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Showing 97–120 of 280 results

Initial letter from the 15th-16th century

40,00 

Initial letter from the 15th-16th century è un’affascinante miniatura che rappresenta la lettera P, tratta da un antifonario di area italiana.
Questo capolavoro, attribuito probabilmente a Philip by Matteo Torelli, è ritagliato con cura e misura mm. 64×63.

  • Dimensions: Small
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent
  • Rarity: A unique piece with legible part of the back of the antiphonary

Initial letter from the 15th-16th century

40,00 

Initial letter from the 15th-16th century è un’affascinante miniatura che rappresenta la lettera P, proveniente da un antifonario italiano attribuito probabilmente a Filippo di Matteo Torelli.
This work is made on parchment paper with the use of tempera and pen, e presenta una parte leggibile del testo sul retro, rendendola un pezzo raro e prezioso per i collezionisti.

  • Dimensions: mm. 60×50
  • Condition: Excellent
  • Rarity: Yes

Initial letter from the 15th-16th century

50,00 

Initial letter from the 15th-16th century è una lettera A miniata, proveniente da un antifonario di area italiana, attribuita probabilmente a Filippo di Matteo Torelli.
Questa opera, ritagliata alla figura, presenta dimensioni di mm. 60×65 e è realizzata su parchment paper with the use of tempera and pen.
Sul retro è presente una parte leggibile dell’antifonario, rendendo questo pezzo una vera rarità per collezionisti e appassionati.

  • Dimensions: mm. 60×65
  • Support: Parchment paper
  • Condition: Excellent

Initial letter from the 15th-16th century

70,00 

Initial letter from the 15th-16th century It is a highly valuable illuminated work, made in Italy, probably by Filippo di Matteo Torelli.
This letter 'O' was taken from an antiphonary and features a cutout to the figure, highlighting the artist's mastery.

  • Dimensions: mm. 74×74
  • Support: Parchment paper
  • Technique: Tempera and pen
  • Condition: Excellent
  • Rarity: A unique piece with legible part of the back of the antiphonary

Claens Jansz Visscher, Darius and Xerxes, ca. 1600

80,00 

Darius and Xerxes It is an engraving made by Claens Jansz Visscher around 1600.
This work represents the two powerful Persian kings, Darius and Xerxes, full-length standing.

  • Sheet size: cm. 24×31 approx.
  • Engraving size: cm. 21×27 approx.
  • Technique: Etching
  • Support: Laid paper with watermark
  • Condition: Excellent, with vertical crease and small stain in the center

Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Condition: Excellent
  • Support: Paper

There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 1

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It was one of the first scientific reference works, initially published in Latin and later translated into German.
The first German publications of the various parts were printed in 1563, while the Bird book (Book of Birds) was published in 1557, shortly before the present plate.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2

90,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3

90,00 

Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.

  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 5

90,00 

Ornithological Table by Conrad Gessner It is an engraving made between 1551 and 1587, taken from the work Historiae Animalium.
This plate, published in Zurich by the Froschauer publishing house, represents an important source of scientific studies in the field of zoology.

  • Sheet size: cm. 34×22
  • Engraving size: cm. 34×22 (another image on the back)
  • Technique: Watercolor woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 6

80,00 

Ornithological Table by Conrad Gessner It is an engraving made by Conrad Gessner, an important naturalist of the 16th century.
This plate is taken from the work Historiae Animalium, published in Zurich between 1551 and 1587, with the German edition of 1557.

  • Sheet size: cm. 34×22
  • Technique: Watercolor woodcut
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It is considered one of the first scientific works on animals, used as a source of scientific studies and translated into several languages.
The first German publications of the various parts of the work were produced by the Froschauer publishing house of Zurich, contributing significantly to the spread of zoological knowledge during the Renaissance period.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 7

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is an important figure in the field of natural history, known for his work Historiae Animalium.
This Ornithological Table It is taken from the German edition of 1557, published by Froschauer in Zurich.

  • Sheet size: cm. 34×22
  • Technique: Watercolor woodcut
  • Condition: Excellent
  • Support: Paper

There Historia Animalium has been a fundamental source for scientific studies, with the first German publications of the various parts dating back to 1563. The third part, the Bird book (Book of Birds), was published in 1557, contributing significantly to the ornithological knowledge of the time.

Correggio, Jan Van Troyen, La Maddalena,

60,00 

The Magdalene It is an engraving made by Jan Van Troyen, inspired by the work of the famous painter I correct.
This etching, measuring 17x21 cm at the copperplate strike, is printed on a sheet of 26x44 cm, made of thick laid paper without watermark.

  • Artists: Correggio (1489-1534) and Jan Van Troyen (1610-1666)
  • Condition: Excellent condition
  • Price: €60,00

Antonio Allegri, known as I correct, was an important Italian painter of the sixteenth century, influenced by the great masters of the fifteenth century.
Jan Van Troyen, an engraver from Brussels, created works of religious and genre subjects, contributing to the artistic tradition of his time.

from Albrecht Durer, The Deposition

450,00 

La Deposizione è un’incisione realizzata da Albrecht Durer, datata 1501, che rappresenta il Lamento sul Cristo morto.
Questa opera è la XIII tavola de The Little Passion ed è eseguita con la tecnica del Burin on laid paper.

  • Sheet size: mm 114×71 alla linea marginale, senza margini
  • Support: Paper
  • Condition: Excellent condition
  • Era: XVI
  • Monogrammato e datato in lastra
  • Scritta in latino al retro
  • Incollato al margine superiore ad un ampio supporto cartaceo

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575, a fundamental work for the study of ancient architecture.
This etching on laid paper measures approximately cm. 16×28 and is trimmed to the marginal line. At the bottom, there is a detailed description of the monument and the site depicted, which offers important historical testimony.

  • Description of the monument: Remains of the Septizonium of Emperor Severus I, a tomb located along the Appian Way, designed to be visible to those coming from Africa.
  • Architectural details: Corinthian style building, with columns of different stones, some striated and others smooth, and marble decorations.
  • Popular name: Also known as Virgil's school.

Du Perac Etienne, architect and engraver, began his career in Venice before moving to Rome, where he made drawings of ancient monuments. His work, The Vestiges of Ancient Rome, is composed of a frontispiece and 39 plates, accompanied by historical-descriptive inscriptions that provide information on the monuments represented.

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575. This work represents an important collection of ancient monuments, executed with great attention to detail.
The work includes a description of the monument and the site represented, with an illustration of the Baths of Constantine in the Quirinal Hill.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent

Du Pérac Etienne, The Vestiges of the Antiquity of Rome, 1575

180,00 

The Vestiges of Ancient Rome It is an engraving made by Du Perac Etienne in 1575.
This work is an important collection of drawings of ancient monuments, executed with great precision and attention to detail.

  • Sheet size: cm. 16×28 approx.
  • Engraving size: trimmed to the marginal line
  • Support: Laid paper
  • Condition: Excellent state of preservation

At the bottom, the engraving contains a description of the Antonine Column, with historical and architectural details that enrich the work.
Du Pérac, architect and engraver, dedicated his life to the study of antiquity, creating a volume that is a precious document for the history of Roman art and architecture.

Enea Vico – Vaso con manici, 1543

80,00 

Vaso con manici It is an engraving made by Aeneas Vico in 1543, a work that is part of the series “Different subjects of Vases from the ancient”.
Questo esemplare, datato e monogrammato in lastra in basso, presenta teste di satiro sui manici.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico – Vaso con manico a forma di uomo con serpente, 1543

80,00 

Vaso con manico a forma di uomo con serpente It is an engraving made by Aeneas Vico nel 1543.
Questo lavoro fa parte della serie “Different subjects of Vases from the ancient”, ed è un esemplare del secondo soggetto.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Questa splendida prova è impressa su carta vergellata coeva priva di filigrana e presenta buoni margini.

Enea Vico (1523 -1567) – Vaso alto e decorato con scene mitologiche, 1543

80,00 

Enea Vico (1523 – 1567) – Vaso alto e decorato con scene mitologiche è un’incisione realizzata nel 1543, parte della serie Differenti soggetti di Vasi dall’antico.
Questa opera rappresenta un esemplare del secondo soggetto della serie, caratterizzato da una splendida decorazione mitologica.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523 -1567) – Vaso con manico a forma di cane, 1543

80,00 

Vaso con manico a forma di cane It is an engraving made by Aeneas Vico nel 1543.
Questo pezzo fa parte della serie “Different subjects of Vases from the ancient” ed è un esemplare del secondo.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523 -1567) – Vase decorated with naked men, 1543

80,00 

Enea Vico (1523 – 1567) – Vase decorated with naked men it is an engraving made in 1543, dated and monogrammed on the plate at the bottom.
This work is part of the series “Different subjects of Vases from the ancient”, representing the second specimen.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Technique: Burin
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) Vase with decorations, 1543

80,00 

Vase with decorations It is an engraving made by Aeneas Vico in 1543, part of the series “Different subjects of Vases from the ancient”.
Questa opera è datata e monogrammata in lastra in basso, rappresentando un esemplare di grande valore artistico.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Contemporary laid paper
  • Condition: Excellent state of preservation

Enea Vico (1523-1567) Vase with decorations, 1543

80,00 

Vase with decorations It is an engraving made by Aeneas Vico In the 1543, part of the series “Different subjects of Vases from the ancient”.
This work represents the second example of the series and stands out for its splendid test, imprinted on laid paper contemporary without watermark.

  • Sheet size: cm. 37×25 approx.
  • Engraving size: cm. 25×18 approx.
  • Support: Laid paper
  • Condition: Excellent state of preservation

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