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Showing 5089–5112 of 5718 results

Tempio di Castore e Polluce in Cora

70,00 

Avanzi del Tempio di Castore e Polluce nella Città di Cora It is an engraving made by Gaetano Cottafavi nel 1843.
This work is part of the Collection of the Principal Views of Rome and its Surroundings, drawn from life and engraved by Cottafavi himself.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Excellent state of preservation

Questa incisione presenta una veduta animata e decorativa, con un buon contrasto e retro bianco.
Verrà spedita in tubo rigido per garantire la massima protezione.

Tempio di Efesto, Atene, Grecia, 1833

25,00 

Tempio di Efesto, Atene, Grecia è un’incisione realizzata nel 1833, che cattura la bellezza e la maestosità di uno dei templi più significativi dell’antica Grecia.
This etching presenta un’immagine di dimensioni cm. 9×13, su un foglio di cm. 16×22, realizzata su carta di medio spessore con retro bianco.

  • Era: XIX
  • Technique: Etching
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

Temple of Hercules, Agrigento, 1875

20,00 

Temple of Hercules, Agrigento It is a woodcut made in 1875, which represents one of the most iconic monuments of Sicily.
This engraving is taken from the work Italy Pictorial Journey from the Alps to Etna by G. Stieler, E. Paulus and W. Kaden, published in Milan by the Treves Brothers in 1885.

  • Engraving size: cm. 18×12 approx.
  • Condition: Excellent condition
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Tempio di Nettuno a Paestum, 1885

20,00 

Tempio di Nettuno a Paestum è un’incisione realizzata nel 1885, che rappresenta uno dei monumenti più iconici dell’antichità.
This woodcut is taken from the work Italy Pictorial Journey from the Alps to Etna di G.Stieler, E.Paulus, W.Kaden, pubblicata a Milano dai Fratelli Treves.

  • Engraving size: cm. 11×19 circa
  • Condition: Excellent
  • Support: Paper
  • Notes: The print has been cut from the book page and will be shipped complete with mat, ready to receive the frame.

Tempio di Nettuno a Paestum, 1890

20,00 

Tempio di Nettuno a Paestum è una xilografia realizzata nel 1890, che rappresenta uno dei monumenti più iconici dell’antichità.
This print is taken from a late nineteenth-century Italian text and features an image measuring approximately 10 x 12 cm, with text around and on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Tempio di Teseo, Atene, Grecia, 1842

15,00 

Tempio di Teseo, Atene, Grecia è una litografia del 1842 che rappresenta una veduta affascinante del tempio di Teseo, situato nei pressi di Atene.
This print is taken from the work Picturesque Polyorama, an important publication aimed at spreading artistic and cultural knowledge.

  • Sheet size: cm. 12×15 approx.
  • Support: Paper
  • Condition: Excellent

La stampa è contenuta all’interno di una pagina del libro, con scritte attorno e al verso, e verrà spedita l’intera pagina.

Tempio di Venere e Roma, Cottafavi, 1843

70,00 

Tempio di Venere e Roma It is an engraving made by Gaetano Cottafavi In the 1843, part of the Collection of the Principal Views of Rome and its Surroundings.
Questa opera rappresenta una veduta animata e decorativa di Roma, incisa su rame con grande maestria.

  • Sheet size: cm. 32×47 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, ottima prova con buon contrasto

La stampa verrà spedita in tubo rigido per garantire la massima protezione.

Ruined Temples, 1850-60

20,00 

Templi in rovina è un’incisione realizzata tra il 1850 e il 1860, che rappresenta un suggestivo tempio in rovina, tratto dalla famosa Vernon Gallery.
This work was created using the technique ofEtching and Burin e pubblicata nell’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Milking Time, 1850-60

20,00 

Milking time It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
This engraving was published in theArt Journal Engraving and combines the techniques of etching and burin.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent state of preservation
  • Support: Strong engraving paper

Teniers, The Pula Cutter, 1830

70,00 

Il tagliatore di Pula è un’acquatinta colorata realizzata nel 1830 da Ralph Cockburn, un noto pittore ed incisore, nonché primo custode della Dulwich Picture Gallery.
Questa opera è una splendida esecuzione tratta da uno dei quadri presenti nella galleria, ed è caratterizzata da un’eccellente qualità artistica.

  • Sheet size: cm. 26×32 approx.
  • Engraving size: cm. 17×24 approx.
  • Support: Thick cardboard
  • Condition: Excellent

The reverse bears the Haverhill Public Library stamp, making this work even more rare and decorative.

Temptation, HFC Ten Kate, 1845

20,00 

Tentazione è un’incisione realizzata da H.F.C. Ten Kate nel 1845.
This woodcut on medium-thickness paper was published in the magazine Art crown in the period 1845-1846.

  • Sheet size: cm. 32×25 approx.
  • Engraving size: cm. 20×16 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Teramo, St. George Street, 1890

20,00 

Teramo, St. George Street, 1890 it's a woodblock print di fine Ottocento, che rappresenta un affascinante scorcio della città di Teramo.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with further information on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Teramo, Entrance to Porta Madonna, 1890

20,00 

Teramo, Ingresso Porta Madonna it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Teramo, Bridge over the Tordino River, 1890

20,00 

Teramo, Ponte sul fiume Tordino it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera rappresenta un’importante veduta del ponte sul fiume Tordino, con dettagli accurati e un testo descrittivo attorno all’immagine.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Teramo, View from Colle Venanzo, 1890

30,00 

Teramo, View from Colle Venanzo it's a woodblock print built in 1890, which offers a fascinating view of the city of Teramo from Colle Venanzo.
This work is based on a late nineteenth-century Italian text and features descriptive text around the image, as well as text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 17×24 approx.
  • Support: Paper
  • Condition: Excellent

Teresa Bandettini, 1837

20,00 

Teresa Bandettini it is a lithograph made in 1837, taken from the volume Universal pictorial warehouse, published in Genoa.
Questa opera rappresenta la poetessa e ballerina italiana, conosciuta anche con il nome arcadico di Amarilli Etrusca.

  • Sheet size: cm. 28×21 approx.
  • Engraving size: cm. 18×13 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent state of preservation

Termini Imerese, San Leonardo Bridge, 1889

20,00 

Termini Imerese, San Leonardo Bridge it's a woodblock print made in 1889, taken from the work Naples and Sicily by Jules Gourdault, published in Paris by Libraire Hachette.
This print measures cm. 8×10 in the printed part, with smaller margins, and was cut out of the book, presenting a printed back.

  • Era: XIX
  • Technique: Woodcut
  • Condition: Excellent
  • Dimensions: Small
  • Support: Paper

The San Leonardo bridge, designed in 1625 by the architect Agatino Daidone, stands on a Patare cliff and on the solid remains of an ancient bridge, presumably from the Roman era.

Terms, 1835

20,00 

Terms It is an engraving made with the technique of burin on steel in 1835.
This work features a measure of the beat of mm. 132×90 and is printed on medium quality paper with a white back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Terni, The Waterfalls, 1834

30,00 

Terni, The Waterfalls è un’incisione realizzata nel 1834, tratta da Finden's Landscape and Portrait Illustrations of the Life and Works of Lord Byron.
Questa opera è stata creata dall’autore W. Brockedon, con disegni di H.Gasteneau and engravings of E. Finden.

  • Sheet size: cm. 23×16 approx.
  • Engraving size: cm. 13×9 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Questa veduta animata offre uno scorcio suggestivo delle cascate di Terni, un’opera che riflette l’abilità artistica del XIX secolo.

Terracina, 1834

20,00 

Terracina, 1834 It is a copper engraving colored with watercolour, made by Augustin Francois Lemaitre.
This work is taken from Italy by Le Chevalier Artaud, published in Paris in 1835.

  • Sheet size: mm. 140×85 approx.
  • Support: Light sheet
  • Condition: Excellent condition
  • Characteristics: Small margins, white back

This engraving represents a beautiful decorative view, perfect for lovers of art and history.

Terracina, 1850

35,00 

Terracina It is a steel engraving made by Edward Francis Finden in 1850.
Questa bella veduta panoramica è animata da soldati e briganti, con sullo sfondo l’antico borgo di Terracina.

  • Sheet size: mm. 138×103
  • Condition: Perfect state of preservation
  • Margins: Piccoli margini irregolari

Terracina, 1877

30,00 

Terracina, 1877 it's an engraving xylographic realizzata nel 1877.
Questa opera presenta una misura della battuta di mm 260×175, con ampi margini e su carta di media qualità. Il retro è bianco, il che conferisce un aspetto pulito e raffinato all’opera.

  • Sheet size: Great
  • Condition: Excellent
  • Support: Paper

Terracina, Ponte Maggiore, 1819

25,00 

Ponte Maggiore, Terracina it is an etching made by TO THE CASTELLAN in 1819.
This work is part of the volume Letters on Italy, published in Paris by A. Nepveu.

  • Sheet size: cm. 20×12 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Terracina, Promontorio Circeo, 1860

35,00 

Terracina, Promontorio Circeo it is an engraving made in 1860, representing an Italian landscape.
This work is part of the album Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd in the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

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