian Illustration of 1889.

  • Sheet size: Small
  • Engraving size: mm. 240×150
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Otranto, Castle, 1840

35,00 

Otranto, Castello è un’incisione realizzata nel 1840, che ritrae una suggestiva veduta del Castello di Otranto.
This work is performed in burin on copper e presenta margini assenti, stampata su carta leggera con retro bianco.

  • Sheet size: mm. 165×111
  • Condition: Excellent condition
  • Rarity: Rare

Ottone di Bismark, 1865

15,00 

Ottone di Bismark it is an engraving in woodcut made in 1865, tratta dall’Emporio Pittoresco.
Questa stampa, con dimensioni di circa cm. 14×16, was extracted from a book and has text both around and on the back.

  • Condition: Excellent condition
  • Support: Paper

Otto Eduard Leopold von Bismarck-Schönhausen, noto come

Ovaiola, Venditrice di uova, 1855

10,00 

Ovaiola, Venditrice di uova è una piccola incisione xilografica acquarellata realizzata nel 1855.
This work, of small dimensions, measures cm. 3×3,5 and it is taken from the volume Description of the City of Naples and its surroundings divided into XXX days by Gaetano Nobile.

  • Sheet size: Small
  • Condition: Perfect state of preservation
  • Support: Paper

The print has been removed from the book and is delivered complete with passepartout.

Ozieri, Panorama, 1890

20,00 

Ozieri, Panorama it's a woodblock print risalente al 1890, rappresentativa della fine dell’Ottocento italiano.
This work presents a large-sized image cm. 10×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

P. Wouvermans, Travellers, 1830

70,00 

Travelers It is a colored aquatint made by P. Wouvermans in 1830, entitled The travellers' stop (Travelers' Halt).
This beautifully executed work is based on one of the paintings in the Dulwich Picture Gallery and was made by Ralph Cockburn, painter and engraver as well as the gallery's first keeper.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this a rare and decorative work.

Peace among the Campobassians

25,00 

Peace among the Campobassians it is a lithograph made in 1854, which represents the peace between the inhabitants of Campobasso which took place in 1587.
This print, by Fra Geronimo da Sorboy, depicts a procession with hooded monks.

  • Sheet size: cm. 30×20 approx.
  • Print Size: cm. 8×18 approx.
  • Technique: Lithography
  • Support: Paper
  • Condition: Excellent

The lithograph is taken from Picturesque Polyorama, a periodical published in Naples by the typography and lithography of Poliorama Pittoresco, directed by Filippo Cirelli.
This periodical, active from 1836 to 1860, aimed to spread useful knowledge to all classes of society.

Peace, 1850

20,00 

Peace It is an engraving made in 1850, from the Vernon gallery.
Questa opera è stata creata utilizzando la tecnica dell’etching and burin, ed è tratta dall’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Padua, 1835, Place Salone à Padoue

20,00 

Salone Square in Padua It is an engraving made in 1835, taken from the work Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE.
This lively view of the square on market day is engraved on steel, featuring fascinating details and a lively atmosphere.

  • Sheet size: mm. 132×90
  • Support: Medium paper with white back
  • Condition: Excellent

Padua, 1840

30,00 

Padua, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

The engraving has small margins and is in excellent overall condition, making it a prized piece for collectors and art enthusiasts.

Padua, Apse of the Basilica, 1890

20,00 

Padova, Abside della Basilica It is a woodcut made in 1890 by Gustave Fraipont as a designer and Charles Petit as an engraver.
This beautiful print, animated and in excellent condition, è stata tratta da un libro francese di fine ‘800.

  • Sheet size: cm. 10×13 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Padua, House of the Tyrant Excellency, 1860

35,00 

Padua, House of the Tyrant Excellency It is an engraving made in 1860, executed with the technique ofEtching.
This work is part of theAlbum of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd in Trieste in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

​Padua, The Basilica of St. Anthony, 1886

30,00 

Padua, The Basilica of St. Anthony It is an engraving made in 1886, taken from the illustrious periodical Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents an important artistic testimony of the time, with architectural details of the famous basilica.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Padua, The Tomb of Antenor, 1860

35,00 

Padova, La Tomba di Antenore è un’incisione realizzata nel 1860, che rappresenta un’importante opera del XIX secolo.
Questa acquaforte, parte dell’Album of Italy, è stata pubblicata dall’Album d’Italie Trieste, nella sezione letteraria e artistica del Lloyd austriaco.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

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