Excellent

Showing 49–72 of 2029 results

Anfiteatro a Pola, Croazia, A.H.Payne, 1840-50

25,00 

Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.

  • Image size: cm. 11×15 circa con ampi margini
  • Support: Medium thickness paper
  • Condition: Excellent condition

Amphitheatre of the Boboli Gardens, Florence, 1826

20,00 

Amphitheatre of the Boboli Gardens, Florence it is an engraving made by Antonio Verico in 1826.
This copper etching It is part of the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 It is an etching made on paper, which portrays the illustrious Flemish painter known for his portraits.
Van Dyck, who became the leading court painter in England, had an important influence on European portraiture after his stay in Italy.

  • Sheet size: cm. 23×15
  • Engraving size: cm. 10×8
  • Support: Paper
  • Condition: Excellent

Anthony van Dyck, 1830

30,00 

Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.

  • Sheet size: cm. 26×21 approx.
  • Engraving size: cm. 9×7 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

Aosta, 1833-35

30,00 

Aosta, 1833-35 It is an engraving made by James Duffield Harding, a well-known English landscape painter.
This etching on steel è tratta da The Landscape Annual di Londra, pubblicato tra il 1833 e il 1835.

  • Sheet size: cm. 12×19 approx.
  • Engraving size: cm. 10×14 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent

Questa suggestiva veduta di Aosta è caratterizzata da un nitido contrasto e da un’animazione che cattura l’attenzione dello spettatore.

Aosta, San Bernardo, Das Hospiz, 1850

25,00 

Aosta, San Bernardo, Das Hospiz è un’incisione realizzata nel 1850, rappresentativa della bellezza paesaggistica della regione.
This etching misura cm. 15×11, esclusi i margini, ed è stampata su carta di medio spessore con retro bianco.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Arabs dividing the spoils, 1830

20,00 

Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.

  • Sheet size: cm. 21×30 approx.
  • Engraving size: cm. 18×24 approx.
  • Support: Thick paper
  • Condition: Excellent state of preservation

Archimede, 1857

30,00 

Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.

  • Sheet size: cm. 23×32
  • Engraving size: mm. 140×180
  • Support: Strong paper
  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.

Arch and Loggia of Peruzzi, Florence, 1826

20,00 

Arch and Loggia of Peruzzi, Florence It is an engraving made by Anthony Verico in 1826.
This copper etching It is taken from the volume Compendium of the Pictorial Journey of Tuscany, published in Florence by Gasparo Ricci.

  • Sheet size: cm. 10×17 approx.
  • Engraving size: cm. 7×12 approx.
  • Support: Paper
  • Condition: Excellent condition

Arcofelice, Pozzuoli, 1781-1786

60,00 

Arcofelice, Pozzuoli, 1781-1786 It is an engraving made by Jean-Claude Richard de Saint-Non, also known as the Abbot of Saint-Non.
This etching, part of the work Voyage Pittoresque or Description of the Royal Palaces of Naples and Sicily, offers a beautiful lively view of the historic town of Pozzuoli.

  • Sheet size: mm. 230×165 approximately, with irregular margins
  • Condition: Perfect condition
  • Support: Paper

Ardea, C.Frommel, 1829

25,00 

Ardea It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
This work is an example of etching on paper, characterized by an engraving measuring 7x10 cm, on a sheet of 13x22 cm.

  • Sheet size: cm. 13×22
  • Engraving size: cm. 7×10
  • Support: Medium paper
  • Condition: Excellent state of preservation

Ariccia, 1860

35,00 

Ariccia It is an engraving made in 1860, part of the album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.
This work is an etching that represents an important artistic testimony of the 19th century.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent condition

Armed, Salvino of the Armed, 1857

30,00 

Armed, Salvino of the Armed it is an original etching made in 1857, taken from the Iconoteca Italiana, a collection of sixty portraits of illustrious Italians.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper with white back.

  • Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
  • History: Salvino degli Armati is known as one of the alleged inventors of glasses, although he is probably a character who never existed, the result of a 17th century forgery.

Arnolfo di Lapo, 1857

30,00 

Arnolfo di Lapo è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa opera rappresenta Arnolfo di Cambio, noto scultore e architetto italiano attivo a Roma e Firenze tra il Duecento e il Trecento.

  • Sheet size: cm. 23×32 approx.
  • Size of the joke: mm. 140×180 circa
  • Support: Strong paper
  • Condition: Ottima, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Arona, The Colossus of St. Charles Borromeo, 1860

35,00 

Arona, Il Colosso di S. Carlo Borromeo è un’incisione realizzata nel 1860, che rappresenta una delle opere più significative del XIX secolo.
Questa acquaforte è tratta dall’album Album of Italy, Album of Italy, published by the Austrian Literarisch-artistische Abteilung des Österreichischen Lloyd.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Medium thickness paper

Arquà, Petrarca's House, 1860

35,00 

Arquà, Casa di Petrarca è un’acquaforte realizzata nel 1860, parte dell’album Album of Italy, published by Literarisch-artistische Abteilung des Österreichischen Lloyd Austrian.
Questa opera rappresenta un’importante testimonianza artistica del XIX secolo, con un’accurata rappresentazione della casa di Petrarca ad Arquà.

  • Sheet size: cm. 24×32 approx.
  • Engraving size: cm. 20×14 approx.
  • Support: Medium thickness paper
  • Condition: Excellent state of preservation

Asia, 1865

60,00 

Asia, 1865 è una carta geografica acquarellata realizzata da Naymiller e incisa da Allodi.
This map is taken from the work Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, pubblicata a Milano nel 1865.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Ottima stato di conservazione

Siege of Jerusalem, etching ca. 1650

40,00 

Assedio di Gerusalemme è un’acquaforte realizzata intorno al 1650, che rappresenta l’assedio della città sotto Antioco Sidete.
Questa opera è stampata su carta spessa vergellata senza filigrana, con una dimensione alla battuta del rame di cm. 43×30 e un foglio di cm. 46×38.

  • Sheet size: cm. 46×38
  • Engraving size: cm. 43×30
  • Support: Carta spessa vergellata
  • Condition: Excellent condition

Athens, Acropolis, C.Frommel, 1829

25,00 

Athens, Acropolis It is an engraving made by Carl Frommel In the 1829.
This work is taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings of great artistic value.

  • Sheet size: cm. 21×26 approx.
  • Engraving size: cm. 7×10 approx.
  • Support: Medium paper
  • Condition: Excellent state of preservation

Athens, Athen, 1850

25,00 

Athens, Athen It is an engraving made in 1850, which offers a beautiful view of the city.
This work is an etching on light paper, from a mid-nineteenth-century book.

  • Sheet size: cm. 11×17 approx.
  • Technique: Etching
  • Condition: Excellent state of preservation
  • Support: Light paper

Athens, Franciscan Convent, Residence of Lord Byron, 1832

25,00 

Athens, Franciscan Convent, Lord Byron's Residence It is an engraving made in 1832.
This etching represents an important artistic testimony of the first half of the 19th century.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent condition

Athens, The Temple of Jupiter Olympus, 1832

25,00 

Athens, The Temple of Olympian Zeus It is an engraving made in 1832, which captures the grandeur of one of the most famous temples of antiquity.
This work is an example of an etching from the first half of the 19th century, characterized by refined details and a harmonious composition.

  • Sheet size: cm. 16×22 approx.
  • Engraving size: cm. 9×13 approx.
  • Support: Medium thickness paper with white backing
  • Condition: Excellent state of preservation

Crossing the ford, 1850

20,00 

Attraversando il guado è un’incisione realizzata nel 1850, che rappresenta un momento suggestivo tratto dalla collezione reale.
This work was created using the technique ofEtching and Burin e proviene dall’Art Journal Engraving.

  • Sheet size: cm. 32×24 approx.
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Aurelio Craffonara, Cavalry, watercolor

450,00 

Cavalry It is a watercolor made by Aurelio Craffonara, representing heavy cavalry in reconnaissance.
This valuable work is signed lower left in pencil and measures 23x16 cm.

  • Artist: Aurelio Craffonara (Gallarate, 1875 – Genoa, 1945)
  • Era: 20th century
  • Support: Heavy paper
  • Condition: Excellent

Craffonara was an Italian painter and illustrator known for his watercolour works.
From 1915, he was a professor of merit at the Ligurian Academy of Fine Arts in Genoa and participated in numerous national and international exhibitions.

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