Excellent

Showing 5185–5208 of 7181 results

Pitture greche e romane, 1850

20,00 

Pitture greche e romane è un’incisione al bulino su rame realizzata nel 1850, tratta dal volume Bilder-Atlas, published in Leipzig by FA Brockhaus.
Questa opera presenta una serie di pitture di origine greca e romana, accompagnate da didascalie in tedesco.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Pitture greche, romane, pompeiane, 1850

20,00 

Pitture greche, romane, pompeiane è un’incisione al bulino su rame realizzata nel 1850, che presenta una serie di affascinanti pitture ispirate all’arte classica.
This work is taken from the Bilder-Atlas, published in Leipzig by FA Brockhaus.

  • Sheet size: mm. 300×220
  • Support: Lightweight paper, white back
  • Condition: Excellent condition

Più felice di un re, 1850

20,00 

Più felice di un re è un’incisione realizzata nel 1850, che cattura l’essenza della gioia e della regalità.
The work, entitled Plus heureux que un roi!, è eseguita con la tecnica dell’Etching and of the Burin on medium thickness paper.

  • Engraving size: cm. 13×10 più margini
  • Condition: Excellent condition
  • Support: Paper

Plesiosauro, animali leggendari, 1843

20,00 

Xilografia realizzata nel 1843, estratta dal volume Pictorial Cosmorama, Anno nono, ed è caratterizzata da margini quasi assenti.

  • Sheet size: cm. 28×20 approx.
  • Dimensione della immagine: cm. 11×15 approx.
  • Technique: Woodcut
  • Condition: buona, scritto al verso del foglio, in parte visibile al recto.
  • Support: Paper

La stampa è stata estratta dal libro e presenta scritte al verso in parte visibili,  viene spedita la pagina intera che contiene la stampa .

Pictorial Cosmorama fu una rivista illustrata fondata a Milano da Giovanni Francesco Zini, avvocato. Molti degli esponenti della società artistico-letteraria milanese (Carlo Tenca, Alessandro Lampugnani nonché un esordiente Antonio Ghislanzoni) si accostarono al giornalismo facendo le prime esperienze sul «Cosmorama Pittorico», che ebbe il merito di essere la prima rivista in cui le illustrazioni ricoprirono un ruolo importante (novità questa che fu rimproverata da Carlo Cattaneo, che pure fu un collaboratore assiduo). Dopo il 1848 la rivista entrò in crisi e fu chiusa.

Poggio a Cajano, Prato, 1826

30,00 

Poggio a Cajano, Prato It is an engraving made by Anthony Verico in 1826.
This work is an etching on copper, from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Poiana, Desert Buzzard, 1875

25,00 

Poiana, Desert Buzzard è una litografia acquarellata d’epoca, realizzata nel 1875 e tratta dall’opera A HISTORY OF BIRDS OF EUROPE di Charles Robert Bree, pubblicata a Londra.
Questa affascinante stampa rappresenta un rapace in un contesto naturale, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Engraving size: cm. 14×22 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Poiana, Long-Legged Buzzard, 1875

25,00 

Poiana, Long-Legged Buzzard It is a vintage watercolour lithograph, made in 1875 and taken from A HISTORY OF BIRDS OF EUROPE by Charles Robert Bree.
Questa opera, pubblicata a Londra, presenta un’illustrazione dettagliata di un rapace, evidenziando la bellezza della fauna avicola europea.

  • Sheet size: cm. 16×25 approx.
  • Support: Strong paper with white back
  • Condition: Excellent condition

Pula, Arch of Triumph, 1796

40,00 

Pula, Arch of Triumph It is an engraving made in 1796, taken from the volume Tour Through Italy by Rev. John Chetwode Eustace, published in London by J. Mawman, 1813.
This beautiful view is characterized by lively animation and well-defined contrast. On the back of the print there is a detailed explanation of the work.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 15×22 approx.
  • Support: Paper
  • Condition: Excellent

Polla, Salerno, 1860

15,00 

Polla, Salerno, 1860 è un’incisione xilografica su legno di tesa, realizzata nel 1860.
Questa opera presenta una didascalia in tedesco gotico ed è stata tratta da un libro tedesco.

  • Sheet size: mm. 240×190
  • Margins: almost absent
  • Condition: Excellent condition
  • Support: Light sheet, cut from the book with writing on the back

Polli attaccati da rapaci, M.Hondekoeter, 1840-50

20,00 

Polli attaccati da rapaci è un’incisione realizzata da M. Hondekoeter tra il 1840 e il 1850.
Questa opera, che rappresenta un drammatico incontro tra polli e rapaci, è stata pubblicata nella Royal Dresden Gallery by AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pollivendolo, Gabr. Metsu, 1840-50

20,00 

Pollivendolo è un’incisione realizzata da Gabr. Metsu tra il 1840 e il 1850.
Questa opera, conosciuta come The Poulterer, è un’acquaforte su carta forte, pubblicata in Payne's Royal Dresden Gallery from AH Payne and W. French, in Dresden, Leipzig and London.

  • Sheet size: cm. 21×27
  • Support: Strong paper
  • Condition: Excellent

Pompeii, 1819

25,00 

Pompeii, 1819 It is an engraving made by TO THE CASTELLAN using the etching technique.
This work, which measures 105x140 mm, is taken from the volume Letters on Italy, published in Paris by A. Nepveu in 1819.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Antoine-Laurent Castellan, born in Montpellier in 1772 and died in Paris in 1838, was a renowned painter, writer and engraver. Decorated with the Legion of Honor and a member of the Academy of Fine Arts, he produced works mainly dedicated to landscapes, contributing to illustrated books such as View of Italy And View of the Alps.

Pompeii, 1835

30,00 

Pompeii, 1835 It is an engraving made by Vogel, which represents the City gate of Pompeii on the side of Herculaneum.
This work is a burin on copper sized 168×110 mm, with margins, and comes from the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.8×11 approx.
  • Engraving size: cm. 16.8×11 approx.
  • Support: Medium paper
  • Condition: Excellent

Pompeii, 1840

30,00 

Pompeii, 1840 It is a steel engraving that captures the essence of the historic city of Pompeii.
Made in 1840 and published in the volume Picturesque Italy from the publisher Ernst Kollmann of Leipzig, this work is an example of high quality engraving art.

  • Sheet size: 14 x 23 cm approx.
  • Engraving size: 10.2 x 15.5 cm approx.
  • Support: Paper
  • Condition: Excellent general condition

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolour aquatint made by JW Huber in 1830, belonging to the first half of the 19th century.
This work is part of the publication Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich by Huber and Henry Fuessli.

  • Sheet size: cm. 9×12 (image) + 2 cm (margins)
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, Amphitheatre, 1835

25,00 

Pompeii, Amphitheatre It is an engraving made in 1835 by Cook and Durau, using the technique of burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by Audot père, published between 1835 and 1837.
The engraving features a sharp and fine detail of the amphitheater of Pompeii, with the Smoking Vesuvius in the background.

  • Sheet size: cm. 110×82 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Pompeii, Amphitheatre, 1890

20,00 

Pompeii, Amphitheatre it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work represents an important historical and artistic testimony, with an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Pompeii, Amphitheatre, 1830

40,00 

Pompeii, Amphitheatre It is a watercolor aquatint made by JW Huber in the first half of the 19th century.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 (image) + 2 cm margins
  • Technique: Aquatint
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompeii, House of the Faun, 1890

20,00 

Pompeii, House of the Faun it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Pompeii, House of Castor and Pollux, 1892

20,00 

Pompeii, House of Castor and Pollux It is an engraving made in 1892 by the author Chevalier C. Abbé and engraved by Anastasi.
This work is taken from the volume Naples le Vesuve and Pompeii. Travel sketches, which offers a fascinating look at the historicity of Pompeii.

  • Sheet size: cm. 8×13 approx.
  • Support: Lightweight paper with printed back
  • Condition: Excellent

Pompeii, Homeric House, 1835

20,00 

Pompeii, Homeric House It is an engraving made in 1835 by Durau, using the technique of burin on copper.
This work is part of the volume Italy, Sicily, the Aeolian Islands, Elba Island, Sardinia, Malta, Calypso Island etc. by AUDOT père, published between 1835 and 1837.

  • Sheet size: cm. 16.5x26 approx.
  • Engraving size: cm. 10.5×13.6 approx.
  • Support: Medium paper
  • Condition: Excellent

This beautiful view of Pompeii is characterized by exceptional clarity.

Pompeii, Private House, 1850

30,00 

Pompeii, Private House It is an engraving made in 1850, which offers a splendid view of the historic city of Pompeii.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by such eminent artists as Allom, Bartlett and Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18,5 approx.
  • Support: Strong paper
  • Condition: Excellent state of preservation

Pompeii, Entrance to the Forum, 1830

40,00 

Pompeii, Entrance to the Forum It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 approx.
  • Image size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

Pompei, Entrata della Basilica, 1830

40,00 

Pompei, Entrata della Basilica It is a watercolor aquatint made by JW Huber in 1830.
This work is part of the volume Picturesque views of the most remarkable ruins of the ancient villas of Pompéi, published in Zurich between 1824 and 1825.

  • Sheet size: cm. 9×12 plus 2 cm margins
  • Support: Light paper backed with another paper support
  • Condition: Excellent condition

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