Excellent

Showing 4129–4152 of 5177 results

Salamanca, Spain, 1884

20,00 

Salamanca, Spain, 1884 è una xilografia che rappresenta la famosa Casa de las Conchas.
This piece is taken from the volume Picturesque Europe. With Illustrations on Steel and Wood by the Most Eminent Artists, published in London by Cassell & Co. in 1884.

  • Sheet size: cm. 23×9 circa
  • Support: Paper with printed back
  • Condition: Excellent

Salamandra, 1840

15,00 

Salamandra It is a copper engraving made in 1840, taken from the work Picturesque Omnibus, published in Naples.
Questa affascinante incisione presenta un retro scritto, che aggiunge un ulteriore livello di interesse storico e culturale.

  • Sheet size: cm. 13×10 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Salerno, 1835

25,00 

Salerno, 1835 It is a copper engraving that offers a splendid decorative view of the city.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light paper
  • Condition: Excellent condition

Salerno, 1835

25,00 

Salerno, 1835 è un’incisione al bulino su rame che cattura la bellezza di questa storica città.
Realizzata nel 1835, l’opera fa parte del volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.

  • Sheet size: mm. 110×80 circa, con margini irregolari
  • Condition: Perfect condition
  • Support: Retro bianco

Salerno, 1840

30,00 

Salerno, 1840 It is a steel engraving made by Karl August Lindemann-Frommel, un noto paesaggista e litografo francese.
This work is part of the volume Picturesque Italy, published by Ernst Kollmann in Leipzig in 1840.

  • Sheet size: cm. 14×23 approx.
  • Engraving size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent

L’incisione presenta piccoli margini e si trova in ottime condizioni generali.
Lindemann-Frommel, nato nel 1819 e morto a Roma nel 1891, ha studiato a Karlsruhe e Monaco, trasferendosi poi a Roma nel 1856, dove ha insegnato all’Accademia di Santa Lucia. Le sue opere sono conservate in diversi musei tedeschi, con vedute di Sorrento, Capri e La Spezia.

Salerno, 1877

25,00 

Salerno, 1877 It is a watercolour woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This engraving, which measures cm. 10×15 con margini ridotti, è tratta dal volume Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Salerno, Avanzi del castello, 1838

20,00 

Avanzi del castello di Salerno è una litografia realizzata nel 1838, che rappresenta i resti del castello di Salerno.
This print is taken from the work Picturesque Polyorama, una pubblicazione periodica ideata per diffondere conoscenze utili a tutte le classi sociali.

  • Sheet size: cm. 9×15 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in a page cut from the book and has writing on the verso. The entire page containing the print is shipped.

Salerno, Paestum, 1781-1786

50,00 

Salerno, Paestum, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This work is a vista presa d’apres nature sul cammino da Napoli a Paestum, situata a breve distanza da Salerno.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Technique: Etching
  • Condition: Perfect state of preservation
  • Support: Paper

L’incisione fa parte dell’opera Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, pubblicata tra il 1781 e il 1786. Questa bella veduta è animata e offre un affascinante sguardo sulla bellezza del paesaggio italiano.

Salerno, Veduta, 1838

20,00 

Salerno, Veduta è una litografia del 1838 che rappresenta una vista panoramica di Salerno, precisamente dal punto in cui approdarono i 40 Normanni, dove il fiume Irno incontra il mare.
This print is taken from the work Picturesque Polyorama, un periodico dedicato alla diffusione di conoscenze utili per tutte le classi sociali, pubblicato a Napoli dalla tipografia e litografia del Poliorama Pittoresco sotto la direzione di Filippo Cirelli.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent
  • Era: XIX
  • Technique: Lithography
  • Dimensions: Small

Salita al Vesuvio, Mattei, 1853

60,00 

Salita al Vesuvio è un’incisione realizzata da Pasquale Mattei nel 1853, caratterizzata da un bulino al delineato acquarellato d’epoca.
This work is taken from the volume Customs and Traditions of Naples and Surrounding Areas by Francesco De Bourcard.

  • Sheet size: cm. 17×25 approx.
  • Support: Medium paper, white back
  • Condition: Perfect state of preservation

Salita al Vomero, Scale del Petraio, 1884

25,00 

Salita al Vomero, Scale del Petraio It is a woodcut engraving made in 1884 by Rudolf Kleinpaul.
This work is taken from the volume Naples and its surroundings e presenta dimensioni di cm. 8×24, con margini più piccoli.

  • Sheet size: cm. 8×24 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Salò, Garibaldi's Headquarters, 1866

20,00 

Salò, Garibaldi's Headquarters It is a woodcut engraving from 1866, which represents Garibaldi's headquarters in Salò, located on Lake Garda.
This work is taken from the edition of Picturesque Emporium, published by Sonzogno in Milan.

  • Sheet size: cm. 13×13 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been cut from the book and has almost no margins, with the back written, partly visible on the back. The full page containing the print will be shipped.

Salomon Gessner, Paesaggio, 1764

60,00 

Paesaggio con Pescatore e Bambini it is an etching made by Solomon Gessner nel 1764.
Questa opera rappresenta un idilliaco paesaggio con un pescatore e bambini accanto a un cottage dal tetto di paglia.

  • Sheet size: cm. 20×17 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Technique: Etching
  • Era: XVIII
  • Dimensions: Small

Salomon Gessner, poeta e pittore svizzero, è noto per i suoi paesaggi delicati e immaginari, influenzati da maestri come Poussin e Claude Lorrain.
La sua opera riflette un profondo legame con la natura, esprimendo un’estetica rococò che caratterizza il suo tempo.

Salsomaggiore, Panorama, 1890

20,00 

Salsomaggiore, Panorama it's a woodblock print made in 1890, coming from the work Illustrated geographical Italy by P. Premoli.
This engraving offers a panoramic view of Salsomaggiore, with details that capture the essence of the place. The print has been extracted from the book and has writing on the back, the full page will be sent.

  • Sheet size: cm. 12×9 approx.
  • Support: Light paper
  • Condition: Excellent

Stonechat, 1853

15,00 

Saltimpalo (Stonechat) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt.
Questa stampa rappresenta un uccello affascinante e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Saluzzo, Cuneo, Cavazza House, 1890

20,00 

Saluzzo, Cuneo, Cavazza House it's a woodblock print made in 1890 by the engraver Barberis.
This work is an example of late nineteenth-century Italian graphic art, characterized by an image of approximately 14x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Cuneo, Cathedral, 1890

20,00 

Saluzzo, Cuneo, Duomo it's a woodblock print made in 1890 by the engraver Barberis.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni di circa cm. 14×12, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Saluzzo, Piazza Vittorio Emanuele II, 1890

20,00 

Saluzzo, Piazza Vittorio Emanuele II it's a woodblock print datata 1890, che offre uno scorcio affascinante della storica piazza.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, with text around and on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1837

15,00 

Salvator Rosa è una litografia del 1837, tratta dall’opera Pictorial Cosmorama, anno terzo.
Questa stampa presenta margini quasi assenti e misura cm. 15×19. La stampa è contenuta in una pagina estratta dal libro e presenta scritte al verso.
Viene spedita l’intera pagina contenente la stampa, offrendo un pezzo unico per collezionisti e appassionati d’arte.

  • Sheet size: cm. 15×19 approx.
  • Support: Paper
  • Condition: Excellent

Salvator Rosa, 1839

15,00 

Salvator Rosa It is a copper engraving made in 1839, taken from the work Picturesque Omnibus, an artistic and literary encyclopedia directed by Vincenzo Torelli.
This print, from the Omnibus printing house in Naples, has almost no margins and includes writing on the verso.

  • Sheet size: cm. 14×11 approx.
  • Support: Paper
  • Condition: Excellent

La stampa verrà spedita nella pagina intera che la contiene.

Salvator Rosa, 1884

20,00 

Salvator Rosa It is a woodcut engraving made in 1884, taken from the work Naples and its surroundings by Rudolf Kleinpaul.
Questa opera rappresenta un autoritratto di Salvator Rosa, con margini quasi assenti e un testo al verso.

  • Sheet size: cm. 9×13 approx.
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent condition

Salvator Rosa, Two men, one with a stick

75,00 

Two men, one with a stick it is an engraving made by Salvator Rosa in the 18th century.
This work is part of the series Various figures or Figurines and is characterized by a beautiful clear proof, probably from a late 18th century print run.

  • Sheet size: mm. 142×93
  • Technique: Etching and drypoint
  • Condition: Excellent
  • Support: Unlaid paper
  • Notes: Trimmed at the edge, glue residues at the edges on the recto visible in part on the front, without monogram, number 26 present at the bottom right.

Salvator Rosa, Two men, one with his arm raised

75,00 

Due uomini, uno con braccio in alto It is an engraving made by Salvator Rosa in the 18th century.
This work, part of the series Various figures or Figurines, è un esempio di etching and drypoint su carta non vergellata.

  • Sheet size: mm. 142×93
  • Condition: Excellent
  • Support: Unlaid paper
  • Monogram: RS in basso a destra
  • Numero: 17 in basso a destra

Questa incisione presenta una bella prova nitida, con residui di colla ai margini al recto visibili in parte a fronte, e si colloca probabilmente tra le tirature fine del ‘700 (Cfr. Bartsch 37).

Salvator Rosa, Frontispiece of the Figurines

75,00 

Salvator Rosa, Frontispiece of the Figurines It is an engraving made in 18th century.
Questa opera è un frontespizio della serie Various figures or Figurines, performed with the technique ofEtching and drypoint su carta non vergellata.

  • Sheet size: mm. 142×93
  • Condition: Excellent
  • Support: Paper

La prova è rifilata al margine e presenta residui di colla ai margini al recto, visibili in parte a fronte. Si tratta di una bella prova nitida, probabile tiratura fine ‘700 (Cfr. Bartsch 37).

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