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Amalfi, 1840
35,00 €Amalfi, 1840 è un’incisione in acciaio che cattura un affascinante scorcio del monastero di Amalfi, con monaci in processione.
Questa opera, pubblicata nel 1840 nel volume Picturesque Italy dall’editore Ernst Kollmann di Lipsia, è caratterizzata da ampi margini e da una qualità di incisione finissima e ben contrastata.
- Sheet size: mm. 230×140
- Engraving size: mm. 155×103
- Support: Paper
- Condition: Excellent
Questa incisione è considerata rara e rappresenta un pezzo significativo della storia artistica del XIX secolo.
Amalfi, A.H.Payne, 1840
40,00 €Amalfi It is a steel engraving made by A.H. Payne In the 1840.
Questa opera rappresenta una splendida veduta di uno scorcio della bella cittadina della costiera, caratterizzata da una finissima esecuzione e un ottimo contrasto.
- Sheet size: cm. 27×19 approx.
- Engraving size: mm. 155×103 circa
- Support: Paper
- Condition: Excellent
- Rarity: Rare
Amalfi, Cathedral, 1890
30,00 €Amalfi, Cathedral it's a woodblock print built in 1890, which represents an important artistic testimony of the late nineteenth century in Italy.
This work presents an image of approximately 20x16 cm, surrounded by text and with further annotations on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 20×16 approx.
- Support: Paper
- Condition: Excellent
Amalfi, Capuchin Convent, 1890
30,00 €Amalfi, Capuchin Convent it's a woodblock print built in 1890, which offers a fascinating view of the Capuchin Convent in Amalfi.
This work is based on a late nineteenth-century Italian text and features text around the image, as well as text on the back of the sheet.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 24×17 approx.
- Support: Paper
- Condition: Excellent
Amalfi, Terrace of the Capuchins, 1877
35,00 €Amalfi, Terrace of the Capuchins It is an 1877 engraving that offers a suggestive view of Amalfi from the Capuchin garden.
Made by Rudolf Schick and engraved by Adolf Closs, this woodcut is taken from the work Italian.
The image captures monks in contemplation, creating a decorative and serene atmosphere.
- Sheet size: cm. 19×25 approx.
- Engraving size: cm. 19×25 approx.
- Support: Paper
- Condition: Excellent state of preservation
Amalfi, Terrace of the Capuchins, 1877
40,00 €Amalfi, Terrace of the Capuchins It is an engraving made in 1877, which captures a suggestive scene of monks in contemplation.
This woodcut, the work of Rudolf Schick And Adolf Closs, is taken from the volume Italian by Kaden.
- Sheet size: cm. 19×25 approx., plus margins
- Engraving size: cm. 18×24 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Amerigo Vespucci, 1857
30,00 €Amerigo Vespucci It is an original etching made in 1857, part of the Italian Iconoteca, a collection of sixty portraits of illustrious Italians.
This work depicts the famous Florentine navigator and cartographer, Amerigo Vespucci, born on March 18, 1454 and died on February 22, 1512 in Seville.
- Sheet size: cm. 23×32
- Engraving size: cm. 14×18
- Support: Strong paper
- Condition: Excellent, with some light rust spots on the edges, which do not affect the engraving.
Ancona, Arch of Trajan, 1850
40,00 €Ancona, Arch of Trajan This is an engraving made in 1850, which offers a splendid view of this iconic monument.
The work is taken from The Classic Lands of Europe, Italy, Sicily and Greece.. by John Sherer, with steel etchings by renowned artists such as Allom, Bartlett and Leitch.
- Sheet size: cm. 22×32
- Engraving size: cm. 13×18,5
- Support: Strong paper
- Condition: Excellent
This engraving is notable for its sharpness and vividness, making it a valuable addition for collectors and art enthusiasts.
Andjana, wife of Vayou, 1840
40,00 €Andjana sposa di Vayou è una litografia realizzata nel 1840, raffigurante una divinità indiana.
Questa opera, di epoca XIX secolo, è caratterizzata da un’elegante rappresentazione e un’accurata lavorazione.
- Sheet size: cm. 27×19 approx.
- Technique: Lithography
- Support: Cardboard
- Condition: Excellent condition
Andrea Schiavone, Dead Christ, 1786
70,00 €Cristo Morto it is an engraving made by Andrea Schiavone in 1786.
This work is an etching on laid paper without watermark, measuring cm. 24×37, including the editorial frame.
È tratta dalla Gallery of the Palais Royal, che presenta opere delle diverse scuole artistiche, accompagnata da un riassunto della vita dei pittori e una descrizione storica di ciascun quadro, a cura dell’abbé de Fontenai.
- Sheet size: cm. 24×37 approx.
- Condition: Excellent condition, nice proof with good contrast
- Support: Laid paper
- Published by: J. Couche; Parigi; 1786
Anemone, Chromolithograph, 1887
30,00 €Anemone it's a chromolithography made in 1887, coming from the prestigious Horticultural Review of Paris.
This work, signed by Godard and lithographed by G. Severeyns, features a splendid and very decorative design, ideal for lovers of botany and art.
- Sheet size: cm. 25×16 approx.
- Support: Thick paper with white backing
- Condition: Excellent state of preservation
Anfiteatro a Pola, Croazia, A.H.Payne, 1840-50
25,00 €Incisione realizzata all’acquaforte da A.H. Payne between 1840 and 1850.
This work is an etching on medium-thickness paper, published in the volume Payne's Universum und Buch der Kunst, published in Leipzig and Dresden.
- Image size: cm. 11×15 circa con ampi margini
- Support: Medium thickness paper
- Condition: Excellent condition
Anonymous, Woman from behind, pencil on paper
30,00 €Woman from behind it is an anonymous work made with pencil on paper In the 20th century.
This drawing represents a figure study, highlighting the artist's mastery of pencil on thick drawing paper.
- Sheet size: cm. 20×30 approx.
- Technique: Pencil
- Condition: Excellent
- Support: Paper
Ancient instruments of war, 1850
15,00 €Ancient tools of war This is an original woodcut engraving dating back to 1850, depicting various battle instruments, including cannons, with captions in German.
This work is taken from the volume Bilder-Atlas, published in Leipzig by FA Brockhaus.
- Sheet size: mm. 300×220
- Support: Lightweight paper, white back
- Condition: Excellent condition
Anthony van Dyck, 1830
30,00 €Anthony van Dyck, 1830 it is an etching made on laid paper, which represents a significant work by one of the most famous Flemish portraitists.
Van Dyck, known for his elegant style and his ability to portray the nobility, became the first court painter in England after a long stay in Italy.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 9×7 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Aosta, Panorama, 1890
30,00 €Aosta, Panorama it's a woodblock print made in 1890, coming from an Italian text from the late nineteenth century.
Questa opera offre una vista suggestiva della città di Aosta, catturando l’essenza del paesaggio montano.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 24×17 approx.
- Support: Paper
- Condition: Excellent state of preservation
The entire sheet containing the print will be shipped.
Aosta, Verres and Emaville, 1834
35,00 €Aosta, Verres e Emaville It is a double steel engraving made between 1834 and 1837.
Ogni incisione misura circa cm. 11×8 e fa parte di un foglio di dimensioni cm. 25×16.
This work is taken from Italy, Sicily, the Iles Eoliennes, the Ile d'Elbe… by Audot Père, published in Paris.
- Sheet size: cm. 25×16 approx.
- Engraving size: cm. 11×8 approx.
- Support: Light paper
- Condition: Excellent state of preservation
The views are lively and decorative, making this engraving a fascinating piece for collectors and enthusiasts.
Eagle, Facade of San Bernardino, 1890
20,00 €Eagle, Facade of San Bernardino it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet. The complete sheet measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent state of preservation
- Support: Paper
Eagle, Panorama, 1890
30,00 €Eagle, Panorama it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 24x17 cm, surrounded by text, with additional information on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 24×17 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Arabs dividing the spoils, 1830
20,00 €Arabi che dividono il bottino è un’incisione realizzata nel 1830, che rappresenta un momento di condivisione tra arabi.
Questa opera è stata creata con la tecnica dell’Etching and of the Burin, mostrando una notevole maestria artistica.
- Sheet size: cm. 21×30 approx.
- Engraving size: cm. 18×24 approx.
- Support: Thick paper
- Condition: Excellent state of preservation
Archimede, 1857
30,00 €Archimede è un’incisione all’acquaforte originale realizzata nel 1857, tratta dall’Italian Iconoteca – Collezione di sessanta ritratti d’illustri Italiani, Firenze.
This work has a frame of mm. 140×180 on a sheet of cm. 23×32, made on strong paper.
- Sheet size: cm. 23×32
- Engraving size: mm. 140×180
- Support: Strong paper
- Condition: Very good, with some light foxing at the edges, which does not affect the engraving.
Architecture, capital bases, various styles, 1771
30,00 €Architettura, basi dei capitelli, vari stili è un’incisione al bulino realizzata da Fortunato Bartolomeo De Felice nel 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. not specified
- Support: Medium thickness laid paper
- Condition: Excellent
Questa incisione è particolarmente interessante poiché proviene dall’edizione della Enciclopedia di Diderot e D’Alembert, nota come Encyclopédie d’Yverdon, pubblicata in Svizzera.
Its difference from the original, less French and less anti-religious, gave it the nickname of Protestant encyclopedia, contributing to its diffusion in Northern Europe.
Architecture, capitals, five orders 1771
30,00 €Architecture, capitals, five orders It is a burin engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Support: Medium thickness laid paper with white backing
- Condition: Excellent condition
The engraving represents an interesting example of architecture, highlighting the five orders.
De Felice's version, known as Yverdon Encyclopedia, is distinguished by a less French and less anti-religious approach than the original, earning it the nickname of Protestant encyclopedia and ensuring a strong diffusion in Northern Europe.
Architecture, capitals, various orders 1771
30,00 €Architecture, capitals, various orders It is an engraving made by Fortunate Bartholomew De Felice in 1771.
This work is taken from the important Encyclopédie ou Dictionnaire Universel Raisonné des connaissances, edited by Diderot and D'Alembert.
- Sheet size: cm. 24×18
- Engraving size: cm. 24×18
- Technique: Burin
- Support: Medium thickness laid paper with white backing
- Condition: Excellent
This engraving is particularly interesting because it comes from the edition of Encyclopedia of Diderot and D'Alembert known as Yverdon Encyclopedia, published in Switzerland.
Unlike the original version, which was less French and less anti-religious, this edition is known as the Protestant encyclopedia and had a strong diffusion in Northern Europe.
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