Excellent

Showing 4441–4464 of 5178 results

Spiaggia di Quinto, Genova, 1875

20,00 

Spiaggia di Quinto, Genova It is a woodcut made in 1875, che cattura la bellezza della costa ligure.
This work is taken from the work Italy Pictorial Journey from the Alps to Etna by G.Stieler, E.Paulus and W.Kaden, published in Milan by the Treves Brothers.

  • Engraving size: cm. 10×19 circa
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.
Designer: Gustav Schoenleber, noto pittore paesaggista tedesco, e Engraver: Adolf Closs, incisore su legno, hanno collaborato per creare questa affascinante rappresentazione.

Rock Pipit, 1853

15,00 

Spioncello (Rock Pipit) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa rappresenta un soggetto ornithologico di grande fascino e si distingue per la sua decoratività.

  • Sheet size: mm. 135×100
  • Support: Medium paper with white back
  • Condition: Excellent condition

Spluga, 1834-1838

20,00 

Spluga è un’incisione realizzata tra il 1834 e il 1838, che rappresenta la Strada della Spluga nella valle di S.Giacomo.
This work is a burin on steel con una misura della battuta di mm. 115×80 e presenta margini quasi assenti.

  • Taken from: Italy, Sicily, the Aeolian Islands, etc., first Italian edition by Audot père, Turin by Giuseppe Pomba, 1834
  • Back: White
  • Condition: Excellent condition

Spluga, 1834-1838

20,00 

Spluga è un’incisione realizzata tra il 1834 e il 1838, che rappresenta la Strada della Spluga nella valle di S. Giacomo.
Questa opera è un bulino su acciaio, con una misura della battuta di mm. 115×80 e margini quasi assenti.
Fa parte della prima edizione italiana di Italy, Sicily, the Aeolian Islands, etc., pubblicata a Torino presso Giuseppe Pomba nel 1834.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Spoleto, Panorama, 1890

25,00 

Spoleto, Panorama it's a woodblock print made in 1890, che offre una vista affascinante della città di Spoleto.
This work is taken from Illustrated geographical Italy by P. Premoli and features text around and on the back.

  • Sheet size: cm. 16×26 approx.
  • Support: Light paper
  • Condition: Excellent

The print has been removed from the book and will be shipped with the full page, including the text on the verso.

Spoleto, Temple of Clitumnus, 1850

35,00 

Spoleto, Temple of Clitumnus It is a burin engraving made by James Duffield Harding in 1850.
This work presents a very fine animated scene, very decorative, and stands out for its hand-painted watercolor.

  • Sheet size: mm. 100×140 plus margins
  • Engraving size: mm. 100×140
  • Technique: Burin
  • Support: Medium paper with white back
  • Condition: Excellent

Spotorno, Western Riviera, Villa Ericier, 1886

30,00 

Spotorno, Western Riviera, Villa Ericier It is an engraving made in 1886, taken from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work features writing around and on the back of the sheet, adding further historical and informational value.

  • Sheet size: cm. 21×16 approx.
  • Support: Paper
  • Condition: Excellent

SS. Forty Martyrs, 1797

25,00 

SS. Forty Martyrs It is a copper engraving made in 1797.
This work is taken from the volume Lives of the Saints for each day of the Year with copper portraits, published in Florence in the same year.

  • Sheet size: cm. 17x9 approx.
  • Engraving size: cm. 11×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

St.John baptizing. Il Battesimo di Gesù.

25,00 

St. John Baptizing – Il Battesimo di Gesù è un’incisione che rappresenta il momento sacro del battesimo di Gesù da parte di San Giovanni Battista.
Made by Guido Reni and engraved by J.Rogers, questa opera fa parte della Scripture Gallery of Engraving, published by John Tallis & Co. a Londra e New York.

  • Sheet size: cm. 27 x 21 approx.
  • Engraving size: cm. 15 x 11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back with editorial frame and vignettes

Fashion print with little girls, 1850

30,00 

Stampa di moda con bambine è una raffinata chromolithography realizzata nel 1850, che cattura l’essenza della moda infantile del XIX secolo.
Questa opera, di dimensioni contenute, è stampata su carta spessa e incollata su un altro supporto cartaceo, rendendola un pezzo unico per collezionisti e appassionati di arte.

  • Sheet size: cm. 20×17 approx.
  • Era: 19th century
  • Condition: Excellent
  • Support: Thick paper

Fashion print, 1850

30,00 

Fashion Print it's a chromolithography made in 1850, representative of the style and trends of the time.
This work, of dimensions cm. 20×17, is printed on thick paper and glued onto another paper support, making it a unique piece for collectors and enthusiasts of historical fashion.

  • Era: 19th century
  • Technique: Chromolithography
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Erotic print, 1850

35,00 

Erotic print from 1850 It is an engraving that explores the theme of clandestine sex.
Made with techniques of etching and burin on medium-thickness paper, this work features a large-sized engraving cm. 5,5×8,5 and a sheet of cm. 10×15.
The back is white and the work is located in excellent conditionThe author remains anonymous and the provenance is unknown.

  • Sheet size: cm. 10×15 approx.
  • Engraving size: cm. 5.5x8.5 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Erotic print, Sapphic Love, 1850

35,00 

Sapphic Love it's a old erotic print dating back to 1850, which explores the theme of lesbianism.
This work is made with techniques of etching And burin on light paper, featuring a white back.

  • Sheet size: cm. 9,5×14,5 approx.
  • Engraving size: cm. 5.5x9 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Prints with Birds size cm.13×10

0,00 

Prints with Birds It's a series of chromolithographs taken from Our Native Songsters by Anne Pratt, published in London in 1853.
These prints, measuring 13x10 cm, are made on medium paper with a white back and are in excellent condition, resulting very decorative.
Each print will be accompanied by a certificate of originality and legitimate provenance.
50 copies are available.
Contact for a quote.

Prints with Birds, size cm.16×25

0,00 

Prints with Birds It's a series of vintage watercolour lithographs, taken from A History of Birds of Europe by Charles Robert Bree, published in London in 1875.
These works measure cm. 16×25 and are printed on strong paper with white back.

  • Condition: Excellent condition
  • Certificate: Each print will be accompanied by a certificate of originality and legitimate origin
  • Availability: 100 copies available

Contact for a quote.

Anatomy Prints, size cm.18×11

0,00 

Anatomy Prints è un’acquaforte realizzata nel 1853, parte dell’opera Atlante di anatomia descrittiva del corpo umano di I.N. Masse.
Questa stampa, di dimensioni cm. 18×11, è stampata su carta forte con retro bianco.

  • Sheet size: cm. 18×11 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Strong paper
  • Certificate: Each print will be accompanied by a certificate of originality and legitimate origin
  • Availability: 100 copies available

Contact for a quote.

17th century biblical prints cm.11×9

0,00 

17th Century Biblical Prints they are precious woodcuts made by Christoffel of Shechem, a well-known Dutch engraver.
These works, taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published in 1646, represent significant scenes from the life of Jesus and other biblical episodes.

  • Sheet size: cm. 19×14 approx.
  • Engraving size: cm. 10/11×8/9 approx.
  • Technique: Woodcut
  • Support: Laid paper
  • Condition: Excellent

Each print is monogrammed in CVS plate and comes with a certificate of originality and legitimate provenance.
200 copies available. Contact for a quote.

17th century religious prints cm.11×7

0,00 

17th century religious prints They are woodcuts on laid paper with partial watermark, measuring approximately 11x7.5 cm, with smaller margins and printed back.
These works are monogrammed in CVS plate (Christoffel van Sichem) and come from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz, Paets, in Amsterdam in 1646.

  • They represent: Scenes and episodes from the life of Jesus and biblical episodes.
  • Availability: 180 specimens.
  • Certificate: Each print will be accompanied by a certificate of originality and legitimate origin.

About Christoffel van Sichem: Dutch engraver born in Basel in 1581 and died in Amsterdam in 1658, he created numerous woodcuts inspired by works by artists such as Durer, Abraham Bloemaert, Hendrick Goltzius and Maarten van Heemskerck.

Stans, Svizzera, 1840

20,00 

Stans, Svizzera, 1840 it's a lithography che rappresenta una veduta della piazza di Stanz, un affascinante comune svizzero.
This print is taken from the work Picturesque Polyorama, an important publication aimed at spreading useful knowledge among all social classes.

  • Sheet size: cm. 17×11 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Statue of Archimedes, 1843

10,00 

Statua di Archimede è un’incisione su rame realizzata nel 1843, tratta dal Picturesque Polyorama.
Questa opera rappresenta il celebre scienziato e matematico greco Archimede, ed è caratterizzata da un testo che circonda l’immagine e si trova anche al verso.

  • Sheet size: cm. 10×16 approx.
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Stefano Della Bella – Hunts of Different Animals, 1654

80,00 

Different Animal Hunts It is an engraving made by Stephen Of The Beautiful in 1654, part of the series dedicated to hunting.
This work, which represents the Deer Hunting, is a fine example of etching, signed lower left with 'S.D.Bella F.' and lower right with 'S.Bella Cum Privilegi Regis'.

  • Sheet size: mm. 226×149 at the copper edge plus 5 mm of regular margin
  • Support: Unlaid paper, brown colored sheet
  • Condition: Exceptional state of preservation
  • Notes: Glued to the upper right and left margins on non-contemporary cardboard
  • Reference: De Vesme Massar 734

Stefano Della Bella – Dalla serie Diversi Animali

50,00 

Dalla serie Diversi Animali It is an engraving made by Stephen Of The Beautiful intorno al 1644.
This work, performed in etching (in controparte), presenta la firma dell’artista in basso a destra: La Bella fecit.

  • Sheet size: Not specified
  • Support: Laid paper without watermark
  • Condition: Exceptional state of preservation
  • Reference: De Vesme-Massar 702

Stephen Of The Beautiful (Firenze 1610-1664), noto anche come Stefanino or Labelle, fu un incisore al servizio della corte medicea.
Soggiornò a Roma, Parigi e Amsterdam, e il suo lavoro è caratterizzato da un linguaggio originale, influenzato da maestri come il Cantagallina e Callot.
Della Bella ha lasciato un’importante eredità artistica con oltre mille incisioni, ricche di arguzia e movimento.

Stefano Della Bella, Cavalieri negri…, 1651

150,00 

Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651, che ritrae un Cavaliere Ungherese di schiena.
Questa opera è un esempio pregiato della sua arte, firmata in lastra con la sigla S. D. Bella f. ed è parte della serie Cavalieri negri, polacchi e ungheresi.

  • Sheet size: mm. 175×175
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Stefano Della Bella, Cavalieri negri…, 1651

150,00 

Cavalieri negri… It is an engraving made by Stephen Of The Beautiful nel 1651 circa.
Quest’opera rappresenta un Cavaliere Ungherese che si dirige verso sinistra ed è parte della serie Cavalieri negri, polacchi e ungheresi.

  • Sheet size: mm. 175×175
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation
  • Datazione: First half of the 17th century

L’incisione è firmata in lastra con la sigla S. D. Bella f. ed è una splendida prova nell’unico stato, come indicato nel catalogo De Vesme-Massar 278.

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