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Como, Panorama, 1890
30,00 €Como, Panorama è una stampa xilografica realizzata nel 1890, che offre una vista suggestiva della città di Como.
Questa opera è tratta da un testo italiano di fine Ottocento e presenta un’immagine di dimensioni cm. 17×24 circa, circondata da testo e con ulteriore testo al verso del foglio.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 17×24 approx.
- Technique: Woodcut
- Condition: Excellent state of preservation
- Support: Paper
Como, Porta Vittoria, 1890
20,00 €How, Victory Gate it is a woodcut print made in 1890, coming from an Italian text from the late nineteenth century.
This work features an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Como, Coat of Arms, 1871
15,00 €Como, Stemma It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi, Milazzo.
Questa stampa rappresenta lo stemma della città di Como ed è caratterizzata da una parte incisa di dimensioni cm. 8×9, con piccoli margini, su un foglio leggero.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
- Notes: The print was removed from the book and has writing on the verso.
Como, View of the Lake, 1877
20,00 €Como, Veduta del Lago è un’incisione xilografica realizzata nel 1877 da Rudolf Schick, un noto pittore di ritratti e paesaggista.
Questa suggestiva veduta del Lago di Como è tratta dal volume Italy by J. Gourdault, published in Paris.
- Size of the joke: mm. 187×113
- Margins: almost absent
- Support: Light paper
- Condition: Excellent
La stampa, ritagliata dal libro, presenta un retro scritto e offre un’immagine nitida e ben contrastata, animata da un’atmosfera vivace.
Comunione, La Meditazione, 1850-90
15,00 €La Meditazione è un’incisione realizzata tra il 1850 e il 1890, che rappresenta il soggetto della Comunione.
Published by the publishing house L.Turgis et fils edit. di Parigi, Francia, questa opera è un esempio di raffinata arte tipografica.
- Sheet size: cm. 8×12 approx.
- Condition: Excellent state of preservation
- Support: Paper
Comus and Timon, A.H.Payne, 1840-50
20,00 €Comus and Timone It is an engraving made by AH Payne between 1840 and 1850.
This etching on medium-thickness paper, it has a format of 21x27 cm and a white back.
The engraver's signature is present at the bottom right: AHPayne sc..
The press was published in Payne's Universum und Buch der Kunst, Leipzig and Dresden.
- Sheet size: cm. 21×27
- Condition: Excellent
- Support: Medium thickness paper
Albert Henry Payne, English engraver and designer, was born in London in 1812 and died in 1902 in Leipzig, where he founded a publishing house, the English Art Institute.
Common, in Greek mythology, represents the nocturnal alcoholic revelry, while Helm of Phlius He is an ancient skeptical philosopher, known for his critical thinking.
Conegliano, Vittorio Emanuele Street, 1890
20,00 €Conegliano, Vittorio Emanuele Street, 1890 it's a woodblock print which represents a fascinating glimpse of Conegliano at the end of the 19th century.
This work is characterized by a large-sized image cm. 9×12 approximately, surrounded by text and with additional text on the back of the sheet. The complete sheet measures cm. 30×20 and will be shipped in its entirety.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 9×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Conegliano, Treviso, 1890
20,00 €Conegliano, Treviso, 1890 it's a woodcut in size cm. 10×13, from a French book from the late 19th century.
This beautiful print, animated and in excellent condition, was cut out of the book and has writing on the back.
The full page print will be shipped, ensuring a complete collecting experience.
- Sheet size: Small
- Support: Paper
- Condition: Excellent
Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium
80,00 €Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.
- Technique: Watercolor woodcut
- Sheet size: cm. 34×22
- Condition: Excellent
- Support: Paper
There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 1
80,00 €Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.
- Technique: Watercolor woodcut
- Sheet size: cm. 34×22
- Support: Paper
- Condition: Excellent
There Historia Animalium It was one of the first scientific reference works, initially published in Latin and later translated into German.
The first German publications of the various parts were printed in 1563, while the Bird book (Book of Birds) was published in 1557, shortly before the present plate.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2
90,00 €Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.
- Technique: Watercolor woodcut
- Sheet size: cm. 34×22
- Support: Paper
- Condition: Excellent
There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3
90,00 €Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.
- Sheet size: cm. 34×22
- Support: Paper
- Condition: Excellent
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 5
90,00 €Ornithological Table by Conrad Gessner It is an engraving made between 1551 and 1587, taken from the work Historiae Animalium.
This plate, published in Zurich by the Froschauer publishing house, represents an important source of scientific studies in the field of zoology.
- Sheet size: cm. 34×22
- Engraving size: cm. 34×22 (another image on the back)
- Technique: Watercolor woodcut
- Condition: Excellent state of preservation
- Support: Paper
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 6
80,00 €Ornithological Table by Conrad Gessner It is an engraving made by Conrad Gessner, an important naturalist of the 16th century.
This plate is taken from the work Historiae Animalium, published in Zurich between 1551 and 1587, with the German edition of 1557.
- Sheet size: cm. 34×22
- Technique: Watercolor woodcut
- Support: Paper
- Condition: Excellent
There Historia Animalium It is considered one of the first scientific works on animals, used as a source of scientific studies and translated into several languages.
The first German publications of the various parts of the work were produced by the Froschauer publishing house of Zurich, contributing significantly to the spread of zoological knowledge during the Renaissance period.
Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 7
80,00 €Conrad Gessner (Zurich, 1516 – 1565) is an important figure in the field of natural history, known for his work Historiae Animalium.
This Ornithological Table It is taken from the German edition of 1557, published by Froschauer in Zurich.
- Sheet size: cm. 34×22
- Technique: Watercolor woodcut
- Condition: Excellent
- Support: Paper
There Historia Animalium has been a fundamental source for scientific studies, with the first German publications of the various parts dating back to 1563. The third part, the Bird book (Book of Birds), was published in 1557, contributing significantly to the ornithological knowledge of the time.
Consacrazione, Cresima, 1880
20,00 €Consacrazione, Cresima It is an engraving made in 1880, che rappresenta un importante momento religioso.
Published by the publishing house A. Frojo Ed.Succ. Leonardi Torino, questa opera è un esempio di arte tipografica italiana.
- Sheet size: cm. 7×11 approx.
- Technique: Etching with lace-cut edges
- Condition: Perfect
- Support: Paper
Consalvo Carelli, Casamicciola
140,00 €Consalvo Carelli, Casamicciola It is a work created by Consalvo Carelli, one of the main exponents of the Posillipo School.
This pencil on paper, dated between 1870 and 1880, measures 142 x 220 mm. Unsigned, the work bears the inscription 'Casamicciola' on the bottom left.
- Sheet size: mm. 142×220
- Support: Paper glued to another paper support
- Condition: Excellent
Carelli, born in Naples in 1818, had an important artistic career, becoming a master of painting and academician of San Luca. His work is a significant example of the Neapolitan landscape tradition of the 19th century.
Consalvo Carelli, Woman with Child
80,00 €Donna con bambino It is a work created by Consalvo Carelli between 1870 and 1880, using the pencil on paper technique.
Questo lavoro, non firmato, è incollato ad un altro supporto cartaceo e presenta dimensioni di mm. 100×128.
- Era: XIX
- Technique: Burin
- Condition: Excellent
- Dimensions: Small
- Support: Paper
Consalvo Carelli, one of the main exponents of the Posillipo School, nacque a Napoli nel 1818. Figlio del noto paesaggista Raffaele Carelli, iniziò la sua carriera artistica in giovane età, perfezionando le sue abilità sotto la guida di William Leicht.
Nel corso della sua vita, Carelli ricevette numerosi riconoscimenti, tra cui l’incarico di maestro di pittura della Regina Margherita e la nomina a professore presso l’Accademia di San Luca. Morì a Napoli nel 1900, lasciando un’importante eredità artistica.
Consalvo Carelli, Woman with dog and child
180,00 €Woman with dog and child It is a work created by Consalvo Carelli between 1870 and 1880.
This refined pencil on paper, characterised by a delicate blue colour, is glued to another paper support.
- Sheet size: mm. 225×142
- Condition: Excellent state of preservation
- Support: Paper
Carelli, one of the main exponents of the Posillipo School, was born in Naples in 1818.
His artistic training began at a young age, under the guidance of his father Raffaele, and he perfected his skills with the Englishman William Leicht.
His career includes important recognitions, such as the position of painting master to Queen Margherita and the nomination as professor at the Accademia di San Luca.
Consalvo Carelli, Family of Shepherds
240,00 €Family of shepherds on the road It is a work created by Consalvo Carelli between 1870 and 1880.
This engraving, made in ink on paper, represents an evocative scene of pastoral life, typical of his style influenced by Posillipo School.
- Sheet size: mm. 136×167
- Support: Paper glued to another paper support
- Condition: Excellent
Consalvo Carelli, Landscapes
40,00 €Landscapes It is a work of Consalvo Carelli, built between 1870 and 1880.
This pencil on paper features two sketches, one of which appears to depict Vesuvius.
- Sheet size: mm. 73×132
- Support: Paper
- Condition: Excellent
Carelli, one of the major exponents of the Posillipo School, was born in Naples in 1818.
His artistic training began at a young age, under the guidance of his father, Raffaele, and later with the Englishman William Leicht.
His career includes important recognitions, such as the position of painting master to Queen Margherita and the nomination as professor at the Accademia di San Luca.
Consalvo Carelli, Abruzzo landscape
70,00 €Abruzzo landscape It is a work of Consalvo Carelli, created between 1870 and 1880, using the pencil on paper technique.
This unsigned work is glued to another paper support and measures 38x95 mm.
- Artist: Consalvo Carelli (1818-1900)
- Era: 19th century
- Condition: Excellent
- Support: Paper
- Dimensions: Small
Carelli is considered one of the major exponents of the Posillipo School, a painting movement that had an important influence in the 19th century.
Born in Naples, Carelli honed his art under the guidance of his father and other masters, becoming a renowned landscape painter. His career was marked by important awards and collaborations, including illustrations for historical and artistic works.
Consalvo Carelli, Abruzzo landscape
60,00 €Abruzzo landscape It is a work created by Consalvo Carelli between 1870 and 1880, using pencil on paper.
This unsigned work is glued to another paper support and measures 86x144 mm.
- Artist: Consalvo Carelli (1818-1900)
- Era: 19th century
- Dimensions: Small
- Support: Paper
- Condition: Excellent
Carelli is considered one of the major exponents of the Posillipo School, a pictorial movement that had great development in the 19th century.
Born in Naples to a family from Puglia, Carelli began painting at a young age, learning from his father and perfecting his techniques with the Englishman William Leicht.
He held important roles in the field of art, becoming an academic of San Luca and collaborating with illustrious personalities of his time.
Consalvo Carelli, Abruzzo landscape with shepherds
260,00 €Abruzzo landscape with shepherds It is a work created by Consalvo Carelli between 1870 and 1880. This valuable engraving, signed lower right, represents a typical landscape of Abruzzo, enriched by the presence of shepherds.
Carelli, one of the major exponents of the Posillipo School, used pencil on paper, glued to another paper support.
- Dimensions: mm. 180×280
- Condition: Excellent
- Support: Paper
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