Excellent

Showing 4825–4848 of 7181 results

Pavia, Panorama, 1850

40,00 

Pavia, Panorama è un’incisione realizzata nel 1850, che offre una splendida veduta della città di Pavia.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32
  • Engraving size: cm. 13×18
  • Support: Strong paper
  • Condition: Excellent

Questa incisione si presenta in condizioni perfette, con un retro bianco, e offre una rappresentazione nitida ed animata della città.

Pavia, Bridge over the Ticino to the West, 1890

20,00 

Pavia, Bridge over the Ticino to the West it's a woodblock print built in 1890, which represents a fascinating glimpse of the city of Pavia.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 24 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Support: Paper
  • Condition: Excellent

Pavia, Panoramic View, 1859

40,00 

Pavia, Veduta Panoramica è una xilografia realizzata nel 1859, che offre una vista a volo d’uccello della città di Pavia.
This work is taken from the volume Wars of Italy e presenta scritte al verso.

  • Sheet size: cm. 22×32 approx.
  • Support: Paper
  • Condition: Excellent

Payne’s, 1850, Cinque volti

30,00 

Cinque volti è un’incisione realizzata da Albert Henry Payne nel 1850, incisa per Payne’s Universal Geography.
This work is made with the technique ofetching and burin e presenta dimensioni di circa cm. 18×22 alla battuta.

  • Sheet size: cm. 18×22 approx.
  • Support: Carta vergellata con filigrana corona, corna e G R
  • Condition: Excellent condition

Pazzi Antonio, Portrait of Martino Meytens, 1725

50,00 

Portrait of Martin Meytens It is an engraving made by Crazy Antonio in 1725, in collaboration with Domenico Campiglia.
This portrait depicts the well-known painter Martin Meytens, an important figure of the 18th century.

  • Sheet size: cm. 38×28 approx.
  • Engraving size: cm. 26×17 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Sheep, Lamb, 18th century

20,00 

Pecora, Agnello it is an anonymous engraving dating back to 18th century.
Made in etching on heavy laid paper, questa opera presenta un formato compatto che la rende ideale per collezionisti e appassionati di arte antica.

  • Sheet size: cm. 7×10 approx.
  • Condition: Excellent

Sheep, Anonymous, 18th century

15,00 

Sheep It is an engraving made by an anonymous artist in 18th century.
This work is an example of etching on heavy laid paper, which highlights the artist's mastery.

  • Sheet size: cm. 7x8 approx.
  • Condition: Excellent

Pegli, 1876, Pallavicini Villa

15,00 

Pegli, 1876, Pallavicini Villa è un’incisione xilografica che ritrae l’obelisco situato nella villa Pallavicini a Pegli.
This work is taken from the volume Italian by K. Stieler and W. Kaden, published in Stuttgart in 1876.

  • Sheet size: mm. 120×181
  • Support: Light paper
  • Condition: Excellent condition
  • Notes: Almost no margins, cut from the book with writing on the back

Pegli, Villa Doria, 1890

15,00 

Pegli, Villa Doria It is a woodcut made in 1890, the work of E. Bondier as a designer and C. Petit as an engraver.
Questa affascinante stampa proviene da un libro francese di fine ‘800 e presenta una scena animata di grande interesse.

  • Sheet size: cm. 10×8 approx.
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Pelago (Firenze), 1850

30,00 

Pelago (Firenze) It is a burin engraving made in 1850 from James Duffield Harding, a well-known English landscape painter.
This work represents a very fine animated scene della città di Pelago, vista dall’alto, ed è caratterizzata da un’eleganza decorativa.

  • Size of the joke: mm. 140×100 approx.
  • Support: Medium paper with white back
  • Condition: Excellent

Pilgrimage to the Madonna Dell'Arco, 1860

30,00 

Pellegrinaggio alla Madonna Dell’Arco è un’incisione realizzata nel 1860, che rappresenta una vivace scena di un festival vinicolo napoletano.
Questa xilografia, ispirata a un’opera di Robert Leopold (1794-1835), mostra un affollato pellegrinaggio con numerosi personaggi e il Vesuvio fumante sullo sfondo.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 22×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent

Pellegrino, C.Rochussen, 1845

20,00 

Pellegrino è una litografia realizzata da C. Rochussen nel 1845.
This work was published in the magazine Art crown between 1845 and 1846.

  • Sheet size: cm. 32×25 approx.
  • Print Size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Peppola (Brambling), 1853

15,00 

Peppola (Brambling) It is a chromolithograph made in 1853, taken from the work Our Native Songsters by Anne Pratt, published in London.
Questa stampa presenta un’immagine vivace e decorativa della peppola, un uccello noto per il suo canto melodioso.

  • Sheet size: mm. 135×100
  • Support: Medium thickness paper, white back
  • Condition: Excellent condition

Peronospera, Cromolitografia, 1887

30,00 

Peronospera it's a chromolithography realizzata nel 1887, tratta dalla Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta una splendida decorazione che la rende molto attraente.

  • Sheet size: cm. 25×16 approx.
  • Condition: Excellent state of preservation
  • Support: Thick paper with white backing

Persano, Salerno, 1840

30,00 

Persano, Salerno è un’incisione in acciaio realizzata nel 1840, che offre una splendida veduta dal mare della località, con barche e pescatori intenti nelle loro attività quotidiane.
Questa opera è caratterizzata da dettagli vividi e una composizione che cattura l’essenza della vita marittima.

  • Sheet size: mm. 195×125
  • Engraving size: mm. 140×102
  • Support: Paper
  • Condition: Excellent

Perth, Australia, W. French, 1840-50

20,00 

Perth, Australia It is an engraving made by W. French between 1840 and 1850.
Questa opera, un’acquaforte su carta di medio spessore, rappresenta la città di Perth, situata in Australia Occidentale.

  • Sheet size: cm. 21×27
  • Support: Medium thickness paper
  • Condition: Excellent condition
  • Publication: Print published in Payne's Universum und Buch der Kunst, Leipzig and Dresden

In basso a destra è presente la firma di W. French.
Albert Henry Payne, incisore e editore inglese, ha fondato una casa editrice a Lipsia nel 1838.
William French, artista inglese, ha collaborato con la casa editrice di Payne, contribuendo alla diffusione dell’arte incisoria.

Perugia, 1850

40,00 

Perugia, 1850 It is an engraving made in etching on strong paper, offering a splendid view of the city.
This work measures cm. 13×18 for engraving and cm. 22×32 for the sheet, with white back.

  • Condition: Perfect
  • Taken from: “The Classic Lands of Europe, Italy, Sicily and Greece..” by John Sherer
  • Engravers: Allom, Bartlett, Leitch and other eminent artists
  • Year of publication: 1850

This engraving is part of the collection of the London Printing and Publishing Company and features a clear and lively representation of the city of Perugia.

Perugia, Great Square, 1850

35,00 

Perugia, Piazza Grande è un’incisione realizzata da W. French nel 1850.
This work offers a veduta animata e ben contrastata della celebre piazza, presentando dettagli architettonici e una vivace atmosfera.

  • Sheet size: cm. 28×20 approx.
  • Engraving size: cm. 19×13 approx.
  • Support: Paper
  • Condition: Excellent condition

Pesaro, Prefecture Palace, 1890

20,00 

Pesaro, Prefecture Palace It is a woodcut print made in 1890, which represents an important testimony of the Italian architectural heritage of the late nineteenth century.
This work is characterized by an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pesaro, Salmon Thomas, 1738-1768

40,00 

Pesaro it is an etching on copper made by Thomas Salmon between 1738 and 1768.
This work represents the city of Pesaro in the Duchy of Urbino, part of the Ecclesiastical State.

  • Size of the joke: cm. 15×10 approx.
  • Margins: Irregular
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

The work is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Pesaro, Salmon Thomas, 1738-1768

40,00 

Pesaro it is an etching on copper made by Thomas Salmon between 1738 and 1768.
This work represents the city of Pesaro in the Duchy of Urbino, part of the Ecclesiastical State.

  • Size of the joke: cm. 15×10 approx.
  • Margins: Irregular
  • Technique: Etching on copper
  • Support: Laid paper without watermark
  • Condition: Excellent state of preservation

The work is taken from the volume The present state of all the Countries, and Peoples of the World, Natural, Political, and Moral…, Naples edition.

Pescatore Napoletano, 1850

30,00 

Pescatore Napoletano è un’incisione realizzata nel 1850, che cattura l’essenza della vita marittima napoletana.
This work is made with the technique of burin on steel, and was hand-watercoloured, giving it a unique and artistic touch.

  • Sheet size: mm. 90×105
  • Support: Medium paper
  • Condition: Perfect state of preservation
  • Back: White

Pescatore Portoghese, Leitghton Brothers

30,00 

Pescatore Portoghese it is a valuable one chromolithography made by Leitghton Brothers In the 20th century.
Questa opera, caratterizzata da vivaci colori e dettagli accurati, rappresenta un pescatore portoghese in un contesto marittimo.

  • Sheet size: cm. 22×15 approx.
  • Support: Thick paper, white back
  • Condition: Excellent

Pescatore, acquarello

40,00 

Fisherman it's a watercolor of exquisite workmanship, created by an anonymous author and datable to the first half of the 19th century.
Questo splendido pezzo si distingue per i suoi bright colors e la qualità della sua esecuzione.

  • Sheet size: cm. 7×10 approx.
  • Support: Cardboard with white back
  • Condition: Excellent state of preservation

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