Excellent

Showing 889–912 of 5826 results

Cava de' Tirreni, Abbey of the Trinity, 1890

20,00 

Cava de' Tirreni, Abbey of the Trinity It is a woodcut print made in 1890, representative of the late nineteenth century in Italy.
This work is characterized by a large-sized image cm. 10×12 approximately, surrounded by text and with further text on the back of the sheet, which measures cm. 30×20.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be shipped.

Cava dei Tirreni, 1837

25,00 

Cava dei Tirreni It is a lithograph made in 1837, which represents the Bonea Cave near Cava dei Tirreni.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: mm. 154×190
  • Condition: Excellent
  • Support: Paper
  • Notes: Almost no margins and writing on the back

This is a beautiful, uncommon view that captures the essence of the local landscape.

Cava dei Tirreni, 1837

30,00 

Cava dei Tirreni, 1837 It is a lithograph representing the Monastery of the Holy Trinity of Cava, made in 1837 and taken from the volume Picturesque Polyorama of Naples.
This print offers a beautiful view of the monastery, an uncommon subject, with almost no margins and writing on the back.

  • Sheet size: mm. 154×162
  • Condition: Excellent
  • Support: Paper

Cava dei Tirreni, 1840

30,00 

Cava dei Tirreni, 1840 It is a steel engraving made by James Duffield Harding and engraved by Jeavons.
This work represents the Convent of the Holy Trinity and is part of the volume Views of Cities and Scenery in Italy, France, and Switzerland by Samuel Prout and J.D. Harding.

  • Sheet size: mm. 100×140 approx.
  • Support: Medium paper
  • Condition: Perfect
  • Rarity: Rare and decorative

Cava, Salerno, Convent of the Holy Trinity, 1833

30,00 

Cava, Salerno, Convent of the Holy Trinity It is a steel engraving made by J.D. Harding in 1833, taken from The Landscape Annual, published in London in the same year.
This evocative view presents a sharp, well-contrast image, animated by details that capture the attention.

  • Sheet size: cm. 12×19 approx.
  • Size of the joke: mm. 140×95 approx.
  • Support: Lightweight paper with white backing
  • Condition: Excellent

Knight of Jerusalem, 1850

30,00 

Cavaliere Gerosolimitano è un’incisione realizzata nel 1850, rappresentante un Cavaliere Gerosolimitano di Devozione.
Questa opera è stata disegnata da A. Moneta e incisa da C. Liberali, utilizzando la tecnica dell’Acquaforte colorata all’acquarello.

  • Sheet size: cm. 35×24
  • Support: Thick paper
  • Condition: Excellent condition

Cavaso del Tomba, Treviso, 1890

20,00 

Cavaso of the Tomb, Treviso it's a woodcut made in 1890, taken from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, size 10x13 cm.

  • Sheet size: Small
  • Support: Paper
  • Condition: Excellent

The print has been cut from the book and has writing on the back. The full page containing the print will be sent.

Cavedine, 1876, Cavedine Lake

15,00 

Cavedine, 1876 It is a woodcut engraving representing the Cavedine Lake located in the Sarca valley.
This work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart in 1876.

  • Sheet size: mm. 182×107
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: Almost no margins, cut from the book and with writing on the back

The print is decorative and represents an interesting piece of visual history.

Cedars of Lebanon, Beirut, 1842

15,00 

Cedars of Lebanon, Beirut It is a lithograph from 1842 which represents an evocative passage of the Cedar forest in Lebanon, near Beirut.
This work is taken from Picturesque Polyorama, a periodical publication dedicated to the dissemination of useful knowledge for all social classes.

  • Sheet size: cm. 15×14 approx.
  • Support: Paper
  • Condition: Excellent

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Cephalonia, 1850

30,00 

Cephalonia, 1850 è un’incisione realizzata con la tecnica dell’acquaforte, che offre una splendida veduta dell’isola greca.
This work is taken from the volume The Classic Lands of Europe, Italy, Sicily and Greece.. di John Sherer, con incisioni su acciaio di artisti rinomati come Allom, Bartlett e Leitch.

  • Sheet size: cm. 22×32 approx.
  • Engraving size: cm. 13×18 approx.
  • Support: Strong paper
  • Condition: Perfect

Questa incisione, pubblicata dalla The London Printing and Publishing Company nel 1850, si distingue per la sua nitidezza e vivacità.

Celano Carlo, 1855

25,00 

Celano Carlo, 1855 è un’incisione xilografica di dimensioni contenute, realizzata nel 1855.
This work is taken from Description of the City of Naples and its surroundings divided into XXX days by Gaetano Nobile.

  • Sheet size: cm. 25×16
  • Engraving size: cm. 8×10
  • Technique: Woodcut
  • Condition: Perfect state of preservation
  • Support: White backed paper

La stampa viene consegnata completa di passepartout, rendendola un’ottima scelta per collezionisti e appassionati di arte.
Carlo Celano, avvocato e letterato napoletano, è noto per il suo contributo alla documentazione dei monumenti di Napoli nel Seicento.

Ceneda, Vittorio Veneto, 1890

20,00 

Ceneda, Vittorio Veneto It is a woodcut made in 1890, coming from a French book from the late 19th century.
This beautiful print is animated and comes in excellent condition, even though it was cut out of the book and has writing on the back.
The full page containing the print will be shipped, ensuring a complete viewing experience.

  • Sheet size: cm. 10×13 approx.
  • Technique: Woodcut
  • Support: Paper
  • Condition: Excellent

One Hundred, Guercino Square, 1890

20,00 

One Hundred, Guercino Square, 1890 it's a woodblock print from the late nineteenth century, which represents an important historical testimony.
This work features an image measuring approximately 9x12 cm, surrounded by text and with additional text on the back of the sheet.

  • Sheet size: cm. 30×20 approx.
  • Support: Paper
  • Condition: Excellent state of preservation

The entire sheet containing the print will be shipped.

Searching for Harold's Body, 1850-60

20,00 

Cercando il corpo di Harold It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata pubblicata nell’Art Journal Engraving e combina le tecniche dell’etching and of the burin.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Cerignola, Panorama, 1890

20,00 

Cerignola, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
The image measures approximately cm. 10×16 and features text around, with additional text on the back of the sheet, which measures cm. 30×20.
The entire sheet containing the print will be shipped, offering an excellent opportunity for collectors and enthusiasts of ancient art.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×16 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Cernobbio, 1890

20,00 

Cernobbio, 1890 it's a woodblock print from the late nineteenth century, which captures the essence of this fascinating place.
The image measures approximately cm. 10×12 and features text around it, with additional information on the back of the sheet, which is sized cm. 30×20.

  • Sheet size: cm. 30×20
  • Image size: cm. 10×12
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Charterhouse of Parma, 1837

20,00 

Charterhouse of Parma It is an engraving made in 1837, executed in woodcut.
This work measures cm. 17×12 and has almost no margins, having been cut from Pictorial Cosmorama, Third year.
The decorative and charming print is shipped complete with passe-partout and features partially visible writing on the back.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

Pictorial Cosmorama It was an innovative magazine founded in Milan by Giovanni Francesco Zini, which gave space to illustrations of great importance.
This engraving represents a beautiful decorative view, testifying to the importance of the magazine in the artistic panorama of the time.

Cervantes, 1839

20,00 

Cervantes è un’incisione realizzata da Brienza nel 1839, eseguita su rame.
Questa opera, che rappresenta un mezzobusto di profilo, è tratta da The Picturesque Omnibus, published in Naples.

  • Sheet size: mm. 110×120 circa
  • Technique: Burin
  • Condition: Excellent
  • Support: Copper

Cervara, 1869

15,00 

Cervara, 1869 It is a woodcut engraving made by Camille Saglio, un noto pittore e disegnatore paesaggista francese.
This work, taken from the volume Picturesque Store, presenta una bella veduta decorativa della Cervara.

  • Sheet size: mm. 145×135
  • Support: Paper
  • Condition: Excellent
  • Notes: Almost no margins and writing on the back

Cesalpino Andrea, 1857

30,00 

Cesalpino Andrea è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’opera Italian Iconoteca – Collection of sixty portraits of illustrious Italians, published in Florence.
Questa incisione ritrae Andrea Cesalpino, un importante botanico, medico e anatomista italiano, nato ad Arezzo nel 1519 e deceduto a Roma nel 1603.

  • Sheet size: cm. 23×32
  • Size of the joke: mm. 140×180
  • Support: Strong paper
  • Condition: Ottime, con qualche leggera macchia di foxing ai bordi, che non interessa l’incisione

Cesena, Town Hall, 1890

20,00 

Cesena, Palazzo Comunale è una stampa xilografica risalente al 1890, che rappresenta il Palazzo Comunale situato nella Piazza Vittorio Emanuele.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 12×12 circa, con testo attorno e al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Support: Paper
  • Condition: Excellent

Cesena, Coat of Arms, 1871

15,00 

Cesena, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print, with an engraved part size of 8x9 cm, has small margins and was extracted from a book, with writing on the back.

  • Sheet size: Small
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Light paper

Cetara, 1850

30,00 

Cetara, 1850 it is a copper engraving representing a beautiful view of the bay of Salerno.
This work is taken from Payne's Universe and has dimensions of mm. 150×105, with additional margins.

  • Sheet size: mm. 150×105 approx.
  • Support: Lightweight paper, white back
  • Condition: Excellent

Chambord, France, Chateau de Chambord, 1850

25,00 

Chateau de Chambord It is an engraving made in 1850, which represents one of the most iconic castles in France.
This etching It measures 10x15 cm without margins and is printed on medium-thickness paper with a white back.

  • Era: Mid 19th century
  • Condition: Excellent condition
  • Support: Paper
  • Dimensions: Small

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