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Israel Silvestre, Chiesa di Notre-Dame de Boulogne
40,00 €Chiesa di Notre-Dame de Boulogne It is an engraving made by Israel Silvestre, un noto artista del XVII secolo.
Questa opera, datata al 18th century, rappresenta un’importante testimonianza artistica dell’epoca.
- Sheet size: cm. 19×27 approx.
- Engraving size: cm. 12×25 circa
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Israel Silvestre, Paris, 1670, 19th century
40,00 €Israel Silvestre, Parigi, 1670 è un’incisione realizzata da Amand Durand nel XIX secolo.
Questa opera, che rappresenta un’importante testimonianza della produzione artistica di Silvestre, è un’acquaforte che misura cm. 13×20 alla battuta del rame, su un foglio di cm. 28×19.
- Sheet size: cm. 28×19
- Engraving size: cm. 13×20
- Support: Laid paper without watermark
- Condition: Excellent
Israel Silvestre (1621-1691) è stato un incisore, insegnante, editore e disegnatore francese, noto per le sue opere che catturano la vita e l’architettura del suo tempo.
Istanbul, Blue Mosques, Türkiye, Achmeds Mosques, 1850
25,00 €Istanbul, Blue Mosques It is an engraving made in 1850, representing the iconic Achmeds Mosque, a symbol of Turkish architectural beauty.
This etching It is characterized by an image size of 10x15 cm, with margins included, printed on medium-thickness paper with a white back.
- Sheet size: Small
- Condition: Excellent
- Support: Paper
Ithaca, C.Frommel, 1829
25,00 €Ithaca It is an engraving made by Carl Frommel In the 1829, part of the series 50 Bilder zu Virgils Heneide….
This etching on medium paper features a sized engraving cm. 7×10 on a sheet of paper cm. 13×22, with white back.
- Condition: Excellent state of preservation
Itaca, Ithaca, 1850
25,00 €Ithaca It is an engraving made in 1850, which offers a beautiful view dell’isola greca.
This work is an etching on light paper, proveniente da un libro della metà del XIX secolo.
- Image size: cm. 10×15 approx.
- Condition: Excellent
Italia Centrale, 1829
20,00 €Italia Centrale, 1829 è un’incisione realizzata a bulino su rame, che cattura l’essenza della regione centrale italiana.
This work is taken from Horazen's Works by Dr. Sickler, with engravings by Carl Frommel.
- Sheet size: cm. 26×21 approx.
- Engraving size: cm. 11×7 approx.
- Support: Medium paper with white back
- Condition: Excellent state of preservation
Italia, C.Frommel, 1829
25,00 €Italy It is an engraving made by Carl Frommel In the 1829.
This work is taken from the volume 50 Bilder zu Virgils Heneide…, which features engravings by Frommel himself.
- Sheet size: cm. 13×22 approx.
- Engraving size: cm. 7×10 approx.
- Technique: Etching
- Support: Medium paper
- Condition: Excellent state of preservation
Itri, Latina, 1845
25,00 €Itri, Latina, 1845 it's a lithographic printing which represents the Sanctuary of Civita located in Itri, in the Province of Terra di Lavoro.
This work is taken from Picturesque Polyorama, an important periodical publication that aimed to spread useful knowledge across all social classes.
- Print Size: cm. 12×15
- Margins: almost absent
- Condition: Excellent
- Support: Paper
The print has been cut from the book and has writing on the verso; the full page with historical notes will be sent.
The Picturesque Polyorama It was published from 1836 to 1860 in the Kingdom of the Two Sicilies and covered various topics, including science, technology and art.
Ivrea, The Towers seen from the Square, 1890
20,00 €Ivrea, The Towers seen from the Square It is a woodcut print made in 1890, which captures a fascinating glimpse of the city of Ivrea.
This work is taken from an Italian text from the late nineteenth century and presents an image measuring approximately 10x12 cm, surrounded by text and with additional text on the back of the sheet. The complete sheet measures 30x20 cm.
- Sheet size: cm. 30×20
- Image size: cm. 10×12
- Technique: Woodcut
- Condition: Excellent state of preservation
- Support: Paper
Ivrea, Panorama, 1890
20,00 €Ivrea, Panorama It is a woodcut print made in 1890, which offers a suggestive view of the city of Ivrea.
This work is taken from a late nineteenth-century Italian text and features an image measuring approximately 10x12 cm, surrounded by text and with additional information on the back of the sheet, which measures 30x20 cm.
- Sheet size: cm. 30×20 approx.
- Image size: cm. 10×12 approx.
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
Ivrea, Coat of Arms, 1871
15,00 €Ivrea, Coat of Arms It is a woodcut made in 1871, taken from the work The Hundred Cities of Italy for Ariodante Manfredi.
This print features an engraving measuring 8x9 cm, with small margins, on a light sheet.
- Sheet size: Small
- Technique: Woodcut
- Condition: Excellent
- Support: Paper
J.Anglada-Villa exlibris
10,00 €J. Anglada-Villa Exlibris it is an engraving of erotic style, made with the technique of woodcut.
This small-sized exlibris is a fascinating and intriguing work, perfect for collectors and enthusiasts.
- Sheet size: cm. 11×14
- Support: Light paper
- Condition: Excellent
J.Both, At Sunset, 1830
50,00 €At Sunset It is a colored aquatint made by J.Both in 1830.
This work, measuring 13x18 cm, is mounted on a thick cardboard support measuring approximately 21x27 cm.
- Taken from: DULWICH GALLERY by R. Cockburn
- Condition: Excellent
- Stamp: Haverhill Public Library on the reverse
- Characteristics: Splendid execution and rare decorative work
J.Chauvet, 1800
20,00 €J. Chauvet, 1800 è un’incisione realizzata con la tecnica dell’acquaforte.
Questa opera, di dimensioni contenute, presenta margini regolari e un retro bianco, rendendola un pezzo interessante per collezionisti e appassionati.
- Engraving size: mm. 82×44
- Sheet size: mm. 243×157
- Support: Carta vergata
- Condition: Excellent condition
J.F.Swebach, Cavalli e Carro, fine XVIII sec.
40,00 €Cavalli e Carro It is an engraving made by J.F. Swebach alla fine del XVIII secolo.
Questo lavoro rappresenta una scena vivace e dinamica, tipica dello stile dell’artista, noto per le sue opere che catturano la vita quotidiana e la natura.
- Sheet size: cm. 19×26 approx.
- Engraving size: cm. 8×14 approx.
- Technique: Aquatint
- Support: Laid paper
- Condition: Excellent state of preservation
Jacob Ruisdael, Il campo di Grano, 1640, XIX secolo
30,00 €Il campo di Grano It is an engraving made by Jacob Ruisdael nel 1640, un’opera emblematicamente rappresentativa del secolo d’oro olandese.
Questa incisione, eseguita da Amand Durand nel XIX secolo, è un esempio di maestria nell’arte della Etching.
- Sheet size: cm. 28×19 approx.
- Engraving size: cm. 13×16 approx.
- Support: Laid paper
- Condition: Excellent state of preservation
Jacques Bénigne Bossuet, 1850
20,00 €Jacques Bénigne Bossuet è un’incisione in acciaio realizzata nel 1850.
Questa opera ritrae il celebre scrittore, vescovo cattolico e teologo francese, noto per la sua eloquenza e le sue opere religiose.
- Engraving size: cm. 10×13 approx.
- Support: Strong paper with white back
- Condition: Excellent condition
Jacques Callot The Martyrdom of the Apostles 1634
120,00 €The Martyrdom of the Apostles It is a series of four plates made by Jacques Callot in 1634.
This series includes representations of the Martyrdom of St. Paul, Martyrdom of St. Philip, Martyrdom of St. Thaddeus And Martyrdom of St. Peter.
- Sheet size: mm. 63×45 without margins
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jacques Callot Little Passion 1625-1699
35,00 €Jacques Callot – Piccola Passione è un’acquaforte realizzata tra il 1625 e il 1699, rappresentante il tema di Cristo nel Getsemani.
Questa opera fa parte della serie conosciuta come The Little Passion, datata dagli studiosi al 1624-1625 circa, e si basa su 12 disegni conservati al Louvre.
- Engraving size: mm. 67×55 alla battuta del rame
- Support: Incollata su altro supporto cartaceo
- Condition: Excellent
- Rarity: Opera di alto livello incisorio, molto rara
Jacques Callot, (Nancy 1594-1635) Beggar with jug
40,00 €Beggar with pitcher It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This work is an unsigned etching, characterized by a format of mm. 95×160, made on laid paper without watermark.
- Sheet size: Small
- Condition: Excellent
- Era: 18th century
- Technique: Etching
Jacques Callot, (Nancy 1594-1635) A Beggar
40,00 €A Beggar It is an engraving made by Jacques Callot (Nancy 1594-1635), part of the series The Beggars.
This etching It is unsigned and measures 95x160 mm without a frame, printed on laid paper without watermark.
- Condition: Excellent condition
- Era: 17th century
- Dimensions: Small
Callot is known for his ability to capture the fantastic freedom and sensitivity of light in his works. His favorite themes, such as soldiers and beggars, offer an elegant and picturesque vision of the life of his time.
Jacques Callot, Pistol Fight, 1632-34
40,00 €Gun Fight It is an engraving made by Jacques Callot between 1632 and 1634.
This work, part of the series The Combats of Cavalry, is an etching that represents an intense moment of battle.
- Sheet size: mm. 55×91 at the copper edge plus 1.5 cm of margins
- Support: Laid paper
- Condition: Excellent
Jacques Callot, Hunchback with Stick, 1621
70,00 €Hunchback with stick It is an engraving made by Jacques Callot between 1621 and 1625.
This work is part of the series Various hunchback figures and is a significant example of Callot's mastery of engraving.
- Sheet size: mm. 64×90 approx.
- Technique: Etching
- Support: Laid paper
- Condition: Excellent
Jacques Callot, The Great Miseries of War
900,00 €The Great Miseries of War It is a complete series of 18 engravings made by Jacques Callot in 1633, published by Israel Henriet.
This series, known as Les Misères et les Malheurs de la guerre, represents in a crude and realistic way the atrocities and suffering caused by war conflicts.
- Engraving dimensions: mm. 75×185
- Support: Unlaid paper
- Condition: Excellent, except for board no. 9 with a small repaired tear
- Era: 17th century
- Technique: Burin
- Dimensions: Small
The series includes plates illustrating various aspects of war, such as conscription, battles, plunder and public executions, culminating in a reflection on the human condition in times of war.
Each panel is a powerful visual commentary on the brutality of the conflict and the suffering of civilians, making this work an important historical and artistic testimony.
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