Excellent

Showing 433–456 of 1980 results

Chiesa di S. Nicolò di Bari, 1890

20,00 

Chiesa di S. Nicolò di Bari It is a woodcut print made in 1890 by the engraver Barberis.
Questa opera proviene da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 12×9 circa, con testo attorno e al verso del foglio.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 12×9 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Church of San Michele in Lucca, 1866

25,00 

Church of San Michele in Lucca It is a woodcut engraving made in 1866, taken from the volume From the Alps to the Adriatic, published in Milan by Giacomo Stella Editore.
This print represents an important artistic testimony of the time and measures cm. 19×13 about on a sheet of cm. 25×17 with white back.

  • Sheet size: cm. 25×17 approx.
  • Engraving size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Church of San Vittore in Pollenzo, 1890

20,00 

Chiesa di San Vittore in Pollenzo it is a woodcut made in 1890 by the engraver Barberis.
Questa opera rappresenta la chiesa parrocchiale di San Vittore a Brà, Cuneo, ed è tratta da un testo italiano di fine Ottocento.

  • Sheet size: cm. 26×18 approx.
  • Image size: cm. 14×12 approx.
  • Support: Paper
  • Condition: Excellent

Chieti, Ancient Temple of Diana, 1890

20,00 

Chieti, Antico Tempio di Diana it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera presenta un’immagine di dimensioni cm. 10×14 circa, circondata da testo e con ulteriori informazioni al verso del foglio, che misura cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×14 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Chieti, Church of San Paolo, 1890

20,00 

Chieti, Church of San Paolo it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional writing on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Chieti, Exterior of Santa Maria Arabona, 1890

20,00 

Chieti, Exterior of Santa Maria Arabona it is a valuable one woodblock print built in 1890, which represents a fascinating glimpse of the historic church of Santa Maria Arabona.
This work is taken from an Italian text from the late nineteenth century and presents an image measuring approximately 10x12 cm, surrounded by descriptive text.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The entire sheet containing the print will be shipped.

Chieti, Panorama, 1890

30,00 

Chieti, Panorama it's a woodblock print built in 1890, which offers a suggestive view of the city of Chieti.
This work is based on a late nineteenth-century Italian text and presents an interesting historical and cultural context.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 24×17 approx.
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be shipped.

Chioggia, 1885

30,00 

Chioggia, 1885 It is an engraving made by Adolf Closs based on a design by Arthur Jean Baptiste Calame.
This woodcut measures cm. 19×25 and is found on a light sheet of cm. 27×37, with white back.
The work is taken from the volume Italy Pictorial Journey from the Alps to Etna, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 19×25
  • Sheet size: cm. 27×37
  • Support: Light paper
  • Condition: Excellent

Cloister of the Abbey of Piona, The Hanging Stone near Torno, Bellano Ravine, 1884

30,00 

Cloister of the Abbey of Piona, The Hanging Stone near Torno, Bellano Ravine It is a woodcut engraving made in 1884, extracted from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents an important artistic and cultural testimony of the time.

  • Sheet size: cm. 25×35 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be sent.

Christoffel van Sichem, Deposition of Christ, 1646

30,00 

Deposition of Christ It is an engraving made by Christoffel of Shechem In the 1646, inspired by a subject of Hendrick Goltzius.
This woodcut is printed on laid paper and has dimensions of approximately cm. 11×9, with smaller margins. On the back there is another partial image. The work is monogrammed on the plate with the initials CVS and it is taken from the volume Bibels tresoor, ofte Der zielen lvsthof, published by Pieter Jacobsz Paets in Amsterdam in 1646.

  • Era: XVII
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

City of Castello, 1890

25,00 

City of Castle It is a charming panoramic print made in 1890.
This woodblock print measure cm. 16×25 and it was taken from the work Illustrated geographical Italy by P. Premoli.
The print features text around and on the verso, and will ship as a full page, thus retaining its original appeal.

  • Sheet size: cm. 16×25 approx.
  • Support: Light paper
  • Condition: Excellent

Cittanova, Panorama, 1890

20,00 

Novigrad, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 10×24 approximately, surrounded by text and with further text on the back of the sheet, which measures cm. 30×20.
The entire sheet containing the print will be shipped.

Cividale, Panorama, 1890

20,00 

Cividale, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva di Cividale, in provincia di Udine.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Civita Castellana, 1877

15,00 

Civita Castellana, 1877 it's a woodcut made by Karl August Lindemann-Frommel, a well-known landscape painter and designer of the French school.
This work is taken from the volume Italian of Kaden and offers a beautiful panoramic view of the city.

  • Sheet size: mm. 150×100
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

1865

15,00 

1865 It is a woodcut engraving made in 1865, taken from the edition of Picturesque Emporium, published by Sonzogno in Milan.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo.

  • Size of the joke: mm. 180×100
  • Margins: almost absent
  • Support: Light paper
  • Condition: Excellent

Civitella, Le Mammelle, 1877 ​

15,00 

Civitella, Le Mammelle It is a woodcut engraving made by Adolf Closs In the 1877.
This work is taken from the volume From the Alps to Etna di W. Kaden e presenta una bella veduta decorativa.

  • Sheet size: mm. 187×125
  • Condition: Excellent
  • Support: Paper
  • Notes: Margini assenti, ritagliata dal libro con scritte sul retro.

Claude Lorrain, Poussin, Guaspre, 1837

15,00 

Claude Lorrain, Poussin, Guaspre è un’incisione xilografica realizzata nel 1837, tratta dal Picturesque Store of Paris.
Questa opera rappresenta un omaggio ai due grandi maestri del paesaggio ideale, Claude Lorrain e Nicolas Poussin.

  • Sheet size: cm. 18×12 approx.
  • Support: Light sheet, printed back
  • Condition: Excellent condition

The full page containing the print is sent.

Clusone, Bergamo, 1890

20,00 

Clusone, Bergamo it is a woodcut that represents The Church of the Disciplines, built in 1890.
This print is taken from a late nineteenth-century Italian text and features a large-sized image. cm. 9×7 approximately, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Support: Paper
  • Condition: Excellent

Garda Lake, 1890

20,00 

Colà del Garda è una xilografia realizzata nel 1890, disegnata da E. Bondier and engraved by C. Petit.
Questa stampa proviene da un libro francese di fine ‘800 e presenta una scena animata, tipica delle vedute italiane dell’epoca.

  • Sheet size: cm. 10×15 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Comacchio, Three Bridges, 1890

20,00 

Comacchio, Treponti è una stampa xilografica del 1890 che rappresenta una veduta della località vista dal mare.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9 x 12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Support: Paper
  • Condition: Excellent

Comacchio, Caldirolo Valley, 1890

20,00 

Comacchio, Valle Caldirolo è una stampa xilografica realizzata nel 1890, che rappresenta la stazione di pesca di Valle Caldirolo.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 9x12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Comacchio, Office Street, 1890

20,00 

Comacchio, Via degli Uffici it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 9×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

As in 1859 Gravedona

30,00 

Gravedona sul Lago di Como è un’incisione anonima del 1859, che rappresenta due vedute del Duomo di Como.
This woodcut is taken from the work Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Support: Light paper
  • Condition: Excellent

Como, 1859, Panorama of the Lake

30,00 

Panorama del Lago di Como It is an anonymous engraving made in 1859, che offre una vista suggestiva del Lago di Como presa da Bellagio, con la Villa Carlotta, già Clerici e Sommariva.
This work is taken from the volume Customs and Traditions of All the Peoples of the Universe, published in Milan.

  • Sheet size: mm. 190×290
  • Engraving size: mm. 190×290
  • Technique: Woodcut
  • Support: Light paper
  • Condition: Excellent

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