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Showing 1105–1128 of 5178 results

Covolo, 1876, Covolo Castle

15,00 

Covolo, 1876 It is a woodcut engraving representing the Covolo Castle.
Made in 1876, this work is taken from the volume Italian by K.Stieler and W.Kaden, published in Stuttgart.

  • Sheet size: mm. 100×187
  • Margins: almost absent
  • Support: Light sheet
  • Condition: Excellent condition
  • Notes: The print was cut from the book and has writing on the back.

This engraving is particularly decorative and represents an interesting piece of history.

Cracow, Poland, 1840

15,00 

Cracow, Poland, 1840 è una litografia che rappresenta la famosa porta di S. Floriano, uno dei simboli storici di Cracovia, una delle capitali della Polonia.
This print is taken from the work Picturesque Polyorama, a periodical publication that aimed to spread useful knowledge across all social classes.

  • Sheet size: cm. 13×16 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is contained in a page extracted from the book and has writing on the verso. The entire page containing the print is sent.

Crema, Coat of Arms, 1871

15,00 

Cream, Coat of Arms it is an engraving in woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print features an engraved portion size of cm. 8×9 with small margins, on a light sheet of paper.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Paper

The print was removed from the book and has writing on the verso.

Kremlin, Moscow, Russia, 1842

15,00 

Kremlin, Moscow, Russia It is a lithograph from 1842 which represents the Trinity Gate in the Moscow Kremlin.
This print comes from the work Picturesque Polyorama, a periodical dedicated to the dissemination of useful knowledge for all social classes, published in Naples by the printing and lithography of Poliorama Pittoresco, under the direction of Filippo Cirelli.

  • Sheet size: cm. 14×16 approx.
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

The print is contained within the book page and has writing around and on the back. The entire page containing the print is shipped.

Cremona, Panorama, 1890

30,00 

Cremona, Panorama it's a woodblock print made in 1890, taken from an Italian text from the late nineteenth century.
This work presents a large-sized image cm. 17×24 approximately, surrounded by text, with additional text on the verso of the sheet.

  • Sheet size: cm. 30×20
  • Support: Paper
  • Condition: Excellent

Cremona, Cathedral Square, 1835

35,00 

Cremona, Cathedral Square It is a double steel engraving made between 1834 and 1837.
This work is part of the series Italy, Sicily, les Iles Eoliennes, l'Ile d'Elbe by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Engraving size: cm. 11x8 approximately for each
  • Support: Light paper
  • Condition: Excellent state of preservation

The views are lively and decorative, making this engraving a fascinating piece for collectors and art enthusiasts.

Cremona, Small Square, 1835

35,00 

Cremona, Small Square It is a double steel engraving made between 1834 and 1837, which represents animated and decorative views of Cremona and Mantua.
This work is taken from the volume Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe…. by Audot Père, published in Paris.

  • Sheet size: cm. 25×16 approx.
  • Dimensions of each engraving: cm. 11×8 approx.
  • Support: Light paper
  • Condition: Excellent state of preservation

Cremona, Soncino, The Castle, 1890

20,00 

Cremona, Soncino, Il Castello it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera presenta un’immagine di dimensioni cm. 10×12 circa, circondata da testo e con ulteriori scritte al verso del foglio.

  • Sheet size: cm. 30×20 approx.
  • Image size: cm. 10×12 approx.
  • Support: Paper
  • Condition: Excellent

Cremona, Coat of Arms, 1871

15,00 

Cremona, Stemma it's a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
This print features an engraved portion size of cm. 8×9 with small margins, and was extracted from a book, showing writing on the verso.

  • Sheet size: Small
  • Condition: Excellent
  • Support: Light sheet

Crescentino, 1835

20,00 

Crescentino It is a burin engraving made in 1835, taken from the work L'Univers, histoire et description de tous les peuples by M. Le Chevalier ARTAUD.
This lovely and lively view measures mm. 132×90 and features a high quality typeface on medium paper with a white back.

  • Sheet size: Small
  • Technique: Burin
  • Condition: Excellent
  • Support: Paper

Crimson Mallow, Hibiscus, 1895

15,00 

Crimson Mallow, Ibiscus è una splendida cromolitografia realizzata nel 1895.
This work is taken from the volume Familiar garden flowers, figured by F. Edward Hulme and described by Shirley Hibberd.

  • Sheet size: cm. 19×12 approx.
  • Support: Thick paper, white back
  • Condition: Excellent condition

Crinum, Cromolitografia, 1887

30,00 

Crinum it's a chromolithography realizzata nel 1887, tratta dalla prestigiosa Horticultural Review of Paris.
Questa opera, firmata da Godard e litografata da G. Severeyns, presenta un design splendido e decorativo, perfetto per gli amanti della botanica e dell’arte.

  • Sheet size: cm. 25×16 approx.
  • Support: Thick paper with white backing
  • Condition: Excellent condition

Crispijn van den Queborn Rape of the Vineyard, 1636

25,00 

Rape of the Vineyard It is an engraving made by Crispijn van den Queborn in 1636, which represents a significant biblical episode concerning the rape of the vineyard and the Benjaminites.
Benjamin, Rachel's second son, is at the center of this narrative.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn (1604-1652), Episodio biblico, 1636

25,00 

Episodio biblico It is an engraving made by Crispijn van den Queborn nel 1636.
Questa opera è un esempio significativo dell’arte olandese del XVII secolo, caratterizzata da un’accurata rappresentazione dei temi religiosi.

  • Sheet size: cm. 20×14 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent

Crispijn van den Queborn (1604-1652), Resurrection 1636

30,00 

The Resurrection of the Dead It is an engraving made by Crispijn van den Queborn in 1636.
This work, which represents a theme of great visual and symbolic impact, is a significant example of 17th-century Dutch art.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Crispijn van den Queborn, Massacre of the Innocents, 1636

30,00 

Massacre of the Innocents It is an engraving made by Crispijn van den Queborn In the 1636.
This work is a significant example of the mastery of the Dutch engraver, who was able to capture the intensity of the subject through his technique.

  • Sheet size: cm. 10×13 approx.
  • Technique: Etching
  • Support: Laid paper
  • Condition: Excellent state of preservation

Cristina, Regina di Svezia, 1844

15,00 

Cristina, Regina di Svezia è un’incisione su rame realizzata nel 1844, tratta dall’opera Picturesque Omnibus pubblicata a Napoli.
Questa incisione ritrae Cristina di Svezia, una figura storica affascinante, regina dal 1632 al 1654, nota per la sua conversione al cattolicesimo e per il suo patronato verso artisti e intellettuali.

  • Sheet size: cm. 10×11 circa
  • Support: Light paper
  • Condition: Excellent state of preservation

Christ and the Woman of Samaria 1830-1850

25,00 

Cristo e la donna di Samaria è un’incisione realizzata tra il 1830 e il 1850, che rappresenta un momento significativo tratto dalla Scripture Gallery of Engraving.
Questa opera è stata creata dall’autore da Le Loir e incisa da W.T. Davey, pubblicata da John Tallis & Company, London & New York.

  • Engraving size: cm. 15 x 11 approx.
  • Sheet size: cm. 27 x 21 approx.
  • Support: Heavy paper
  • Condition: Ottime condizioni, retro bianco
  • Notes: Cornice editoriale con vignette

Christ Crowned with Thorns 1830-1850

25,00 

Christ crowned with thorns It is an engraving made between 1830 and 1850, which represents an iconic theme of Christianity.
This work is taken from the Scripture Gallery of Engraving and was made by Ph Veit, with the engraving by H. Wallis.
The work is published by John Tallis & Company, London & New York.

  • Sheet size: cm. 27×21 approx.
  • Engraving size: cm. 15×11 approx.
  • Support: Heavy paper
  • Condition: Excellent condition, white back and editorial frame with vignettes

Cristo incoronato, Guercino, 1850

20,00 

Cristo incoronato è un’incisione realizzata da Guercino nel 1850, che rappresenta un momento drammatico della Passione di Cristo, con il protagonista incoronato di spine da un soldato.
Questa opera è eseguita con la tecnica del burin e si basa su un quadro di Giovanni Francesco Barbieri, noto come il Guercino, un importante pittore del XVII secolo.

  • Sheet size: cm. 16×12 più margini
  • Support: Strong paper
  • Condition: Excellent condition

Cristoforo Colombo, 1838

15,00 

Christopher Columbus It is a lithograph made in 1838, part of the publication Picturesque Polyorama, un’opera periodica concepita per diffondere utili conoscenze in tutte le classi sociali.
This print, with almost no margins, measures cm. 10×9 e presenta scritte al verso. Viene spedita l’intera pagina ritagliata dal libro, conservando così il contesto originale dell’opera.

  • Sheet size: Small
  • Technique: Lithography
  • Condition: Excellent
  • Support: Paper

Christopher Columbus, 1839

15,00 

Christopher Columbus it is a lithographic engraving made in 1839, which represents a half-length portrait of the famous explorer.
This work is taken from the volume Picturesque Polyorama, published in Naples.

  • Sheet size: cm. 8x9 approximately at the edge, with smaller margins
  • Support: Paper
  • Condition: Excellent, with writing on the back

Cristoforo Colombo, 1840

20,00 

Christopher Columbus è un’incisione in rame realizzata nel 1840, che rappresenta il famoso navigatore davanti al consiglio di Salamanca.
This work is taken from the work Picturesque Omnibus, an artistic and literary encyclopedia edited by Vincenzo Torelli, published in Naples by the Omnibus printing house.

  • Sheet size: cm. 13×16 approx.
  • Support: Paper
  • Condition: Excellent

The print has been removed from the book and has the verso printed. The entire page containing the print will be sent.

Crocifissione di Gesù, 1830-50

10,00 

Crocifissione di Gesù è una litografia realizzata tra il 1830 e il 1850, che rappresenta uno dei momenti più significativi della tradizione cristiana.
Questa opera, di origine tedesca, è caratterizzata da un’accurata attenzione ai dettagli e da una profonda espressione emotiva.

  • Sheet size: cm. 8×12 approx.
  • Technique: Lithography
  • Condition: Excellent state of preservation
  • Country of origin: Germany

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