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Showing 409–432 of 7513 results

Ariccia, 1829

30,00 

Ariccia, 1829 it is a copper engraving that offers a suggestive animated view of the city of Ariccia.
Made in 1829, this work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.

  • Sheet size: mm. 260×210
  • Engraving size: mm. 107×75
  • Support: Medium paper, white back
  • Condition: Excellent condition

Ariccia, 1860

35,00 

Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Ariccia, 1877

25,00 

Ariccia, 1877 It is a woodcut made by Adolf Closs, a well-known 19th-century wood engraver.
This work offers a beautiful panoramic view from Ariccia, lively and very decorative, perfect for enriching any environment.

  • Sheet size: cm. 25×19 approx.
  • Engraving size: cm. 20×15 approx.
  • Support: Paper
  • Condition: Excellent

Ariccia, Lazio, 1835

25,00 

Ariccia, Lazio, 1835 It is a copper engraving that captures the beauty of this place.
Made in 1835, this work is taken from C. Strahlheim – Die Wundermappe oder sämmtliche Kunst- und Natur-Wunder des ganzen Erdballs, published in Frankfurt am Main.

  • Sheet size: cm. 11×14 approx.
  • Engraving size: cm. 7.5×10 approx.
  • Support: Paper
  • Condition: Excellent condition

Ariccia, Ghigi Palace, 1832

25,00 

Ariccia, Ghigi Palace It is a steel engraving made by James Duffield Harding in 1832, taken from the work Tourist in Italy by Thomas Roscoe.
This evocative view of the Palazzo Ghigi is characterised by a clear and well-contrasted illustration, which captures the essence of the Italian landscape of the time.

  • Sheet size: cm. 19×12 approx.
  • Engraving size: cm. 14×10 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Harlequin and Pierrot, 18th century

40,00 

Harlequin and Pierrot They are two iconic characters of German comedy, dating back to the 18th century.
This vintage watercolour lithograph is made on medium-weight laid paper and features a German inscription with editorial notes at the bottom.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent condition
  • Support: Laid paper

Armed, Salvino of the Armed, 1857

30,00 

Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.

  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
  • History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.

Weapons of War, 1850

15,00 

Weapons of war This is an original woodcut engraving from 1850, depicting a variety of military weapons such as spears, shields, helmets and swords, with captions in German.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Arnolfo di Lapo, 1857

30,00 

Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.

  • Sheet size: cm. 23×32 approx.
  • Size of the joke: mm. 140×180 circa
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Arona, 1835 St. Charles Borromeo

25,00 

Arona, Statue of St. Charles Borromeo it is a copper engraving made in 1835, which represents the monumental statue of St. Charles Borromeo located in Arona, in the province of Novara.
This work was published by Audot and made by Lhuillier, who took care of both the drawing and the engraving.

  • Sheet size: cm. 12.5×16 approx.
  • Engraving size: cm. 12.5×16 approx.
  • Support: Paper
  • Condition: Excellent

Arona, The Colossus of St. Charles Borromeo, 1860

35,00 

Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Arpino, 1835

20,00 

Arpino, 1835 It is a burin engraving on steel made by Michellon and engraved by Lemaitre in 1835.
This work is taken from the volume Italy by Chevalier ARTAUD, Sicily by M.DE LA SALLE and presents a beautiful animated view.

  • Sheet size: mm. 95×132 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Arpino, 1876

20,00 

Arpino, 1876 it's an engraving xylographic on end grain wood, made in 1876 and taken from the work Italian by K. Stieler and W. Kaden, published in Stuttgart.
This decorative antique print features an image of the castle at the top and is notable for its almost absent margins.

  • Sheet size: mm. 183×170
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: Cut from the book with writing on the back

Arpino, Frosinone, 1845

25,00 

Arpino, Frosinone, 1845 it's a lithographic printing which represents the cyclopean walls from Arpino.
This work, of dimensions cm. 16×15, has almost no margins and is taken from Picturesque Polyorama, a periodical published in Naples by the printing and lithography of Poliorama Pittoresco, under the direction of Filippo Cirelli in 1845.
The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The Picturesque Polyorama It was an important publication that spread useful knowledge across all social classes, covering topics of science, technology, art and biographies from 1836 to 1860 in the Kingdom of the Two Sicilies.

Arpino, View, 1836

25,00 

Arpino, View It is a lithographic engraving made in 1836, which offers a splendid representation of the city of Arpino.
This work is taken from the volume Picturesque Polyorama, an important Neapolitan publication aimed at spreading artistic and cultural knowledge.

  • Sheet size: cm. 16×10 approx.
  • Support: Paper
  • Condition: Excellent

The print features almost no margins and has been cropped from the book, with writing on the back and back, making it a beautiful decorative view for collectors and enthusiasts.

Arquà, Petrarca's House, 1860

35,00 

Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Henry VI of Swabia, 1845

15,00 

Arrigo VI di Svevia è un’incisione su rame realizzata nel 1845, tratta dal Picturesque Polyorama.
Questa opera rappresenta Enrico VI di Hohenstaufen, re di Germania e imperatore del Sacro Romano Impero.

  • Engraving size: cm. 9×8 approx.
  • Support: Paper
  • Condition: Excellent condition
  • Testo: Presente intorno e al verso dell’incisione

Arrival of His Majesty the King in Genoa (Vittorio Emanuele II), 1886

30,00 

Arrivo di sua maestà il re a Genova It is an engraving made in 1886, published in the illustrious periodical Italian Illustration from the Treves Editors of Milan.
Questa opera celebra l’arrivo di Vittorio Emanuele II a Genova, un momento significativo della storia italiana.

  • Sheet size: cm. 21×31 approx.
  • Engraving size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Arsenal of La Spezia, 1886

30,00 

Arsenal of La Spezia It is an engraving made in 1886, taken from theItalian Illustration, published in Milan by Fratelli Treves Editori.
This work presents an image of cm. 21x31, enriched by writings around and annotations on the back of the sheet.

  • Sheet size: cm. 21×31 approx.
  • Support: Paper
  • Condition: Excellent

Arti figurative, 1850

20,00 

Arti Figurative è un’incisione al bulino su rame realizzata nel 1850, proveniente dal volume Bilder-Atlas, published in Leipzig by FA Brockhaus.
Questa opera presenta varie pitture, tra cui opere di Cimabue, con didascalie in tedesco.

  • Sheet size: mm. 300×220
  • Support: Light sheet, white back
  • Condition: Excellent condition

Figurative arts, David, Gerard, 1850

20,00 

Arti Figurative è un’incisione al bulino realizzata da Gerard David nel 1850.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.
L’incisione presenta varie pitture con didascalie in tedesco, offrendo uno spaccato interessante della cultura artistica dell’epoca.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Arvo Iissalo exlibris

5,00 

Arvo Iissalo Exlibris It is a small engraving that captures attention for its erotic subject.
Made with the technique of woodcut, this work is a perfect example of how art can express bold and provocative themes.

  • Sheet size: cm. 9×5
  • Support: Light paper
  • Condition: Excellent

Ascoli Piceno, Coat of Arms, 1871

15,00 

Ascoli Piceno, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print has an engraving size of 8x9 cm, with small margins, and was extracted from a book.

  • Sheet size: Small
  • Engraving size: cm. 8×9
  • Support: Light sheet
  • Condition: Excellent

Ascoli, Entrance to the city, 1890

20,00 

Ascoli, Entrance to the city it's a woodblock print made in 1890, which represents a fascinating glimpse of the city of Ascoli.
This work is taken from an Italian text from the late nineteenth century and presents a large-sized image cm. 10×12 approximately, surrounded by text and with further annotations on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

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