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Searching for Harold's Body, 1850-60

20,00 

Cercando il corpo di Harold It is an engraving made between 1850 and 1860, inspired by a work in the Royal Collection.
Questa incisione è stata pubblicata nell’Art Journal Engraving e combina le tecniche dell’etching and of the burin.

  • Sheet size: cm. 32×24
  • Condition: Excellent general condition
  • Support: Strong engraving paper

Circle of Jakob Philipp Hackert, Gouache, 1794

1.600,00 

Cerchia di Jakob Philipp Hackert è una splendida gouache realizzata nel 1794.
Questa opera, di soggetto bucolico, presenta una fattura dettagliata delle mucche e un sapiente uso dei verdi, che rendono plausibile l’attribuzione a Jakob Philipp Hackert o a un suo seguace.

  • Dimensioni dell’ovale: cm. 37×48
  • Dimensioni del cartoncino: cm. 41×51
  • Support: Carta spessa incollata su cartoncino
  • Condition: Ottime, con qualche strappo ai margini del cartoncino di supporto, che non interessa il dipinto

L’opera si vende senza certificato di attribuzione con la clausola di visto e piaciuto.

Charles Le Brun (1619-1690), Versailles Gallery, 1752

90,00 

Charles Le Brun (1619-1690) è un’incisione originale realizzata nel 1752, che rappresenta Ornements de L’Angle qui termine la Galerie, parte della Galleria di Versailles.
This work is taken from ‘La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent’, pubblicata a Parigi nel 1752.

  • Sheet size: cm. 49×40 circa
  • Image size: cm. 40×33 circa
  • Technique: Etching
  • Support: Carta spessa vergellata
  • Condition: Excellent

Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.

Charles Le Brun, The Gallery of Versailles, 1752

90,00 

La Galleria di Versailles è un’incisione realizzata da Charles Le Brun nel 1752, che rappresenta un’importante opera del XVIII secolo.
Questa incisione, intitolata Ornements de L’Angle qui termine la Galerie (Salone della Pace), è stata impressa su carta spessa vergellata ed è tratta da La Grande Galerie de Versailles, et les deux Salons qui l’accompagnent, pubblicato a Parigi nel 1752.

  • Sheet size: cm. 49×40 circa
  • Engraving size: cm. 40×33 circa
  • Support: Laid paper
  • Condition: Excellent state of preservation

Si prega di notare che, date le dimensioni, l’opera verrà spedita arrotolata in un tubo rigido.

Chiaravalle, Interior of the Church, 1884

30,00 

Chiaravalle, Interior of the Church It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work offers a suggestive view of the interior of the church of Chiaravalle, capturing the architectural essence of the period.

  • Sheet size: cm. 25×35 approx.
  • Support: Paper
  • Condition: Excellent
  • Notes: Written on the back, the entire sheet containing the print will be sent.

Cloister of the Abbey of Piona, The Hanging Stone near Torno, Bellano Ravine, 1884

30,00 

Cloister of the Abbey of Piona, The Hanging Stone near Torno, Bellano Ravine It is a woodcut engraving made in 1884, extracted from The Italian Illustration, published in Milan by Fratelli Treves Editori.
This work represents an important artistic and cultural testimony of the time.

  • Sheet size: cm. 25×35 approx.
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

The entire sheet containing the print will be sent.

Cirrophetalum, Orchid, Chromolithograph, 1867

40,00 

Cirrophetalum Pahudii it's a chromolithography made in 1867, from the volume Neerland's Plantentuin from Groningen.
This splendid print represents an orchid and stands out for its decorativeness and lively colours.

  • Sheet size: cm. 35×26 approx.
  • Condition: Excellent, with central fold and small holes due to the binding
  • Support: Thick paper with white backing

Civitavecchia, 1833-1845

70,00 

Civitavecchia, 1833-1845 è un’incisione realizzata da Attilio Zuccagni-Orlandini, un noto cartografo e geografo italiano.
This acquaforte rifinita al bulino rappresenta la città di Civitavecchia e i suoi dintorni, ed è tratta dall’importante opera Corografia fisica, storica e statistica dell’Italia e delle sue isole, pubblicata tra il 1833 e il 1845.

  • Sheet size: mm. 450×620
  • Engraving size: mm. 330×510
  • Support: Thick engraving paper
  • Condition: Perfect state of preservation

Como, The Cathedral, 1884

30,00 

Como, The Cathedral It is a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work represents a suggestive view of the Como Cathedral, capturing the architectural essence of the time.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Conrad Gessner (Zurigo, 1516 – 1565) Tavola Ornitologica tratta da Historiae Animalium

80,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from his famous work Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Condition: Excellent
  • Support: Paper

There Animal history It has been a fundamental source for scientific studies, with early German publications from various parts having a significant impact on the field of zoology.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 2

90,00 

Conrad Gessner (Zurich, 1516 – 1565) is the author of this Ornithological Table taken from Historiae Animalium.
Published in Zurich by Froschauer between 1551 and 1587, this German edition dates back to 1557.

  • Technique: Watercolor woodcut
  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

There Historia Animalium, first published in Latin, has been widely reprinted and translated, becoming a fundamental source for scientific studies.
The first German publications of the various parts were produced by the Froschauer publishing house in Zurich, with the Bird book (Book of Birds) published in 1557.

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 3

90,00 

Conrad Gessner (Zurich, 1516 – 1565) presents a Ornithological Table taken from Historiae Animalium, published in Zurich by Froschauer between 1551 and 1587.
This watercolour woodcut, dating back to 1557, is an important testimony to the history of zoology, used as a source of scientific studies.

  • Sheet size: cm. 34×22
  • Support: Paper
  • Condition: Excellent

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 5

90,00 

Ornithological Table by Conrad Gessner It is an engraving made between 1551 and 1587, taken from the work Historiae Animalium.
This plate, published in Zurich by the Froschauer publishing house, represents an important source of scientific studies in the field of zoology.

  • Sheet size: cm. 34×22
  • Engraving size: cm. 34×22 (another image on the back)
  • Technique: Watercolor woodcut
  • Condition: Excellent state of preservation
  • Support: Paper

Conrad Gessner (Zurich, 1516 – 1565) Ornithological Table taken from Historiae Animalium 6

80,00 

Ornithological Table by Conrad Gessner It is an engraving made by Conrad Gessner, an important naturalist of the 16th century.
This plate is taken from the work Historiae Animalium, published in Zurich between 1551 and 1587, with the German edition of 1557.

  • Sheet size: cm. 34×22
  • Technique: Watercolor woodcut
  • Support: Paper
  • Condition: Excellent

There Historia Animalium It is considered one of the first scientific works on animals, used as a source of scientific studies and translated into several languages.
The first German publications of the various parts of the work were produced by the Froschauer publishing house of Zurich, contributing significantly to the spread of zoological knowledge during the Renaissance period.

Correggio, Lo sposalizio di Santa Caterina, 1884

30,00 

Correggio, Lo sposalizio di Santa Caterina it's a woodcut extracted from The Italian Illustration of 1884, published in Milan by Fratelli Treves Editori.
This work has a sheet size of 25x35 cm and includes writing on the back.

  • Sheet size: cm. 25×35
  • Support: Paper
  • Condition: Excellent

The entire sheet containing the print will be sent.

Corsica, 1865

60,00 

Corsica, 1865 è una carta geografica acquarellata che rappresenta l’isola di Corsica, realizzata nel 1865.
Disegnata da Naymiller e incisa da Allodi, questa opera è tratta dall’Atlas of Universal Geography Chronological, Historical, Statistical and Literary by Francesco Pagnoni, published in Milan.

  • Sheet size: cm. 49×38 approx.
  • Paper size: cm. 40×32 approx.
  • Support: Paper
  • Condition: Excellent

Italian regional costume, 1840

30,00 

Italian Regional Costume, 1840 It is a fascinating chromolithograph that represents the Italian tradition and culture of the 19th century.
This work is made on thick paper with a white back, making it a unique piece for collectors and art enthusiasts.

  • Sheet size: cm. 35×27 approx.
  • Support: Thick paper
  • Condition: Excellent condition

Knightly costumes, 1876

20,00 

Costumi cavallereschi è una cromolitografia realizzata nel 1876, tratta dall’opera Histoire du costume di RACINET, pubblicata da Firmin Didot et C. a Parigi.
Questa stampa illustra con grande dettaglio i costumi tipici dei cavalieri dell’epoca, offrendo uno spaccato affascinante della moda storica.

  • Sheet size: cm. 42×29
  • Support: Thick paper with white backing
  • Condition: Excellent condition

Costumi della Campagna di Roma, 1860

30,00 

Costumi della Campagna di Roma è un’incisione xilografica realizzata nel 1860, che cattura l’essenza della tradizione e della cultura romana.
This work is part of the Album Evenement, published in Paris by Imprimerie Auguste Vallée.

  • Sheet size: mm. 290×400
  • Technique: Woodcut
  • Condition: Excellent
  • Support: Paper

Costumes of Campania, 18th century

40,00 

Costumes of Campania, 18th century è un’incisione che rappresenta i costumi tradizionali dei contadini e popolani della Campania nel XVIII secolo.
Made in etching su carta spessa vergellata, quest’opera offre uno spaccato della vita quotidiana e delle tradizioni di un’epoca passata.

  • Sheet size: cm. 22×32 approx.
  • Support: Laid paper
  • Condition: Excellent

Costumes of Italy of the 16th century, 1876

20,00 

Costumi Italia del XVI secolo it's a chromolithography realizzata nel 1876, tratta dall’opera Histoire du costume di RACINET, pubblicata da Firmin Didot et C. a Parigi.
Questa stampa offre una rappresentazione vivida e dettagliata dei costumi dell’epoca, rendendola un pezzo prezioso per collezionisti e appassionati di storia del costume.

  • Sheet size: cm. 42×29
  • Support: Thick paper with white backing
  • Condition: Excellent condition

Religious Costumes, 1876

20,00 

Costumi Religiosi è una splendida cromolitografia realizzata nel 1876, tratta dall’opera Histoire du Costume di RACINET, pubblicata da Firmin Didot et C. a Parigi.
Questa illustrazione offre una visione affascinante dei costumi religiosi dell’epoca, evidenziando la ricchezza dei dettagli e dei colori.

  • Sheet size: cm. 42×29
  • Support: Thick paper with white backing
  • Condition: Excellent condition

Religious Costumes, 1876

20,00 

Costumi religiosi è una cromolitografia realizzata nel 1876, tratta dall’opera Histoire du costume di RACINET, pubblicata da Firmin Didot et C. a Parigi.
Questa stampa illustra con grande dettaglio i costumi religiosi dell’epoca, offrendo uno sguardo affascinante sulla moda storica.

  • Sheet size: cm. 42×29 circa
  • Support: Thick paper with white backing
  • Condition: Excellent condition

Religious Costumes, Nuns, 1876

20,00 

Costumi religiosi, Monache it's a chromolithography realizzata nel 1876, tratta dall’opera Histoire du costume di RACINET, pubblicata da Firmin Didot et C. a Parigi.
Questa stampa offre una rappresentazione affascinante dei costumi religiosi femminili, evidenziando la ricchezza dei dettagli e la varietà dei tessuti.

  • Sheet size: cm. 42×29 circa
  • Support: Thick paper with white backing
  • Condition: Excellent condition

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