Excellent

Showing 5305–5328 of 7513 results

Piedmont, Savoy, 1834

30,00 

Piedmont, Savoy, 1834 It is a double burin engraving on steel made by Girard in 1834.
This work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.
The engravings feature two beautiful and lively views of the Moulins de Gresy and Les charmettes, offering a fascinating insight into the region.

  • Sheet size: mm. 120×85 plus margins for each engraving
  • Technique: Burin
  • Support: Light paper
  • Condition: Perfect

Piedmont, Savoy, 1834

30,00 

Piedmont, Savoy, 1834 it is a burin engraving that represents the Chapelle et ancien chateau de Chambery.
Made in 1834, this work is taken from the volume Italy picturesque tableau historique and description of Italy… by M. De Norvins and C. Nodiers.
The press offers a beautiful view of the castle and the Piedmontese mountains, capturing the essence of the Italian landscape of the time.

  • Sheet size: mm. 190×125 approx.
  • Support: Light paper
  • Condition: Perfect

Pier Francesco Mola, Hagar and Ishmael, 1786

70,00 

Hagar and Ishmael it is an engraving made by Pier Francesco Mola in 1786.
This work is an etching on laid paper with watermark, from the prestigious Gallery of the Palais Royal.

  • Sheet size: cm. 24×37 approx.
  • Condition: Excellent condition, nice proof with good contrast
  • Support: Laid paper

The engraving is dedicated to SAS Monseigneur le Duc d'Orléans and was published by J. Couche in Paris in 1786.

Pier Luigi Gerosa bookplate

20,00 

Pier Luigi Gerosa Exlibris è un’incisione realizzata nel 1988 dall’artista Pier Luigi Gerosa.
Questo exlibris, commissionato dalla BNEL, è un esempio di raffinata tecnica di etching e rappresenta un’opera di grande valore artistico.

  • Sheet size: mm. 140×190
  • Support: Medium thickness paper
  • Condition: Excellent

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa He is an artist known for his delicate depictions of flowers.
This work, created in 1970, is an example of his mastery in capturing the beauty of nature.

  • Author: Pierluigi Gerosa (Rogeno, Como 1922-2011)
  • Subject: Flowers
  • Sheet size: mm. 102×146
  • Support: Light paper
  • Condition: Excellent

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa It is a work created in 1960 dall’artista Pierluigi Gerosa, originario di Rogeno, Como.
Questa xilografia, commissionata da Gilda Gerosa, rappresenta un esempio significativo della sua produzione artistica.

  • Sheet size: mm. 102×146
  • Support: Light paper
  • Condition: Excellent

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa It is an engraving made in 1971 dall’artista Pierluigi Gerosa, originario di Rogeno, Como.
Questa opera rappresenta un soggetto di architettura e si distingue per la sua tecnica incisoria di woodcut.

  • Sheet size: mm. 75×95
  • Support: Light paper
  • Condition: Excellent

Pierluigi Gerosa (Rogeno, Como 1922-2011)

10,00 

Pierluigi Gerosa è un artista noto per il suo stile unico e la sua abilità nella woodcut.
Nato a Rogeno, Como, nel 1922, Gerosa ha lasciato un’impronta significativa nel panorama artistico italiano fino alla sua morte nel 2011.

  • Sheet size: mm. 75×95
  • Support: Light paper
  • Condition: Excellent

Pierre Corneille, 1873

30,00 

Pierre Corneille It is a watercolour etching made in 1873, depicting the famous French playwright.
This engraving is part of the volume Oeuvres de P. Corneille, theater complet, published in Paris in 1873.

  • Sheet size: cm. 26×17 approx.
  • Engraving size: cm. 9×17 approx.
  • Support: White backed paper
  • Condition: Excellent state of preservation

Pierre Mariette, 8 views of Rome, 18th century

120,00 

8 Vedute di Roma è un insieme di incisioni realizzate da Pierre Mariette nel XVIII secolo, che rappresentano monumenti e rovine iconiche della città eterna.
Le vedute includono il Colosseo, il ponte delle Sabine, la piramide di Cestius, i bagni di Antonino Pio, le rovine del tempio della Pace e le terme di Antonino Pio.

  • Sheet size: cm. 18×24 approx.
  • Engraving dimensions: cm. 14×20 approx.
  • Technique: Etching and burin
  • Support: Laid paper
  • Condition: Excellent

Cinque delle stampe presentano il titolo in inglese, mentre le altre tre sono in latino, con la dicitura in basso Chez P. Mariette avec Privilege du Roy.

Pierre Moreau, Ships in the Port, ca. 1760

60,00 

Ships in the port It is an engraving made by Pierre Moreau around 1760.
This work, which represents a suggestive scene of moored ships, is executed in etching on laid paper.

  • Sheet size: cm. 13×19 approx.
  • Support: Glued at the edges to another paper support
  • Condition: Excellent condition

Pierre Paul Prud'hon, L'Innocence, Louvre, 1850

30,00 

L’Innocence It is a lithograph made by Pierre Paul Prud’hon nel 1850, conservata presso il Louvre.
This work, which measures cm. 13×16 on a sheet of paper cm. 21×31, presenta alcune sporadiche macchie di foxing ai margini, ma ciò non compromette l’immagine.

  • Artist: Pierre Paul Prud’hon
  • Technique: Lithography
  • Condition: Excellent
  • Support: Strong paper
  • Price: €30,00

Pierre Vander AA, Plan of the city of Nola, 1729

90,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the volume Thesaurus antiquitatum et historiarum Italiae.
This map, from Leiden, offers a detailed representation of the city of Nola, located in the province of Naples.
The map includes a legend explaining the various locations, making it not only a work of art, but also an important historical resource.

  • Sheet size: cm. 33×25 approx.
  • Engraving size: cm. 47×40 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent
  • Rarity: Extremely rare

Pierre Vander AA, Plan of the city of Nola, 1729

40,00 

Map of the city of Nola It is an engraving made by Pierre Vander AA in 1729, taken from the Thesaurus antiquitatum et historiarum Italiae.
This detailed map represents the city of Nola, located in the province of Naples, and was created using the etching technique on laid paper.

  • Sheet size: cm. 40×24 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Laid paper
  • Condition: Excellent

Pierre-Jean Mariette, Chantilly

40,00 

Pierre-Jean Mariette, Le Bassin quarré-long près le Potager a Chantilly It is an engraving made in the 18th century.
This work is a fine example of Mariette's mastery, signed at the bottom with In Paris chez I.Mariette rue S.Jacques a la Victoire with Privilege du Roy.

  • Sheet size: mm. 112×175 at the copper edge
  • Technique: Burin
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Chantilly

40,00 

Le Salon du Jardin de Silvie in Chantilly It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, performed with the technique of Burin, represents a fascinating glimpse of the Chantilly garden.

  • Sheet size: mm. 122×195 at the copper edge
  • Condition: Excellent condition
  • Support: Laid paper

Pierre-Jean Mariette, Versailles

40,00 

Pierre-Jean Mariette, Versailles It is an engraving made by Pierre-Jean Mariette in the 18th century.
This work, entitled Water Theater with the new mutations in Versailles, is performed with the technique of Burin on laid paper.

  • Sheet size: mm. 162×222 at the copper edge
  • Condition: Excellent condition

Pierrot, 18th century

40,00 

Pierrot è una litografia acquarellata d’epoca che rappresenta i personaggi della commedia tedesca, risalente al 18th century.
This work is made on laid paper di medio spessore e presenta una scritta in tedesco con note editoriali nella parte inferiore.

  • Sheet size: cm. 26×18 approx.
  • Condition: Excellent
  • Technique: Lithography
  • Dimensions: Small

Pieter Neefs (1578-1661), Bashan, 1771

30,00 

Pieter Neefs (1578-1661), Bashan, 1771 It is an engraving made by Pieter Neefs, a Flemish painter known for his architectural church interiors.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints from works by the Duc de Choiseul, published in 1771 by Pierre-François Basan.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×21 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Peter Paul Rubens, St. Catherine, 1620, 19th century

60,00 

St. Catherine It is an engraving made by Peter Paul Rubens in 1620, reproduced by Amand Durand in the 19th century.
This work is a significant example of Flemish art, reflecting Rubens' mastery in portraying sacred figures.

  • Sheet size: cm. 28×19 approx.
  • Engraving size: cm. 23×15 approx.
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, an important collection of engraved prints based on the paintings of the Duc de Choiseul.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 14×12 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent condition

Pieter van der Werff (1665 – 1722) was a Dutch Golden Age painter, known for his collaboration with his brother Adriaen van der Werff.

Pieter van der Werff, Bashan, 1771

30,00 

Pieter van der Werff, Bashan, 1771 It is an engraving made by Pierre-François Basan, published in 1771.
This work is part of the Cabinet of the Duke of Choiseul, un’importante raccolta di stampe incise basate sui dipinti del duca.

  • Sheet size: cm. 30×20 approx.
  • Engraving size: cm. 13×10 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Pieter van der Werff (1665 – 1722) è noto come un pittore dell’età d’oro olandese, che ha collaborato con suo fratello Adriaen van der Werff.

Pieter van Laer called Bamboccio, The Servants, 1786

50,00 

Pieter van Laer called the Bamboccio, The Servants It is an engraving made in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.

  • Taken from: Galerie Du Palais Royal, with works from different schools
  • Description: Includes an abbé of the painters' lives and a historical description of each painting, by Mr l'abbé de Fontenai
  • Dedication: To HSH Monseigneur le Duc d'Orléans, Premier Prince du Sang
  • Published by: J. Couche, Paris, 1786
  • Condition: Excellent condition, nice proof with good contrast

Pietramarina, (Firenze), 1819

25,00 

Pietramarina, un’incisione realizzata da TO THE CASTELLAN nel 1819, rappresenta il famoso Masso del diavolo.
Questa acquaforte è tratta dal volume Letters on Italy, published in Paris by A. Nepveu.

  • Size of the joke: mm. 105×140
  • Margins: Piccoli margini irregolari
  • Back: White
  • Condition: Excellent

Antoine-Laurent Castellan, nato a Montpellier nel 1772 e morto a Parigi nel 1838, è stato un noto pittore, scrittore e incisore. Decorato della Legion d’onore e membro dell’Accademia di Belle Arti, ha realizzato opere principalmente dedicate ai paesaggi, contribuendo a libri illustrati come View of Italy And View of the Alps.

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